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Wyszukujesz frazę "Onuoha, Onyekachi Peter" wg kryterium: Autor


Wyświetlanie 1-2 z 2
Tytuł:
Men as Puns in the feminist African novel
Autorzy:
Onuoha, Onyekachi Peter
Oyndamola, Opere Humuani
Powiązania:
https://bibliotekanauki.pl/articles/1062816.pdf
Data publikacji:
2019-06-30
Wydawca:
Akademia Pedagogiki Specjalnej. Language and Society Research Committee
Tematy:
Chinweizu
Men
Pun
Feminist
African Novel
Opis:
The dominant hierarchy upon which the order of existence is predetermined has placed the man at the centre of creation; which is also substantiated by cultural norms that prioritized generic divides. The principles of feminism have been created to alter patriarchal hegemony in order to reconstruct the distorted female self of an egalitarian society. However, in an attempt to reconstruct these misconceptions upheld by patriarchy, most feminist texts and criticisms have denied the woman the agency of freewill and independent choices, except the continuous emphasis on feminist objectification that patriarchy seem to propagate. It is against this backdrop, that this paper interrogates the subjugation of the woman by her fellow woman and to outline a model of feminist liberation. This is consequent upon the fact that even at the disruption of patriarchy, some feminist scholars have failed to account for the role of women in using men as puns in the subjugation of their fellow women in the African novel. Consequently, this paper replicates Chinweizu’s Masculinist Dissection of Matriarchy and uses feminist-deconstruction to interrogate Ama Ata Aidoo’s Changes and Nawal El Saadawi’s A Woman at point Zero. To this effect, it submits that women are stakeholders in the structure of matriarchy and the substructure of patriarchy and men are mere puns in the structure of matriarchal subjugation of their fellow woman. The concept of pun(s) which is play on word is used in its expounded form on how women manipulate men physically and psychologically for their economic and political gains.
Źródło:
Language, Discourse & Society; 2019, 7, 1; 163-186
2239-4192
Pojawia się w:
Language, Discourse & Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Revolutionary Trope and Environmental Pedagogy in Frank Arase’s Somewhere in Africa: The Cries of Humanity and David Attwood’s Blood and Oil
Autorzy:
Okam, Chinyere Lilian
Onyekachi Peter, Onuoha
Powiązania:
https://bibliotekanauki.pl/articles/2129805.pdf
Data publikacji:
2021-12-30
Wydawca:
Akademia Pedagogiki Specjalnej. Language and Society Research Committee
Tematy:
Eco-capitalism
Eco-criticism
Language
Memory
Revolutionary praxis
Environmental pedagogy
Opis:
The dehumanisation and exploitation of the environment of the Niger Delta has become a template for fear of the end of human existence. This has driven an increased interest in studies about Anthropocene. From the 1980s, Robert Buell and Adrian Ivakhiv have advanced what Smith Kopnina terms The Environmental Condition to the frontiers of global scholarship thereby greening the humanities. Scholars in environmental studies like Bill McGuire have decried the rising level of floods, the ignorance of the destruction of the environment and the possibility of an apocalypse. Creative writers and dramatic artistes alike, including film makers from Africa and beyond have engaged in the exploration of environmental interests focusing on its degenerating condition, often depicting how people could take social action towards liberating themselves and their environment from oppressive chains. The study aims to interrogate how these stated eco-critical aims have been achieved in selected movies. Through the concept of anthropocene and eco-criticism, the paper undertakes acontent analysis of Frank Rajah Arase’s Somewhere in Africa: The cries of Humanityand David Attwood’s Blood and Oilto explore these concerns.
Źródło:
Language, Discourse & Society; 2021, 9 (2); 48-62
2239-4192
Pojawia się w:
Language, Discourse & Society
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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