Temat: fluxus - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Uchwycić ulotne: Analiza For a Drummer George’a Brechta oczami wykonawcy
Capturing Ephemerality: George Brecht’s For a Drummer from the Perspective of a Performer
Autorzy:: Olchowik, Mika
Powiązania:: https://bibliotekanauki.pl/articles/2154760.pdf
Data publikacji:: 2020
Wydawca:: Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:: performance
re-performance
performer
Fluxus
George Brecht
Opis:: The main purpose of the article is to present an individual approach of analysing and reperforming For a Drummer by George Brecht, a legendary composer and a member of Fluxus. The text is divided into several parts. The first half of the article is dedicated to the history and definition of performance art, the second one focuses on a performer persona and their artistic abilities. The latter leads to an actual analysis of a creative process, starting with a short biographical background of Brecht, followed by reading and understanding of the event score with a culmination found in the author’s re-performance.
Źródło:: Kwartalnik Młodych Muzykologów UJ; 2020, 2(45); 87-108
2956-4107
2353-7094
Pojawia się w:: Kwartalnik Młodych Muzykologów UJ
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Capturing Ephemerality: George Brecht’s For a Drummer from the Perspective of a Performer
Autorzy:: Olchowik, Mika
Powiązania:: https://bibliotekanauki.pl/articles/2159096.pdf
Data publikacji:: 2020
Wydawca:: Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:: performance
re-performance
performer
Fluxus
George Brecht
Opis:: The main purpose of the article is to present an individual approach of analysing and reperforming For a Drummer by George Brecht, a legendary composer and a member of Fluxus. The text is divided into several parts. The first half of the article is dedicated to the history and definition of performance art, the second one focuses on a performer persona and their artistic abilities. The latter leads to an actual analysis of a creative process, starting with a short biographical background of Brecht, followed by reading and understanding of the event score with a culmination found in the author’s re-performance.
Źródło:: Kwartalnik Młodych Muzykologów UJ; 2020, 2(45) ENG; 85-104
2956-4107
2353-7094
Pojawia się w:: Kwartalnik Młodych Muzykologów UJ
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 3.

Tytuł:: Od elektronicznej muzyki do elektronicznego obrazu. Exposition of Music – Electronic Television Nam June Paika
From electronic music to electronic image. Nam June Paik’s Exposition of Music – Electronic Television
Autorzy:: Zając, Maryla
Powiązania:: https://bibliotekanauki.pl/articles/514043.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:: Nam June Paik
Fluxus
performance
avant-garde
electronic music
Opis:: Nam June Paik (1932–2006) is now considered to be the most influential creator in visual arts. He is said to be the first artist who presented television as a source of artistic experience. However, nowadays many people forget about his musical beginnings. Starting as a musician, he was inspired by, for example, John Cage, whose philosophical way of thinking had a positive impact on Paik’s future experiments with music and objects. Exposition of Music – Electronic Television (1963, Wuppertal) was artist’s symbolic transfer from music to visual arts, presenting prepared pianos together with prepared TV’s. The article presents the exhibition as well as the environment created by Paik, showing the equality, importance and impact of two not so different kinds of art.
Źródło:: Kwartalnik Młodych Muzykologów UJ; 2016, 4(31); 100-117
2956-4107
2353-7094
Pojawia się w:: Kwartalnik Młodych Muzykologów UJ
Dostawca treści:: Biblioteka Nauki

Artykuł

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