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    Wyświetlanie 1-4 z 4
    Tytuł:
    The Role of Jane Wilhelmina Stirling in Fryderyk Chopin’s Life and in Preserving Memory and Legacy of the Composer
    Autorzy:
    Pieńkowska, Paulina
    Powiązania:
    https://bibliotekanauki.pl/articles/513928.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
    Tematy:
    Jane Wilhelmina Stirling
    Fryderyk Chopin
    Romantic music
    Chopin’s heritage
    Opis:
    The role of Jane Wilhelmina Stirling in Fryderyk Chopin’s life as well as in preserving his legacy is nowadays underestimated. Jane Stirling was not only Chopin’s pupil, but also his patron. She organized a concert tour to England and Scotland for him and tried to support the composer financially. Moreover, she defrayed the costs of the composer’s funeral and erecting his gravestone. After his death, she focused on what Chopin had left passing away. It is thought that she purchased most of the items from his last flat; she acquired also the last piano the composer had played. She tried to protect the autograph manuscripts he had left, and attempted to arrange the publication of compositions that had been retained only in a sketch form.
    Źródło:
    Kwartalnik Młodych Muzykologów UJ; 2017, 1(32) Eng; 5-27
    2956-4107
    2353-7094
    Pojawia się w:
    Kwartalnik Młodych Muzykologów UJ
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Rola Jane Wilhelminy Stirling w życiu Fryderyka Chopina oraz w kultywowaniu dziedzictwa i pamięci o kompozytorze
    The role of Jane Wilhelmina Stirling in Fryderyk Chopin’s life and in preserving memory and legacy of the composer
    Autorzy:
    Pieńkowska, Paulina
    Powiązania:
    https://bibliotekanauki.pl/articles/514150.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
    Tematy:
    Jane Wilhelmina Stirling,
    Fryderyk Chopin,
    Romantic music,
    Chopin’s legacy
    Opis:
    The role of Jane Wilhelmina Stirling in Fryderyk Chopin’s life as well as in preserving his legacy is nowadays underestimated. Jane Stirling was not only Chopin’s pupil, but also his patron. She organized a concert tour to England and Scotland for him and tried to support the com¬poser financially. Moreover, she defrayed the costs of the composer’s funeral and erecting his gravestone. After his death, she focused on what Chopin had left passing away. It is thought that she purchased most of the items from his last apartment; she acquired also the last piano the composer had played. She tried to protect the autograph manuscripts he had left, and attempted to arrange the publication of compositions that had been retained only in a sketch form.
    Źródło:
    Kwartalnik Młodych Muzykologów UJ; 2017, 1(32); 5-29
    2956-4107
    2353-7094
    Pojawia się w:
    Kwartalnik Młodych Muzykologów UJ
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Chopin on Barricades: About the 100th Anniversary of Chopin’s Birth (1949) and Socialist Realism Doctrine in Poland1
    Autorzy:
    Bruliński, Michał
    Powiązania:
    https://bibliotekanauki.pl/articles/514010.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
    Tematy:
    socialist realism
    socrealism
    Fryderyk Chopin
    Polish People’s Republic
    1949
    Opis:
    The main aim of this paper is to examine the discourse on Frédéric Chopin that took place in Poland in 1949, when the 100th anniversary of his birth coincided with the culmination of the socialist realist propaganda in the field of Polish culture. The discourse, initiated and moderated under effective surveillance of the Polish People’s Republic’s government, was filled with communist ideology. The authorities aimed at creating a sense of communion in the Polish nation, therefore they undertook numerous actions in the area of cultivating memory of Chopin and reception of his works. The composer was used as a banner under which the culture of socialist realism was to be consolidated. Chopin was presented by the narrators in the socialist realist context in various dimensions. “Deep humanism”, “truth”, “optimism”, “sincerity” and “democratic features” of Chopin’s music were the crucial notions used by them. Chopin was depicted, among others, as a revolutionist and a prophet of triumph of communism. The oeuvre of Chopin was said to bring together “fraternal countries and nations”, Polish People’s Republic and Soviet Union, while being simultaneously a crucial element of class conflict. The authorities had a tendency to overemphasize folk roots of his compositions, thus among musical genres composed by Chopin the importance of Mazurka was exaggerated. Other genres without such strong folk connotations, as sonatas, ballades and scherzos, were marginalized in the discourse.
    Źródło:
    Kwartalnik Młodych Muzykologów UJ; 2018, 1(36) Eng; 77-114
    2956-4107
    2353-7094
    Pojawia się w:
    Kwartalnik Młodych Muzykologów UJ
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Chopin na barykadach, czyli o socrealistycznych narracjach w 1949 roku1
    Chopin on Barricades: About the 100th Anniversary of Chopin’s Birth (1949) and Socialist Realism Doctrine in Poland
    Autorzy:
    Bruliński, Michał
    Powiązania:
    https://bibliotekanauki.pl/articles/514063.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
    Tematy:
    socialist realism
    socrealism
    Fryderyk Chopin
    Polish People’s Republic
    1949
    Opis:
    The main aim of this paper is to examine the discourse on Frédéric Chopin that took place in Poland in 1949, when the 100th anniversary of his birth coincided with the culmination of the socialist realist propaganda in the field of Polish culture. The discourse, initiated and moderated under effective surveillance of the Polish People’s Republic’s government, was filled with communist ideology. The authorities aimed at creating a sense of communion in the Polish nation, therefore they undertook numerous actions in the area of cultivating memory of Chopin and reception of his works. The composer was used as a banner under which culture of socialist realism was to be consolidated. Chopin was presented by the narrators in the socialist realist context in various dimensions. “Deep humanism”, “truth”, “optimism”, “sincerity” and “democratic features” of Chopin’s music were the crucial notions used by them. Chopin was depicted, among others, as a revolutionist and a prophet of triumph of communism. The oeuvre of Chopin was said to bring together “fraternal countries and nations”, Polish People’s Republic and Soviet Union, while being simultaneously a crucial element of class conflict. The authorities had a tendency to overemphasize folk roots of his compositions, thus among musical genres composed by Chopin the importance of Mazurka was exaggerated. Other genres without such strong folk connotations, as sonatas, ballades and scherzos, were marginalized in the discourse.
    Źródło:
    Kwartalnik Młodych Muzykologów UJ; 2018, 1(36); 75-109
    2956-4107
    2353-7094
    Pojawia się w:
    Kwartalnik Młodych Muzykologów UJ
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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