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Wyszukujesz frazę "Polish composer" wg kryterium: Wszystkie pola


Wyświetlanie 1-5 z 5
Tytuł:
The Artistic Profile of Aleksander Zarzycki: A Forgotten Composer of the Romantic Era
Autorzy:
Popielska, Klaudia
Powiązania:
https://bibliotekanauki.pl/articles/2171396.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Aleksander Zarzycki
Polish music of the nineteenth century
piano works
solo songs
Opis:
The second half of the 19th century in the history of Polish music is a neglected period, both in the aspect of performance and the aspect of research on this music. Unfortunately, works of many composers from this period have been forgotten. One of such composers is undoubtedly Aleksander Zarzycki (1834–1895), a composer, teacher, virtuoso pianist; the author of over 40 opuses and the composer of many solo songs with piano accompaniment, which were often compared to the songs of Stanisław Moniuszko. Similarly to the most famous Polish composer of songs, Zarzycki created two songbooks that are part of the trend of egalitarian songs. He was also renowned for his short piano pieces, written in a salon style with virtuoso elements. One of his most famous works was the Mazurka in G major, which was popularised by the Spanish virtuoso violinist Pablo Sarasate. Also noteworthy is his Piano Concerto in A flat major Op. 17, referring to the Piano Concerto in A minor by Fryderyk Chopin and the Concerto in G minor by Józef Wieniawski. Zarzycki’s works are characteristic of his era, including references to folklore, national style, virtuosity and the socalled "Romantic mood".
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2020, 3(46) ENG; 21-37
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sylwetka twórcza Aleksandra Zarzyckiego – zapomnianego kompozytora doby romantyzmu
The Artistic Profile of Aleksander Zarzycki: A Forgotten Composer of the Romantic Era
Autorzy:
Popielska, Klaudia
Powiązania:
https://bibliotekanauki.pl/articles/2159092.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Aleksander Zarzycki
Polish music of the 19th century
piano works
solo songs
Opis:
The second half of the 19th century in the history of Polish music is a neglected period, both in the aspect of performance and the aspect of research on this music. Unfortunately, works of many composers from this period have been forgotten. One of such composers is undoubtedly Aleksander Zarzycki (1834–1895), a composer, teacher, virtuoso pianist; the author of over 40 opuses and the composer of many solo songs with piano accompaniment, which were often compared to the songs of Stanisław Moniuszko. Similarly to the most famous Polish composer of songs, Zarzycki created two songbooks that are part of the trend of egalitarian songs. He was also renowned for his short piano pieces, written in a salon style with virtuoso elements. One of his most famous works was the Mazurka in G major, which was popularised by the Spanish virtuoso violinist Pablo Sarasate. Also noteworthy is his Piano Concerto in A flat major Op. 17, referring to the Piano Concerto in A minor by Fryderyk Chopin and the Concerto in G minor by Józef Wieniawski. Zarzycki’s works are characteristic of his era, including references to folklore, national style, virtuosity and the socalled "Romantic mood".
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2020, 3(46); 23-39
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polski epizod w działalności artystycznej pianisty i kompozytora Josepha Woelfla
Polish episode in artistic activity and output of pianist and composer Joseph Woelfl
Autorzy:
Bogula, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/514073.pdf
Data publikacji:
2015-07-01
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Joseph Woelfl
Michał Kleofas Ogiński
polonaise
piano concerto
pianist
Opis:
Joseph Woelfl, an Austrian pianist and composer, was born on 24th December 1773 in Salzburg, where he began his musical education. In 1790 he left his hometown for Vienna, most probably following Wolfgang Amadeus Mozart. He can't have stayed there long as in 1791 he was admitted for service at Prince Michał Kleofas Ogiński's estate, where he spent about fifteen months. Prince Ogiński is remembered in the history of music mainly as the master of the stylised polonaise. The short cooperation with Woelfl bore fruit in their artistic activities, as Prince Ogiński created his first stylised polonaises during that time. Similarly, Woelfl was inspired by Polish surroundings. During his stay in Warsaw he created Polonaise, which became part of his sonata, marked as Fw 7 by Margit Haider-Dechant in the Joseph Woelfl. Verzeichnis seiner Werke, which was probably performed during a public concert in the capital of the Polish-Lithuanian Commonwealth in 1792. The Polish dance must have made a great impression on the Austrian composer, as Polonaise in the form of a rondo reappeared in his musical output in the third movement of Piano Concerto No.1 op. 20, published in Paris nearly ten years later. Neither Joseph Woelfl nor above mentioned Piano Concerto op. 20 are currently popular in Poland. Thus, I would like to have a closer look at the piece, paying particular attention of the third movement Rondo a la Polonaise and at the same time referring to the mutual inspirations of the Austrian and Prince Michał Kleofas Ogiński.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2015, 2(25); 4-14
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Henryk Mikołaj Górecki’s Chamber Music Works in the Context of the Transformations of the Composer’s Style: Selected Examples
Autorzy:
Sucharska, Weronika
Powiązania:
https://bibliotekanauki.pl/articles/2171384.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Henryk Mikołaj Górecki
twentieth-century music
chamber music
Polish music
composition techniques
Aria (‘operatic scene’)
Concerto for Five
Instruments and String Quartet
Quartettino
Little Music 4
Opis:
The aim of this paper is to analyse stylistic changes in Henryk Mikołaj Górecki’s output on the example of four selected chamber music works: Quartettino, Op. 5, Concerto for Five Instruments and String Quartet, Op. 11, Little Music 4, Op. 28 and Aria (‘operatic scene’), Op. 59. By applying the methods of structural and auditory analysis as well as style criticism, I discuss the diversity of composition techniques found in these compositions. Additionally, my methodology has allowed me to represent the idiomatic, idiosyncratic features of Górecki’s style and study the ways in which Górecki approached chamber music.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2020, 3(46) ENG; 87-108
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dzieła kameralne Henryka Mikołaja Góreckiego w kontekście przemian stylu kompozytora. Wybrane przykłady
Henryk Mikołaj Górecki’s Chamber Music Works in the Context of the Transformations of the Composer’s Style: Selected Examples
Autorzy:
Sucharska, Weronika
Powiązania:
https://bibliotekanauki.pl/articles/2159088.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Henryk Mikołaj Górecki
20th-century music
chamber music
Polish music
composition techniques
Aria operatic stage
Concerto for Five Instruments and String Quartet
Quartettino
Muzyczka IV
Opis:
The aim of this paper is to study stylistic changes in Henryk Mikołaj Górecki’s works based on four predefined instances of chamber music: Quartettino, Op. 5, Concerto for Five Instruments and String Quartet, Op. 11, Muzyczka IV, Op. 28 and Aria scena operowa, Op. 59. The use of structural, auditory and style-critics analyses has made is possible to follow the variety of the composition techniques present in chamber compositions. Additionally, it has allowed to exhibit idiomatic features of Górecki’s style and enabled to study the way in which Górecki used chamber music.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2020, 3(46); 91-113
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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