- Tytuł:
-
Artysta – emigrant – pielgrzym. O norwidowskim autoportrecie „Ipse ipsum”
Artist – Immigrant – Pilgrim: On Norwid’s self-portrait "Ipse ipsum" - Autorzy:
- Chlebowska, Edyta
- Powiązania:
- https://bibliotekanauki.pl/articles/2152474.pdf
- Data publikacji:
- 2021-12-15
- Wydawca:
- Narodowe Centrum Kultury
- Tematy:
-
Cyprian Norwid
autoportret
portret
rysunek polski
kolekcjonerstwo
self-portrait
portrait
Polish drawing
collecting - Opis:
- This article offers an interpretation of Cyprian Norwid’s self-portrait Ipse ipsum created in 1857 in Paris. Given its intriguing approach, references to the poet’s biography and literary works, as well as rich symbolism, the drawing occupies a particular place in the collection of over 20 cartoon self-portraits by the author of Promethidion. Its presentation is accompanied by an outline of its turbulent history and a brief literature overview. The circumstances in which it was drawn prove crucial for the understanding of Norwid’s approach to his own image. Selfcreation is adopted as the pivotal perspective in the light of which the self-portrait is interpreted as an image presenting the author of Vade-mecum as an artist, an emigrant, and a pilgrim, with the historical, biographical, and literary contexts playing important roles in all three representations. The poems Czy podam się o amnestię [Shall I Request Amnesty] and Pielgrzym [The Pilgrim] shed some extra light on the drawing of Norwid standing on the map of the world and surrounded by barking dogs, allowing us to search for deeper meanings in the poet’s spiritual profile.
- Źródło:
-
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 116, 4; 181-193
1230-4808 - Pojawia się w:
- Kultura Współczesna. Teoria. Interpretacje. Praktyka
- Dostawca treści:
- Biblioteka Nauki
Artykuł