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    Wyświetlanie 1-4 z 4
    Tytuł:
    Norwid o czytaniu – czytanie Norwida. Uwagi
    Norwid on reading, reading Norwid. Observations
    Autorzy:
    Korpysz, Tomasz
    Powiązania:
    https://bibliotekanauki.pl/articles/2152451.pdf
    Data publikacji:
    2021-12-15
    Wydawca:
    Narodowe Centrum Kultury
    Tematy:
    Cyprian Norwid
    czytanie
    interpretacja
    rozumienie
    reading
    interpretation
    understanding
    Opis:
    An exquisite artist of the word himself, Cyprian Norwid was also a voracious, observant, and critical reader. He authored many writings about reading, or the ‘art of reading’ that requires effort, commitment, and collaboration with the writer. The poet used the verb ‘to read’ in several meanings: 1) ‘To put letters into words and words into sentences, and thus discern their content and decode them at the fundamental level’; 2) ‘To utter or render aloud, perorate, recite’; 3) ‘To consider, analyse, interpret, and grasp the actual meaning of words and utterances’; and 4) ‘To examine someone or something closely, and thus try to obtain an indepth understanding of them’. Norwid’s observations about reading provide a significant starting point for many studies and interpretations of his other works. However, hardly any of them are dedicated to non-specialist audiences. The most recent publication of this type, Norwid – interpretacje [Norwid: Interpretations], is a collective work of a few authors. It has been prepared as part of the ‘Jubilees’ series to celebrate the Year of Cyprian Norwid.
    Źródło:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 116, 4; 142-148
    1230-4808
    Pojawia się w:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Artysta – emigrant – pielgrzym. O norwidowskim autoportrecie „Ipse ipsum”
    Artist – Immigrant – Pilgrim: On Norwid’s self-portrait "Ipse ipsum"
    Autorzy:
    Chlebowska, Edyta
    Powiązania:
    https://bibliotekanauki.pl/articles/2152474.pdf
    Data publikacji:
    2021-12-15
    Wydawca:
    Narodowe Centrum Kultury
    Tematy:
    Cyprian Norwid
    autoportret
    portret
    rysunek polski
    kolekcjonerstwo
    self-portrait
    portrait
    Polish drawing
    collecting
    Opis:
    This article offers an interpretation of Cyprian Norwid’s self-portrait Ipse ipsum created in 1857 in Paris. Given its intriguing approach, references to the poet’s biography and literary works, as well as rich symbolism, the drawing occupies a particular place in the collection of over 20 cartoon self-portraits by the author of Promethidion. Its presentation is accompanied by an outline of its turbulent history and a brief literature overview. The circumstances in which it was drawn prove crucial for the understanding of Norwid’s approach to his own image. Selfcreation is adopted as the pivotal perspective in the light of which the self-portrait is interpreted as an image presenting the author of Vade-mecum as an artist, an emigrant, and a pilgrim, with the historical, biographical, and literary contexts playing important roles in all three representations. The poems Czy podam się o amnestię [Shall I Request Amnesty] and Pielgrzym [The Pilgrim] shed some extra light on the drawing of Norwid standing on the map of the world and surrounded by barking dogs, allowing us to search for deeper meanings in the poet’s spiritual profile.
    Źródło:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 116, 4; 181-193
    1230-4808
    Pojawia się w:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Lekcja portretu. „Do Tytusa M.”
    A portrait lesson: "Do Tytusa M."
    Autorzy:
    Dąbrowicz, Elżbieta
    Powiązania:
    https://bibliotekanauki.pl/articles/2152450.pdf
    Data publikacji:
    2021-12-15
    Wydawca:
    Narodowe Centrum Kultury
    Tematy:
    ekfraza
    portret
    Do Tytusa M.
    Cyprian Norwid
    Orfeusz i Eurydyka
    ekphrasis
    portrait
    Orpheus and Eurydice
    Opis:
    This article studies "Do Tytusa M." [To Tytus M.], a poem written by Cyprian Norwid in Paris in February 1857 and first published in 1860 by a popular Warsaw columnist as an excerpt from the album of the painter Tytus Maleszewski. The poem is addressed to the latter and discusses the portrait of Norwid that was to be painted by Tytus M. in pastel to preserve the image of the poet who had lived in exile for years. Norwid’s poem constitutes a peculiar ekphrasis of the work that is yet to be composed, outlining differences in both artists’ approaches to the art of portrait. Serving also as the poet’s peculiar self-portrait, it subtly intertwines the biographical references with mythological allusions (to the scene of Orpheus and Eurydice leaving the land of death), everyday life with artistic ideas, a solemn tone with a familiar and playful note. This poetic study of the portrait is confronted with the studies of faces included in Czarne kwiaty [Black Flowers] commemorating Norwid’s last encounters with Stefan Witwicki, Juliusz Słowacki, etc. Another context is provided by the images of contemporary figures, representatives of the world of politics and culture, published in the press at that time.
    Źródło:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 116, 4; 149-162
    1230-4808
    Pojawia się w:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Na maskaradzie żywota. O „Tyrteju – Za kulisami”
    The masquerade of life. On Norwid’s "Tyrtej – Za kulisami"
    Autorzy:
    Ziołowicz, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/2152448.pdf
    Data publikacji:
    2021-12-15
    Wydawca:
    Narodowe Centrum Kultury
    Tematy:
    Cyprian Norwid
    dramat
    widowisko kulturowe
    koncepcje poezji
    cywilizacja i antropologia XIX wieku
    drama
    cultural performance
    concepts of poetry
    19th-century civilisation and anthropology
    Opis:
    This article discusses one of the most polyphonic works by Cyprian Norwid – the dramatic diptych" Tyrtej – Za kulisami" [Tyrtej – Behind the Scenes], proposing a multifaceted interpretation. Given that the compositional chaos and gaps in the manuscript gave rise to the textual and editorial disputes that proved critical for the interpretation of the work, this paper first focuses on the manuscripts of both plays and their most recognised editions (by Zenon Przesmycki, Juliusz W. Gomulicki, and by Julian Maślanka). Second, it examines the attitude of Norwid’s diptych to dramatic forms and traditions, including ancient tragedy, different variants of comedy, Romantic tragedy, music drama, nativity play, and cultural performance. The analysis of the ideological layer sheds some light on several issues such as: the condition and the mission of the poet (the confrontation of Tyrtaeus [Tyrtaios, Tyrtej] with the contemporary poet Omegitt as Norwid’s interpretation of the concept of poetry), questions about the nature and development trends of human civilisation (the confrontation of the formation systems of ancient Athens, Sparta, and the 19th-century population as an expression of the author’s historiosophical pessimism), and the anthropological reflection inspired by Diogenes of Sinope, referred to in Za kulisami, and his ‘search for an honest man’ (as Norwid’s critique of the human condition in the 19th century and the expression of his anthropological ideal).
    Źródło:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 116, 4; 163-180
    1230-4808
    Pojawia się w:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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