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Wyszukujesz frazę "Self-image" wg kryterium: Wszystkie pola


Wyświetlanie 1-3 z 3
Tytuł:
Zawodowy obraz siebie a obraz współczesnego narcyzmu. Rozwój zagadnienia vocational self-concept jako inspiracja do rozważań nad kulturą narcystyczną i jej krytyką
The image of professional self and contemporary narcissism. The development of the vocational self-concept as an inspiration for a reflection on narcissistic culture and its criticism
Autorzy:
Jezierska-Geburczyk, Daria
Powiązania:
https://bibliotekanauki.pl/articles/1856965.pdf
Data publikacji:
2020
Wydawca:
Narodowe Centrum Kultury
Tematy:
self
zawodowy obraz siebie
narcyzm
zdrowy narcyzm
refleksyjność
personal branding
vocational self-concept
narcissism
healthy narcissism
reflectiveness
Opis:
Narcissism understood as a trait may be recognised either as a disorder or a symptom of health. Approached through this prism, the culture of narcissism doesn’t only carry risks but also opportunities for the evolving construction of the self. In the article they are discussed on the example of the vocational self-concept and contemporary cultural practices used in the work on the professional self. The latter may include: image building – an example of a threat, reinforcement of the negative form of narcissism; and personal branding – an example of the potential, a pretext to strengthen the healthy form of narcissism. However, the development of the vocational self-concept discussed in the article indicates yet another possible direction of research: people’s increased awareness in constructing their professional self. It is a result of self-conceptualising, a process which distinguishes two components within the self: ‘I’ and ‘me’. Can narcissistic attitudes produce similar results? The proposed analogy, examples and claims about reflectiveness raise questions about the current state of the culture of narcissism and its criticism.
Źródło:
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2020, 108, 1; 168-182
1230-4808
Pojawia się w:
Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Selfie - kreowanie wizerunku a emancypacyjna rola fotografii w reprezentacji osób niepełnosprawnych
Selfies: crafting one’s image and the emancipatory role of photography in representing people with disabilities
Autorzy:
Powierska, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/1853572.pdf
Data publikacji:
2018
Wydawca:
Narodowe Centrum Kultury
Tematy:
media społecznościowe
selfie
niepełnosprawność
autoreprezentacja
social media
disability
self-presentation
Opis:
The article aims to analyze the importance of selfies as an emancipatory tool used by people with disabilities. As observed by Jose van Dijck, in the era of new technologies the value of individual photographs and images as private memorabilia is decreasing while their potential in the area of social communication is on the rise; photos are turning into a visual language. Major role is here played by selfies, self-portraits intended as a form of self-presentation and self-creation. The person presented is at the same time the presenter who gives meaning to his or her own image, indirectly imposing it on others. A selfie has become a tool of emancipation for people with disabilities. Having regained their own look, they can oppose the looks from others which often express compassion, surprise or rejection. Similarly to selfie-feminism, which is to fight the power of the male gaze, selfies of people with disabilities are to fight the power of the gaze as such, with social media as the main frontline. In the article, a selfie is analyzed with respect to the theory of visual language (van Dijck, Rubinstein), and research on crafting one’s own image online.
Źródło:
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2018, 102, 3; 107-115
1230-4808
Pojawia się w:
Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Autokreowanie wizerunku w mediach społecznościowych: o związkach między fear of missing out a narcyzmem Wprowadzenie
Self-creation of one’s own image in social media: On the relationship between the Fear Of Missing Out and narcissism
Autorzy:
Jupowicz-Ginalska, Anna
Kisilowska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1856986.pdf
Data publikacji:
2020
Wydawca:
Narodowe Centrum Kultury
Tematy:
fomo
lęk przed odłączeniem
kreowanie wizerunku
media społecznościowe
narcyzm cyfrowy
użytkownicy mediów
fear of disconnection
image creation
social media
digital narcissism
internet users
Opis:
This article tries to explore whether people with high levels of FOMO (Fear Of Missing Out) exhibit narcissistic behavioural patterns when using social media. Selected activities are analysed, in particular those related to the self-creation of one’s own image. The analysis includes the results of nationwide representative studies on FOMO among Polish Internet users aged 15 or older (data as of 2018). People with FOMO exhibit behaviours typical of digital narcissism more intensively compared to general population. This applies both to standard activities (such as writing posts, likes, sharing, tagging, commenting and reviewing) and self-awareness in creating one’s image online. People with FOMO confirm the aforementioned observations as true more frequently, even when they are asked about less comfortable topics, such as lying. Those with high levels of FOMO more often exhibit narcissistic behaviours online, focusing more on activities aimed at creating and promoting their digital image. The text makes a tentative assumption that intentional self-creation in social media – a strict selection of the content that is to be shared – is associated with a strong need for approval, a sense of belonging and self-esteem, i.e. desires that constitute the common denominator for grandiose and vulnerable narcissism. For this reason, it is worth considering whether narcissism, particularly digital narcissism, and FOMO are connected with the culture of anxiety characteristic of modern times.
Źródło:
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2020, 108, 1; 110-126
1230-4808
Pojawia się w:
Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:
Biblioteka Nauki
Artykuł
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