Autor: Kudyba, Wojciech - Katalog OPAC zbiorów

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Tytuł:: Słowo i prawda w powieści Wiesława Myśliwskiego Kamień na kamieniu
Autorzy:: Kudyba, Wojciech
Powiązania:: https://bibliotekanauki.pl/articles/650265.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:: Wiesław Myśliwski, Kamień na kamieniu, antropologia słowa, oralność, mit
Opis:: The word and truth philosophy hidden in the novel Kamień na kamieniu [Stone upon Stone] references the principles of oral culture. The author consciously, through mouths of his characters, delivers a peculiar lecture on word and truth, scored for many episodes – a treatise with a mindset rooted in the folk, pre-writing way of understanding of reality. In Myśliwski’s oral world, the know-ledge of the meaning of words is tantamount to the knowledge of the principles of existence among people. Under Myśliwski’s approach, tale telling is a kind of a spiritual journey to the most primordial existential experiences. The basic function of a word becomes the unveiling of the existential worry. Speech turns out to be a vehicle bringing out from human beings what really connects them. It is only the revealed worry that removes the obstacles separating the participants of a conversation, unveils their deepest identity and their common human fate. For the novel’s narrator, understanding is a kind of a final existential opening to the Other, is a co-experiencing of the Other.
Źródło:: Konteksty Kultury; 2015, 12, 2
2353-1991
Pojawia się w:: Konteksty Kultury
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Łazarz (w) później nowoczesności
Autorzy:: Kudyba, Wojciech
Powiązania:: https://bibliotekanauki.pl/articles/650389.pdf
Data publikacji:: 2012
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Opis:: Lazarus used to fascinate cultures mostly as the one who managed to return from the dead, the one who was called back from death, the only one who came back. He became an icon of return. Not only in painting but also in literature, including works by Dostoyevsky and Eliot. It is tempting to trace the Lazarus of late modernity. Among others, he appears in a poem by Przemysław Dakowicz. This whic could be connected with the character of the “Historical Lazarus” or “Lazarus of the Gospel” – his function of an “icon of resurrection”, a witness to God’s power – is outlined in the poem not as a fact but as an unfulfilled project. The poem reveals a painful split between the mission of a person and its actual existence. This which can be perceived by this person as a moral obligation, a kind of an imperative of conscience, remains something painfully unfinished in his life. Although resurrection appears in the character’s horizon of experience, it is mostly the experience of the Mystery, while the emphasis is put on the painful tremendum rather than ecstatic fascinosum. The poet portraits the protagonist during his attempts to work through a boundary experience evasive to empiricism, unable to be tamed and interiorized. The poem is an image of a struggle of a post-modern seeker of sense in an obvious nonsense of the thing we know as death.
Źródło:: Konteksty Kultury; 2012, 8
2353-1991
Pojawia się w:: Konteksty Kultury
Dostawca treści:: Biblioteka Nauki

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