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Tytuł:: Describing the concept of infinite among art, literature, philosophy and science: a pedagogical-didactic overview
Autorzy:: Di Sia, Paolo
Powiązania:: https://bibliotekanauki.pl/articles/628075.pdf
Data publikacji:: 2014
Wydawca:: Fundacja Pro Scientia Publica
Tematy:: infi nite, education, pedagogy, science, philosophy, humanities, art, religion
Opis:: In this work an interesting overview concerning the human attempts in the description of the concept of infi nite is presented. This peculiar concept represents a cardinal point in the history of human culture, because man, with different modalities, has always compared with it. Historically the main followed streams were two: the rational and the irrational approaches. In the fi rst approach we fi nd disciplines such as philosophy, mathematics and physics; thesecond is the domain of literature, arts and religion. Some activities for developing ideas about the intuitive concept of the infi nity at the level of compulsory education will be also given.
Źródło:: Journal of Education Culture and Society; 2014, 5, 1; 9-19
2081-1640
Pojawia się w:: Journal of Education Culture and Society
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Photography and sculpture:The multifaceted relation of sculpture to photography and new media in the light of the evolving concept of sculpture
Autorzy:: Dzwonkowska, Paulina
Powiązania:: https://bibliotekanauki.pl/articles/628677.pdf
Data publikacji:: 2010
Wydawca:: Fundacja Pro Scientia Publica
Tematy:: Modern Sculpture, Photography, Polish Art, Environment, Installation Art, New media, Modern Art
Opis:: The relationship between photography and sculpture, unlike the dialogue between the latter and painting, was long treated as a peripheral issue. Yet as early as the mid-20th century photography began to show potential that sculpture seemed to be lack. Aware of a large degree of overlap between the two forms of artistic expression, (e.g. with respect to materiality, spatiality, or accentuating frozen gestures) sculptors did not leave sculpture for photography, but attempted to create works that were interdisciplinary in structure. The rise of interest in photography displayed by Polish sculptors was closely connected with the evolution of the concept of sculpture. In the mid-20th century artists creating traditional sculptures (understood as a solid or as a visually rendered spatial form) began to experiment and cross the boundaries of well-established artistic tradition. The changes introduced enabled sculptors to interweave their field with other artistic disciplines, especially photography, even more closely. More and more frequently, sculpture started to establish multi-faceted relations with the new medium. At the beginning the potential of photography as a documentation tool was exploited. Then sculptors began to appreciate photography’s core values, using it to capture and preserve a given moment in time. Finally, they applied it in works that can be classified as close to hyperrealism. The employment of still newer materials and tools made the link between sculpture and photography inextricable, as can be shown through works of Polish artists.
Źródło:: Journal of Education Culture and Society; 2010, 1, 1; 26-36
2081-1640
Pojawia się w:: Journal of Education Culture and Society
Dostawca treści:: Biblioteka Nauki

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