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    Wyświetlanie 1-9 z 9
    Tytuł:
    Ekowidmontologia jako strategia lektury. Studium przypadku „Kości, które nosisz w kieszeni” Łukasza Barysa
    Ecohauntology as a Reading Strategy. Case Study of „The Bones You Carry in Your Pocket” by Łukasz Barys
    Autorzy:
    Michalski, Mateusz Adam
    Powiązania:
    https://bibliotekanauki.pl/articles/30147278.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    ecohauntology
    hyperobjects
    ecology
    trauma
    climate catastrophe
    Opis:
    The article is an attempt to reflect on the relationship between the subject and the environment in a state of crisis on example of the novel by Łukasz Barys entitled The Bones You Carry in Your Pocket. The author proposes a psychoanalytic reading strategy, the main theme of which are ‘spectres’ (Derrida) associated with the traumogenic relationship between the ‘I’ and nature. Be text analyses climate catastrophe in the context of hyperobject theory (Morton) and their entanglement in local structure.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2022, 15; 51-63
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Nostalgia, Depression and Suicide as the Consequence of Acquired and Inherited Trauma in Amelia Rosselli’s Poetry
    Autorzy:
    Zasada, Olga
    Powiązania:
    https://bibliotekanauki.pl/articles/2216008.pdf
    Data publikacji:
    2021-12-14
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    nostalgia
    depression
    suicide
    trauma
    Amelia Rosselli
    Opis:
    In one of her many poetic motivation descriptions included in her literary works and comments, Amelia Rosselli points to tough-life experience as a factor influencing her artistic creativity. The Italian twentieth-century poet repeatedly emphasizes a direct impact of mental well-being as the driving force of her writing process. A gloomy flashback, hand in hand with a concept, experience, and fantasy, influence the expression of her pieces and structures the literary space. A minor overtoned reference to the grievous reality of Fascist Italy connected with the murder-for-hire of family members, sudden and premature death of her sweetheart and brother, mental illness in the context of the DNA memory, and, finally, the promise of suicide had all impacted noticeably upon the verses of her poems. Another thing worth mentioning is the issue of stress and hardships lived through by Amelia Rosselli’s mother and her immediate relatives just prior to the poet’s birth. According to the latest developments in medicine and cognitive sciences, any psychical damage influences bodily and mental functioning of persons not only directly affected by them, but also their descendants. The linguistic terms applied in the pieces of the Italian poet provoke a discussion of the phenomenon of post-memory. The term, which was proposed by Marianne Hirsch to refer to collective trauma inheritance, has been recently broadened by psychologists to encompass individual memory as well. The fragments written in four language codes (Italian, French, English, and music notation) offer hints to be used in the psycho-emotional analysis of the poet. Additionally, scrutinizing Amelia Rosselli’s nostalgic lyrical pieces, we can discern, by referring to psychological sciences, how the composition-making can constitute an auto-psychotherapy procedure. In terms of interdisciplinarity, the experience of melancholy and nostalgia in Amelia Rosselli’s artistic creativity covers the psychological, social, historical, cultural, political, and artistic areas.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2021, 13; 89-98
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Widma i kości. Pandemiczna lektura „Kości, które nosisz w kieszeni” Łukasza Barysa
    Spectres and bones. Pandemic reading of "The bones you carry in your pocket" by Łukasz Barys
    Autorzy:
    Michalski, Mateusz Adam
    Powiązania:
    https://bibliotekanauki.pl/articles/2215868.pdf
    Data publikacji:
    2022-09-29
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    pandemic
    literary space
    spectre
    postmemory
    trauma
    silence
    Opis:
    This article presents a pandemic interpretation of Łukasz Barys 2021 debut, The bones you carry in your pocket. It aims to analyze the impact of the virus as a „spectrum” (Derrida) on the life of the individual and to look at the „assamblage” (Žižek) effect of the pandemic. It encompasses the „human and the non-human” (Žižek), bringing together a constellation of „postmemory” (Hirsh) spectres, traumas, bones, death and past that begins to dominate reality. The narrative is thus the testimony of an individual living in a world of blight. However, it is a latent and silent testimony. It can be found in the descriptions underlined between family traumas and the grime of everyday life, in which death, love and illness are constantly mixed together.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2022, 14; 96-108
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Representing and Teaching the Holocaust in the 21st Century: A Practical Proposal
    Autorzy:
    Pellicer-Ortín, Silvia
    Powiązania:
    https://bibliotekanauki.pl/articles/545568.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    Holocaust
    representation
    fiction
    testimony
    education
    memory
    trauma
    ethics
    Opis:
    This article draws on the well-known assumption in Trauma and Holocaust Studies that the representation of traumatic episodes that have affected a huge number of people is usually an aporetic phenomenon. In the case of the Holocaust, the portrayal of these horrible events is always linked to some ethical and historical limits that try to avoid its trivialisation. The first part of this study provides an overview of the evolution of the literary representation of the Holocaust and of the main controversies that have always surrounded the narration of this episode. Then, this evolution will be related to the current „memory boom” and confessional culture that has invaded the cultural panorama, which in the case of the Holocaust has been manifested in the emergence of new hybrid testimonial narratives and the overuse and even commodification of such a traumatic episode. My main contention is that these complex questions have reached the educational context too and thus, the worlds of history, literary criticism and education seem to collide to challenge the future generations’ answers to the Holocaust. All these ideas are finally exposed in a practical exercise that could be carried out in the classroom to discuss whether or not there are textual differences between various testimonial genres, and to figure out how the Holocaust can be kept alive ethically. It will contribute to supporting my closing argument that education has acquired an extremely relevant role within the field of Holocaust Studies, becoming the new site where its meanings and possible representations may be fruitfully negotiated.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2016, 6; 151-172
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Nostalgia for a Lost Home: Exile and Trauma in Lucette Lagnado’s Memoirs
    Autorzy:
    Issaoui, Ichrak
    Issaoui, Ilhem
    Powiązania:
    https://bibliotekanauki.pl/articles/2216033.pdf
    Data publikacji:
    2021-12-14
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    exile
    trauma
    Said
    flashbacks
    nightmares
    memoirs
    Caruth
    Herman
    Opis:
    This paper seeks to study exile as a traumatic experience by focusing on the multiple manifestations of trauma in the memoirs of the Jewish-Egyptian writer Lucette Lagnado. Exile, in Edward Said’s view, “is the unhealable rift forced between a human being and a native place, between the self and its true home” (Said 2000: 173). Lagnado chose writing to voice the trauma of exile of the whole Jewish Egyptian community expelled from Egypt after the establishment of the state of Israel and the arrival of the Free Officers to power in 1952. In Lagnado’s memoirs, trauma re-surfaces in different places and times, through flashbacks and nightmares. These unwanted and suppressed memories reemerge involuntarily and keep Lagnado trapped in an ever-ending nostalgia. Both Caruth’s work on trauma and Herman’s analysis of the three stages of trauma recovery will help us better understand the place of trauma in Lagnado’s memoirs.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2021, 13; 21-30
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Yearning for Beauty. The Expression of Melancholy in Toni Morrison’s “The Bluest Eye”
    Autorzy:
    Kozłowska, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/545404.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    Toni Morrison
    The Bluest Eye
    trauma studies
    absence
    loss
    melancholy
    Opis:
    The purpose of the paper is to discuss the sources and results of melancholy in Toni Morrison’s novel The Bluest Eye with reference to Dominick LaCapra’s theory based on a distinction between loss and absence. LaCapra claims that the former concept refers to a particular event, while the latter cannot be identified with any specific point in time or object. What is more, LaCapra admits that absence may result in melancholy, i.e. the state in which the individual remains possessed by a negative emotion because there is no possibility of working it through. The idea of absence causing melancholy is exemplified by the protagonist of The Bluest Eye, Pecola Breedlove. The girl dreams about acquiring blue eyes that belong to the prevailing white model of beauty which excludes African-American features. The feeling of absence is intensified by the U.S. education system aimed at promoting the lifestyle and characteristics of white Americans, her own mother who prefers serving white people to taking care of her own children, and the peers that constantly stigmatize Pecola for ugliness. Consequently, she becomes obsessed with the unattainable blue eyes. Since there is no chance for her to be accepted and thus cope with the absence of white features, the girl suffers from melancholy which leads her to insanity and exclusion from society.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2018, 9; 79-86
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kobiece narracje kryzysu. Doświadczenie żałoby w „Sorge” Aleksandry Zielińskiej
    Women’s crisis narratives. The mourning experience in Aleksandra Zielińska’s „Sorge”
    Autorzy:
    Szewczyk, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/2215866.pdf
    Data publikacji:
    2022-09-29
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    Sorge
    mourning
    trauma
    woman
    mother
    daughter
    Pied Piper of Hamelin
    Opis:
    This article concerns Aleksandra Zielińska’s novel Sorge. The author focused on relationships beetwen women – mothers, daughters and sisters in perspective of women’s mourning and also uses cathegory of trauma, abnormal grief and unresolved grief. The author analyses Sorge as (post)pandemic reinterpretation of legend of Pied Piper of Hamelin and examines contemporary forms of mourning in perspective of social quarantines.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2022, 14; 67-81
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Pandemic and Its Shadow. Feminist Theoretical and Art Discourses on Trauma and Community in COVID-19
    Autorzy:
    Zolkos, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/2215877.pdf
    Data publikacji:
    2022-09-29
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    Covid-19 pandemic
    ‘shadow pandemic’
    violence against women
    collective trauma
    psychoanalysis
    Opis:
    This article explores the philosophical and psychoanalytic trajectories of conceptualizing the Covid-19 pandemic as ‘collective trauma’, and considers what would be the risks, but also productive possibilities, of such a theoretical move. the context of this inquiry is the so-called ‘shadow pandemic’ – the drastic increase in domestic violence globally, which accompanied introduction of lockdowns as a measure of containing the impact of Covid-19 on public health infrastructures. For the women who were victims of violence during the lockdowns, the discourse of ‘sheltering’, ‘isolation’ and ‘staying home’ has carried antithetical meanings to the o6cially sanctioned ones – those were meanings of threat, danger, harm, and death. Drawing on the work of two feminist psychoanalytic thinkers, Julia Kristeva and Jacqueline Rose, and on installations by bio-artists Anna Dumitriu and Flo Kasearu, I argue against notions of the pandemic as an external traumatic event that disrupted societies and communities worldwide. Rather, the ‘shadow pandemic’ suggest that there is a more complex, even intimate, relation between the pandemic, violence, and gendered productions of sociality.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2022, 14; 52-66
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Holocaust Satire on Israeli TV: the Battle against Canonic Memory Agents
    Autorzy:
    Steir-Livny, Liat
    Powiązania:
    https://bibliotekanauki.pl/articles/545507.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    Holocaust
    Satire
    Holocaust satire
    Holocaust humor
    Israeli culture
    Israeli Television
    Post-trauma
    Cultural representations
    Opis:
    For many years, Israeli culture recoiled from dealing with the Holocaust from a humorous or satirical perspective. Since the 1990, a new unofficial path of memory has begun taking shape in Israel. Texts that combine the Holocaust with humor are a major aspect of this new memory. The case study includes three skits by The Chamber Quintet (Hahamishia Hakamerit, “Matar” Productions, Channels 2-Tela’ad, Channel 1, 1993-1997), the first who dared to use satire to criticize the Holocaust memory agents in Israel. The paper analyzes the changes in the attitude towards Holocaust humor in Israel through theories of trauma and secondary trauma. Contrary to perceptions that these satirical skits disrespect the Holocaust and its survivors, the paper argues that these skits do not constitute cheapening mechanisms, but are nurtured by pain and criticism of a post-traumatic society.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2016, 6; 197-212
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-9 z 9

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