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    Wyświetlanie 1-12 z 12
    Tytuł:
    Biografia reportażowa w epoce upamiętnienia. O "Schulzu pod kluczem" Wiesława Budzyńskiego
    Reportage biography in the age of commemoration
    Autorzy:
    Romanowski, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/545237.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    Biography
    nostalgia
    memory
    Opis:
    Author of the article explores the phenomenon of reportage biography in context of Pierre Nora's notion of „age of commemoration”. The crucial feature of this new genre of biographical writing is that the biographers focus on testimonies of people who personally knew the biographical subject instead of reading and re-reading documents gathered in the archives. Such an attitude has several consequences for the poetics of the biography. Biography becomes polyphonic as a scene of dialogue or confrontation of many different voices, different approaches on the subject. Biography becomes also ex-centric which means that biographical narrative concerns not on the subject as a central figure of biographical discourse, but delivers space for the witnesses to express their historical experience, to tell their life stories. Author of the article presents these matters by analyzing Bruno Schulz's biography Schulz pod kluczem and showing how this poliphony of accounts typical for reportage biography works in nostalgic frame of Budzyński's approach.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2016, 5; 39-58
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Faces of nostalgia. Restorative and reflective nostalgia in the fine arts
    Autorzy:
    Horváth, Gizela
    Powiązania:
    https://bibliotekanauki.pl/articles/545540.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    Restorative nostalgia
    reflective nostalgia
    contemporary fine arts
    Hungarian „new academism”
    Opis:
    In the present article I use the terminology introduced by Svetlana Boym of restorative nostalgia and reflective nostalgia regarding works of contemporary fine art. Restorative nostalgia implies an effort to revive the past – but without acknowledging that the desired and idealized past never existed, therefore it cannot be restored, either. I illustrate the application of this concept through the “new-academic” direction in today’s contemporary Hungarian fine arts. The reflective nostalgia is aware of the idealizing momentum of the desired past, it reflects critically upon its own desires, and it highlights possibilities in the past regarding the present – often playfully or with irony. I illustrate the latter through the works of the Chinese Ai Wei Wei and the Romanian Mircea Cantor. I argue that reflective nostalgia is not a fruitless burial into the past, but a resource for processing the passing of time in a creative manner.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2018, 9; 145-156
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Forms of Nostalgia in Henry James’s “The American Scene”
    Autorzy:
    Gutorow, Jacek
    Powiązania:
    https://bibliotekanauki.pl/articles/545505.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    Henry James
    memory
    nostalgia
    melancholy
    Opis:
    Henry James was not a sentimental writer. However, in his later books we can find traces of repressed emotions and melancholy. One of the most intriguing literary documents showing the nostalgic strain in James is his collection The American Scene (1907), a record of the novelist’s return to the USA after a twenty-years-old absence. It contains various manifestations of James’s nostalgia – for example, his memories of New York and his melancholic recollections of the places connected with his youth. Also, it shows James’s convoluted rhetoric of memory as a space of repression and displacement as well as his unwillingness to address these issues in a direct fashion.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2018, 9; 123-132
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Nostalgia, Depression and Suicide as the Consequence of Acquired and Inherited Trauma in Amelia Rosselli’s Poetry
    Autorzy:
    Zasada, Olga
    Powiązania:
    https://bibliotekanauki.pl/articles/2216008.pdf
    Data publikacji:
    2021-12-14
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    nostalgia
    depression
    suicide
    trauma
    Amelia Rosselli
    Opis:
    In one of her many poetic motivation descriptions included in her literary works and comments, Amelia Rosselli points to tough-life experience as a factor influencing her artistic creativity. The Italian twentieth-century poet repeatedly emphasizes a direct impact of mental well-being as the driving force of her writing process. A gloomy flashback, hand in hand with a concept, experience, and fantasy, influence the expression of her pieces and structures the literary space. A minor overtoned reference to the grievous reality of Fascist Italy connected with the murder-for-hire of family members, sudden and premature death of her sweetheart and brother, mental illness in the context of the DNA memory, and, finally, the promise of suicide had all impacted noticeably upon the verses of her poems. Another thing worth mentioning is the issue of stress and hardships lived through by Amelia Rosselli’s mother and her immediate relatives just prior to the poet’s birth. According to the latest developments in medicine and cognitive sciences, any psychical damage influences bodily and mental functioning of persons not only directly affected by them, but also their descendants. The linguistic terms applied in the pieces of the Italian poet provoke a discussion of the phenomenon of post-memory. The term, which was proposed by Marianne Hirsch to refer to collective trauma inheritance, has been recently broadened by psychologists to encompass individual memory as well. The fragments written in four language codes (Italian, French, English, and music notation) offer hints to be used in the psycho-emotional analysis of the poet. Additionally, scrutinizing Amelia Rosselli’s nostalgic lyrical pieces, we can discern, by referring to psychological sciences, how the composition-making can constitute an auto-psychotherapy procedure. In terms of interdisciplinarity, the experience of melancholy and nostalgia in Amelia Rosselli’s artistic creativity covers the psychological, social, historical, cultural, political, and artistic areas.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2021, 13; 89-98
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Into That Darkness – Nostalgia for a Lost World
    Autorzy:
    Pluta, Karol
    Powiązania:
    https://bibliotekanauki.pl/articles/545491.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    Holocaust
    Franz Stangl
    nostalgia
    memory
    narration
    Opis:
    The subject of the Holocaust is an extremely sensitive issue today. This applies especially to such controversial figures as Franz Stangl. The aim of the article is to show the unusual personality of Franz Stangl through an interpretation of historical facts. The main research material is the book by Gitta Sereny, Into That Darkness: From Mercy Killing to Mass Murder. The method used by the author was a series of interviews, which were given by Stangl at II trial of Treblinka in 1971. The basis for the analysis is a kind of melancholy returns to the past of the camp, by Stangl, which created a sentimental image of the lost world different from what is described in archival materials. Everything he was talking about was in part a product of his imagination, and in part, an attempt to treat these events rationally. He somehow deliberately used means that are specific to a nostalgic coverage of past events, such as colourful metaphors or peculiar descriptions of personal experiences. Stangl manipulated the events in order to justify his own behaviour or escape from the responsibility.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2018, 9; 21-32
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Nostalgia for the Lost Homeland as Part of Identity in Alė Rūta’s Works
    Autorzy:
    Žindžiuvienė, Ingrida Eglė
    Powiązania:
    https://bibliotekanauki.pl/articles/545320.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    Immigration
    traumatic experience
    loss and longing
    transmitted nostalgia
    Opis:
    The article examines the representation of nostalgic memory of the lost homeland, Lithuania, in the Lithuanian diaspora writer’s, Alė Rūta’s (1915-2011), trilogy called “The Destiny of the Exiled”, which consists of the novels Pirmieji svetur (1984; Eng. - The First Abroad), Daigynas (1987; Eng. – The Seedling Plot), and Skamba tolumoj (1997; Eng. Echoes from Afar). These novels describe the multilayered problems of Lithuanian immigration into the U.S.A. and life of the immigrants there. Alė Rūta (Elena Nakaitė-Arbienė) is a well-known Lithuanian author, most of whose works (novels and collections of short stories and poems, all written in the Lithuanian language) have been published by the publishers of Lithuanian diaspora in the United States of America. The trauma of the loss of the native land results in the transmitted nostalgia in her novels. The author both mourns over the lost homeland and shares with the readers her grief over this loss and longing for seeing it again. In doing this, Alė Rūta echoes the nostalgic voices of many immigrants, who left their native country at different periods. The article also discusses the issue of preservation of ethnic identity, which is constructed on nostalgic and often melancholic memories of the past, and explores different types of nostalgia, which forms a core of Alė Rūta’s trilogy.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2018, 9; 97-108
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Loss, Longing, and Desire: The Poetics of Nostalgia in Qurratulain Hyder’s "My Temples, Too"
    Autorzy:
    Das, Sushobhan
    Powiązania:
    https://bibliotekanauki.pl/articles/2216015.pdf
    Data publikacji:
    2021-12-14
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    Qurratulain Hyder
    nostalgia
    longing
    desire
    Partition of India
    Opis:
    “Nostalgia,” writes Svetlana Boym, often emerges in times of “historical upheavals” or when the “rhythms of life” are suddenly “accelerated.” One can well understand that such nostalgic outbreaks are the results of the experience change. One such moment was that of the Partition of India in 1947. This paper focuses on this moment as it is depicted in Qurratulain Hyder’s novel, My Temples, Too. Hyder’s novel, that centers around the experience of Partition, is haunted by a palpable sense of loss, of rupture, and an acute longing for the places and spaces of the past that its characters witness as eroding. Following scholars like Boym, Linda Hutcheon, De Brigard, Gaston Bachelard, Edward Casey, and others, this paper first prepare the ground of its argument by showing how memory and nostalgia are often deeply rooted in everyday things, objects, and places of habitation, investing them with a sense of belonging. Thereafter, it situates Hyder’s novel in its immediate context and explores its poetics of loss, longing, and nostalgia.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2021, 13; 76-88
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Nostalgia as a means to overcome trauma: the case of Yoshimoto Banana’s “Sweet Hereafter”
    Autorzy:
    De Pieri, Veronica
    Powiązania:
    https://bibliotekanauki.pl/articles/545548.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    Yoshimoto Banana
    nostalgia
    11th March 2011
    Sweet Hereafter
    Opis:
    The natsukashisa (nostalgia) is a common key to interpretation of novels written by the Japanese author Yoshimoto Banana. Considered as the desire for a replay of life, nostalgia is evaluated as a solution for the sensation of emptiness and solitude attributed to modern life; a gap that can be bridged by memory, recollection and flash-backs of the protagonists in Yoshimoto’s novels. As a representation for something gone, the objects of this nostalgic feeling assume different forms in Yoshimoto’s works: a faraway house, a lost person, a feeling perceived and then missed; dreams, hallucinations, images and paintings: everything is transformed by the author in a vehicle to allow the reader to sympathize with the protagonists and share the same nostalgic feeling. Author’s attempt is to encourage the young readers to keep on seeking the lost self in the past in order to not betray one’s identity. This is the main topic one can also recognise in her novel called Sweet Hereafter, a publication in which nostalgia for a self lost in a car accident is compared to the one felt by the hisaisha of Tōhoku region who lost everything after the earthquake and tsunami that hit Japan on 11th March 2011. Here Yoshimoto suggests natsukashisa as the possible way to overcome the traumatic experience of witnessing Japanese Daishinsai. This brief investigation proposes a literary case study that highlights the relation between trauma and memory, with a particular focus on nostalgia considered as a positive means for overcoming traumatic experience.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2018, 9; 87-96
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Whatever is Inside is Outside: Do Nostalgic Memories Exist in Parallel Universes?
    Autorzy:
    K, Samhita
    Powiązania:
    https://bibliotekanauki.pl/articles/2216017.pdf
    Data publikacji:
    2021-12-14
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    nostalgia
    memories
    parallel universes
    multiverse
    arrow of time
    Opis:
    This paper explores nostalgic memories from an unconventional perspective and their complex relationship with parallel universes. The arrow of time is not necessarily linear, and nostalgic memories pertaining to the past or the future, be it in this world or in parallel universes, could be accessed in various states of consciousness. Whatever is inside (in the internal environment of an individual) is outside (in the external environment), which is in line with esoteric teachings and individualistic experiences. The Indian concept of Maya (illusion) that applies to the material world, acts as a hindrance to experiencing Brahman or the ultimate Truth. Until one is able to perceive the infinitely connected universe in all its gigantic underlying unity, it may be posited that nostalgic memories exist in parallel universes.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2021, 13; 69-75
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “It’s a War I Still Would Go To”: The American War in Vietnam and Nostalgic Re-Imaginings of World War II
    Autorzy:
    Musiał, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/545400.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    World War II
    Vietnam War
    myth
    nostalgia
    American culture
    Opis:
    In this article, I trace the process through which World War II (WWII) has become the „good war” in American culture. Drawing on a range of books and articles published on the subject —and often written by the war’s veterans—I summarize their findings considering the essentially mythical nature of the conflict’ common memory. The well-known aspects of this myth include the view that WWII was a straightforward struggle between good and evil, that the U.S. soldiers who fought it belonged to “the greatest generation,” and that it was ultimately an expression and activization of American honor, heroism, and gallantry. Further on, I argue that beginning in the 1980s, a resurgence of cultural interest in WWII becomes evident, but now tinged not only with the emerging image of “the good war,” but also with nostalgia—and that the “nostalgization” of the conflict was caused directly by, and indeed possible only because of, the U.S. experience in Vietnam. I trace the multifaceted and multiple references to WWII in Vietnam War narratives—but also to Vietnam in some nostalgic representations of WWII.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2018, 9; 9-20
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Nostalgia against melancholy: artistic corporeal representations of the eternal return as a solution. A comparative approach to the work of Jon Mirande and Balthasar Klossowski
    Autorzy:
    Estenaga, Amaia Elizalde
    Powiązania:
    https://bibliotekanauki.pl/articles/545487.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    Art, literature
    anthropology
    the myth of the eternal return
    memory
    melancholy
    nostalgia
    Opis:
    This paper focuses on the role that nostalgia and memory play in avoiding the melancholy that the idea of death and passage of concrete real time convey to human beings. While archaic societies found collective responses to the issue and believed in the myth of the eternal return and cyclical time, their modern counterparts started to understand time as linear and, as a consequence, had to find other strategies to abolish concrete real time. By analysing art works from the anthropological and comparative approaches of art criticism, it is contended that art has been an important means to resolve the problem, as some of the corporeal artistic representations of the eternal return created during the 20th century demonstrate.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2018, 9; 157-172
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Our flame, the will-o’-the-wisp that dances in a few eyes, is soon to be blown out and all will fade” – Modern Literary Nostalgia as Death Mood
    Autorzy:
    Salmose, Niklas
    Powiązania:
    https://bibliotekanauki.pl/articles/545464.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    Nostalgia
    modernist fiction
    modernism
    death
    emotions
    mood
    entropy
    teleology
    childhood
    youth
    duration
    Bergson
    ruins
    astronomy
    Opis:
    This article argues that there is a difference between nostalgic emotion and nostalgic mood and that the latter one often is a result of nostalgia’s inevitable link to death, entropy and teleology. It examines how nostalgic tropes, such as ruins, childhood, youth, astronomical representations, and subjective time (duration), inherited from the romantic poetry function as, and create, nostalgic death moods and retardations of eschatology in modernist fiction.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2018, 9; 109-122
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-12 z 12

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