Temat: American Literature - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Literacki głos pokolenia X? David Foster Wallace wobec popkultury
A Literary Voice of Generation X? David Foster Wallace on Popculture
Autorzy:: Gutowska, Sylwia
Powiązania:: https://bibliotekanauki.pl/articles/545525.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet Gdański. Wydział Filologiczny
Tematy:: American literature
postmodernism
popculture
irony
comedy
Opis:: The article treats on the life and work of American postmodern writer David Foster Wallace. The subject is undertaken in context of appearance of his writing in the Polish translation (by Jolanta Kozak). The author aims to present Wallace as a potentially interesting writer in the field of Polish literary studies. Next to describing him as a popcultural phenomenon, she puts stress on matters of the texts themselves, such as postmodern irony and psychological issues, corresponding with the writer’s actual experience.
Źródło:: Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2017, 8; 201-212
2353-4699
Pojawia się w:: Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: „Chłopiec z Georgii” Erskine Caldwella – między groteską, ironią i urokiem opowieści z Południa
“Georgia Boy” by Erskine Caldwell – between the Grotesque, Irony and Special Charm of the Storytelling from the South of the USA
Autorzy:: Dorna, Małgorzata
Powiązania:: https://bibliotekanauki.pl/articles/545509.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet Gdański. Wydział Filologiczny
Tematy:: autobiography
the method of storytelling
the South American literature
a child as a narrator
Opis:: The aim of the essay is to present a special “episode” in the work of a mature writer, the text addressed both to young, teenager and adult readers. A good example proves to be the prose by Erskine Caldwell, Georgia Boy (1943). Previously Caldwell created Tobacco Road (1932), God’s Little Acre (1933), Journeyman (1935) and Trouble in July (1940). It seems important that Caldwell became close to Polish readers in the second decade of the twentieth century when it was “fashionable” to read this type of American literature, exposing the brutal and miserable life of the “black” South. But novels created between 1932 and 1940 are texts addressed to a mature reader. Stories mentioned above are full of brutality and violence. But the collection of short stories Georgia Boy seems to be different. Caldwell shows there his positive and full of sensitivity attitude to common people and their humble, not complicated lives. It would also be interesting to examine from this special perspective, comparing artistic biography of the author with the creation of the narrator in prose dedicated not only to young people as Georgia Boy seems to be. Caldwell is also a writer whose masterpieces have had a particular impact on the perception of the literature of the twentieth century of the generation of Polish readers, who are nowadays elderly and well-educated people.
Źródło:: Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2017, 7; 133-144
2353-4699
Pojawia się w:: Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:: Biblioteka Nauki

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