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Wyświetlanie 1-2 z 2
Tytuł:
Miasto jako przestrzeń zagrożona – refleksje na podstawie powieści Sylwii Chutnik „Cwaniary”
The city as an endangered space – reflections based on Sylwia Chutnik’s novel ‘Cwaniary’
Autorzy:
Hołubowicz, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/545415.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Opis:
In Chutnik’s novel Warsaw is featured as a city facing an imminent collapse. Formerly the jeopardy was of an external nature depicted in Cwaniary as barging in from the outside. In the recent history it has been associated with the Nazi, who occupied, besieged the Polish capital and ultimately annihilated it. However, currently the enemies are less conspicuous at first glance, as they are disguised as rescuers. The author identifies the source of evil as corporations implementing investments in the area of urban development. Greedy businesspeople under the pretence of completing ‘revitalization projects’ in fact seize opportunities offered to them by the existing politico-economic system in order to gain profits, whatever the costs. As a result, the local community suffers and the (mainly female) protagonists of the book take up the task of saving the city from the doom. The paper places Chutnik’s novel in the light of the urban studies drawing heavily on David Harvey’s research as well as in reference to the project Niewidzialne miasto (The Invisible City) as illustrated in the work edited by Marek Krajewski, Cwaniary is here used as a case study to exemplify various urban phenomena in addition to representing global trends in municipal policies. Chutnik’a work is an adequate example of the workings of gentrification and actual devitalization of cities despite their rapid development, frequently where the corporation acts in the gray zone between the legal and the forbidden. The aim of the paper is to analyze the functions of the way in which Chutnik’s hero(ine)s are constructed in order to deliberate the issues of the local, the urban as well as the anti-urban. Furthermore, it is worth examining the subversive practices employed by the ‘badass girls’ in their struggle to protect the city and its citizens, as manifested in the novel, in the view of Halberstam’s gaga-feminism. Finally, the goal is to study effective tactics of resistance and consider whether acting in defiance of the existing order makes sense.
Źródło:
Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2014, 1; 213-229
2353-4699
Pojawia się w:
Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Psy wojny kontra kundle pokoju: siła hybrydowości w powieści Vieta Thanha Nguyena „Sympatyk"
Dogs of War vs Mutts of Peace: The Power of Hybridity in Viet Thanh Nguyen‘s Novel “The Sympathizer ”
Autorzy:
Hołubowicz, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/30147285.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
Nepantla
Vietnam War
Viet Thanh Nguyen
hybridity
memory
Opis:
The protagonist-narrator of Viet Thanh Nguyen’s novel, as he often repeats, is a person of two minds. As the child of a Vietnamese woman and a French Catholic priest, he becomes a „hybrid” on the genetic level and later also in the cultural sphere. His upbringing has not only been influenced by the Catholic religion, communist indoctrination but also by the American literary canon, as he has graduated from a literary studies program in the US. He is a communist spy in the South Vietnamese Army during the war, and after the fall of South Vietnam he escapes to the United States as one of the few refugees. Loyal to the communist revolution in the US, he continues his intelligence activities going to any lengths and using any means considered necessary. The nameless narrator is not only a character that reminds a hero from a Hollywood action movie, but also a hybrid – a man who, through diversity or perhaps the merging of mutually exclusive identities, inhabits the sphere in between. This phenomenon, called nepantlerismo by Gloria Anzaldúa, means consciously navigating the gaps between the binary oppositions of those who belong to neither of the two sides. In the article, I look at the phenomenon of hybridity and consider to what measure it can be seen as an antidote to national chauvinism, imperialism and violence. I also examine what Viet Thanh Nguyen in his scholarly work calls the „industrialization of memory,” viewing Hollywood as a tool for producing memories of the Vietnam War operating within the US military-industrial complex.
Źródło:
Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2023, 16; 31-48
2353-4699
Pojawia się w:
Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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