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Wyświetlanie 1-2 z 2
Tytuł:
Podróż kardynała von Hessen-Darmstadt z Rzymu do Wrocławia i jej artystyczna oprawa
the journey of Cardinal von Hessen-Darmstadt from Rome to Wrocław and its artistic milieu
Autorzy:
Wojtyła, Arkadiusz
Powiązania:
https://bibliotekanauki.pl/articles/446519.pdf
Data publikacji:
2014-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
baroque
Rome
Wrocław
Cardinal von Hessen-Darmstadt
Silesia
Opis:
The aim of this paper is to present the report on the journey of Cardinal Friedrich of Hessen-Darmstadt from Rome to Wrocław, undertaken in 1676 to assume governorship of Silesia and real power over the diocese of Wrocław. The report, published in this city soon after the completion of his journey, is now preserved in the Old Prints Department of the Wrocław University Library. This source contributes new facts from the biography of the cardinal – the founder of the famous St. Elisabeth Chapel alongside the Cathedral of Wrocław, decorated with statues sculpted in Rome. During his journey to Silesia, Friedrich of Hessen-Darmstadt stayed with his retinue in Loreto, Verona and Trento, entertained everywhere with great pomp and ceremony. Then he went to Vienna, where he took part in imperial audiences and was granted the title “Durchlauchtigst”. At the end of his journey he went to Nysa and from there to Wrocław. From the art history point of view this travelogue contributes information about the “occasional architecture” and the decoration of the churches in Nysa and Wrocław, liturgical vestments and vessels, and about costumes and vehicles of Silesian dignitaries. From the literature on the subject we know that on the occasion of the arrival of the cardinal to Wrocław three new doors to the local cathedral were founded. The main entrance doors were decorated with relief depicting Jacob’s Dream and Joseph in a Well. In the light of the appropriate biblical quotations and commentaries on them these scenes illustrate the idea of the gate to the heavenly Jerusalem as well as the symbolical transition from the sphere of death to the realm of life.
Źródło:
Italica Wratislaviensia; 2014, 5; 107-121
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Attrici d’avanguardia e teatro femminista a Roma negli anni Settanta: nuovi luoghi e linguaggi
Avant-garde Actresses and Feminist Theatre in Rome in the 1970s: New Stages and New Forms of Expression
Autorzy:
Giacobbe Borelli, Maia
Powiązania:
https://bibliotekanauki.pl/articles/446652.pdf
Data publikacji:
2019-11-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
avant-garde theatre
feminism
New Theatre
Rome
1974–1979
avanguardia teatrale
femminismo
Nuovo Teatro
Roma
Opis:
This essay is based on one of the ORMETE (Oralità Memoria Teatro: www.ormete.net) projects: Donne di teatro a Roma ai tempi della mobilitazione femminista (1965–1985). The research shows the inter-relations between the feminist movement and the actresses of the avant-garde scene in Rome. The focus of each of the women’s personal narrations is characterised by its strong and definite feminist or anti-conformist identity and by its determination to channel its own imagery in the experimental scene of the avant-garde. Many of the women gathered in feminist companies or joined collective groups; some ventured the road of dramaturgy, while still others dared more alternative, experimental kinds of solo performances. This text sheds light on a variety of alternative spaces for performances in Rome. It is there where these new forms of theatrical expressions were born.
L’intervento, che attinge a una ricerca in corso nel quadro di ORMETE (Oralità Memoria Teatro: www.ormete.net) Donne di teatro a Roma ai tempi della mobilitazione femminista (1965– –1985), cerca di mettere a fuoco gli intrecci fra mobilitazioni femministe e protagonismo delle attrici a Roma, fra il 1974 e il 1979. L’affermazione di un’identità femminile forte e anticonformista caratterizza il racconto di tutte queste donne, determinate a trovare la strada per esprimere il proprio immaginario e la propria diversa presenza nel mondo romano della ricerca teatrale. Molte si sono associate in compagnie o collettivi, alcune hanno tentato la strada della drammaturgia, altre hanno scelto la forma della performance più trasgressiva. L’indagine mette l’accento sui molti luoghi di Roma dove i diversi linguaggi scenici hanno trovato la luce.
Źródło:
Italica Wratislaviensia; 2019, 10.2; 257-273
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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