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    Wyświetlanie 1-3 z 3
    Tytuł:
    Old polish Christmas carols by contemplative nuns (seventeenth and eighteenth centuries)
    Autorzy:
    Gwioździk, Jolanta
    Powiązania:
    https://bibliotekanauki.pl/articles/780137.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Christmas carols
    contemplative orders
    Benedictine nuns
    Carmelite nuns
    Poor Clares
    Republic of Poland
    seventeenth and eighteenth centuries
    Opis:
    Old Polish Christmas carols in the contemplative female orders of Benedictine nuns, Poor Clares and Carmelite nuns were written and functioned at the junction of traditions - Polish and European, lay and religious, noble and elite, monastic and folk - and also in the Polish borderlands, which exhibited great diversification in terms of nationalities, religious denominations and cultures. The numerous versions of carols confirm not only their popularity, but also the fact that they functioned in specific environments, with the mutual influence of various motives, particularly noticeable in this genre, which was susceptible to all sorts of interference. The singing of carols, including those types which were characteristic of the monastic environment, such as lullabies, religious carols, songs of the nativity and of adoration and New Year carols, was a traditional part of Christmas celebrations. Performed both as part of the liturgy and outside it, they constituted a sort of a paratheatrical spectacle, characteristic of the Baroque mentality and of the spirituality of a specific order.
    Źródło:
    Interdisciplinary Studies in Musicology; 2012, 11; 169-186
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Seventeenth-century chant manuscripts held at University of Warsaw Library in the context of Bernardine musical culture
    Autorzy:
    Grabiec, Dominika
    Powiązania:
    https://bibliotekanauki.pl/articles/780141.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Bernardine nuns
    liturgical-musical manuscript
    Gregorian chant
    Bernardine convent in Łowicz
    Opis:
    The Music Department at Warsaw University Library is in possession of three seventeenthcentury chant manuscripts. All three were probably produced in the Bernardine community, although only two of them contain provenance notes which allow us to establish more precisely where they were compiled or used. In the present paper, the focus is on one of those manuscripts, which formerly belonged to the Bernardine nuns of Łowicz. This source provides valuable information on such subjects as the exchange of musical experiences and cooperation among various congregations.
    Źródło:
    Interdisciplinary Studies in Musicology; 2012, 11; 143-154
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The musical practice of the Sandomierz Benedictine nuns during the eighteenth century
    Autorzy:
    Walter-Mazur, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/780139.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    musical culture
    eighteenth century
    Benedictine nuns
    Sandomierz
    musical sources
    musical instruments
    performance practice
    Opis:
    The congregation of the Benedictine nuns of Sandomierz, active between 1615 and 1903, belonged to wealthy magnatial foundations, which allowed the convent to foster cultural activities. Special emphasis was placed on musical performance of various types - the musical adornment of the liturgy. The ‘Glory of God’, as Benedictine nuns referred to it, constituted the essence of their congregational life. On weekdays, the celebration of the Liturgy of the Hours, Masses and - occasionally - other services in choir took six hours, and on numerous feast days of the liturgical year, when the Liturgy of the Hours was sung, not read, it required even more time. The higher the rank of the feast day, the greater was the effort to stress its importance by providing it with a proper musical setting, which led to the cultivation of musical practices of various kinds on special occasions. The musical repertory of the Sandomierz Benedictine nuns comprised plainchant without instrumental accompaniment, plainchant with organ accompaniment, polyphonic a cappella singing (referred to as ‘figure’), vocal instrumental music (‘fractus’) and instrumental music. A picture of religious musical practice emerges primarily from extant musical sources, and also from a ‘choir agenda’ from 1749, a convent chronicle of the years 1762-1780, ‘treasury records’ from 1739-1806 and convent registers. Eighteenth-century sources document the musical activity of twenty-four nuns of the Sandomierz convent, some of them considered to be ‘professional’ musicians and referred to as ‘singers and players’. The most interesting, but also most problematic, areas are vocal instrumental practice and the likely consitution of the nuns’ music chapel. We find information about nuns playing keyboard instruments, violin, viola da gamba, tromba marina and horn.
    Źródło:
    Interdisciplinary Studies in Musicology; 2012, 11; 187-198
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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