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    Wyświetlanie 1-3 z 3
    Tytuł:
    Manuscripts of Antoni HabeVs symphonies in Wielkopolska archives
    Autorzy:
    Gołębiowska, Julia
    Powiązania:
    https://bibliotekanauki.pl/articles/780365.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Antoni Habel
    Polish symphonies
    eighteenth century
    church archives
    Gniezno
    Opis:
    The main aim of this article is to present the manuscripts of Antoni Habel’s symphonies preserved in archives in the Wielkopolska region of Poland and attempt to order them chronologically in respect to their dates of composition. Habel lived in Gniezno around the turn of the nineteenth century. Most of our information about him comes from payroll registers, inventories and other documents preserved in the Archiépiscopal Archive of Gniezno, but they do not contain any information about his symphonies. The following works by Habel have survived to this day: a Sinfonia D, preserved in two copies (in Grodzisk and Gniezno), and a Sinfonia ex F, preserved in Gostyń. A critical analysis of these two compositions allows us to indicate which was composed first, since the simplicity of the composition techniques used in the F major Symphony suggests that it is older than the D major. We must also address, however, the question of the differences between the two copies of the D major Symphony, which vary with regard to melody, rhythm, dynamics, articulation and even form. Analysis makes it possible to reconstruct the order in which the two manuscripts were produced and determine the original version of the D major Symphony.
    Źródło:
    Interdisciplinary Studies in Musicology; 2012, 11; 265-272
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sacred music by Amandus Ivanschiz: attributions and variants of extant compositions
    Autorzy:
    Jochymczyk, Maciej
    Powiązania:
    https://bibliotekanauki.pl/articles/780363.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Amandus
    Ivanschiz
    Ivancic
    eighteenth-century church music
    Mass
    litany
    sources
    variant
    version
    Opis:
    The Pauline father Amandus Ivanschiz (1727-1758) was a composer whose music heralded the style of the early Classical period. He worked mainly in Austria (Wiener Neustadt and Mariatrost), as well as in Rome (it has recently been established that he spent three years there). His sacred music, especially masses, litanies and cantata-style pieces to non-liturgical texts, has been preserved in numerous manuscripts (over 260 items) held in eight countries of Central Europe (Austria, the Czech Republic, Germany, Poland, Slovakia, Slovenia, Switzerland and Hungary). Comparative analysis of all the manuscripts allows one to distinguish several problems commonly encountered in research into eighteenth-century musical sources, such as variants, multiple versions of works and contradictory attributions of authorship, further exacerbated by the lack of originals. This article focusses on the most recent findings relating to Ivanschiz’s life and religious music, as well as discussing and illustrating discrepancies between various copies of the same compositions by reference to selected works. We will also consider the differentiation of authorial variants from variant versions arising from custom.
    Źródło:
    Interdisciplinary Studies in Musicology; 2012, 11; 251-264
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The musical practice of the Sandomierz Benedictine nuns during the eighteenth century
    Autorzy:
    Walter-Mazur, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/780139.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    musical culture
    eighteenth century
    Benedictine nuns
    Sandomierz
    musical sources
    musical instruments
    performance practice
    Opis:
    The congregation of the Benedictine nuns of Sandomierz, active between 1615 and 1903, belonged to wealthy magnatial foundations, which allowed the convent to foster cultural activities. Special emphasis was placed on musical performance of various types - the musical adornment of the liturgy. The ‘Glory of God’, as Benedictine nuns referred to it, constituted the essence of their congregational life. On weekdays, the celebration of the Liturgy of the Hours, Masses and - occasionally - other services in choir took six hours, and on numerous feast days of the liturgical year, when the Liturgy of the Hours was sung, not read, it required even more time. The higher the rank of the feast day, the greater was the effort to stress its importance by providing it with a proper musical setting, which led to the cultivation of musical practices of various kinds on special occasions. The musical repertory of the Sandomierz Benedictine nuns comprised plainchant without instrumental accompaniment, plainchant with organ accompaniment, polyphonic a cappella singing (referred to as ‘figure’), vocal instrumental music (‘fractus’) and instrumental music. A picture of religious musical practice emerges primarily from extant musical sources, and also from a ‘choir agenda’ from 1749, a convent chronicle of the years 1762-1780, ‘treasury records’ from 1739-1806 and convent registers. Eighteenth-century sources document the musical activity of twenty-four nuns of the Sandomierz convent, some of them considered to be ‘professional’ musicians and referred to as ‘singers and players’. The most interesting, but also most problematic, areas are vocal instrumental practice and the likely consitution of the nuns’ music chapel. We find information about nuns playing keyboard instruments, violin, viola da gamba, tromba marina and horn.
    Źródło:
    Interdisciplinary Studies in Musicology; 2012, 11; 187-198
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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