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Wyszukujesz frazę "Jabłoński, Maciej" wg kryterium: Autor


Wyświetlanie 1-7 z 7
Tytuł:
Bonum ex integra causa... A dialogue with Mieczysław Tomaszewski’s concept of integral interpretation
Autorzy:
Jabłoński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/780383.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
musical work
Tomaszewski
Ingarden
methodology of musicology
interpretation
integrity
value
Opis:
 The article presents an in-depth and detailed reflection on the concept of „integral interpretation” put forward by the Polish musicologist Mieczysław Tomaszewski. The problematics of interpretation has for many years been the focus of Tomaszewski’s attention and interest, as evidenced by his numerous publications devoted to it. They culminate in the formulation of this concept, described by the author as the method of an adequate interpretation of a musical work. In contrast to many contemporary approaches to the issue of the scope of musicology’s subject area, for Tomaszewski the concept of a musical work is central to the discipline, and he poses questions concerning its ontology and understanding in the spirit of Roman Ingarden’s theory of musical work, to which he frequently refers. Tomaszewski regards the process of interpretation as a kind of „rising” to the level of the work, the meaning of which (intentio operis), often identified with the authorial meaning (intentio auctoris), stands at the highest point in the hierarchy of meanings ascribed - from this point of view - to the work. In turn, the work itself functions in different phases, existing as a score, a performance, a result of the processes of perception and as its reception within a culture. In my article I attempt not only to present Tomaszewski’s method, but above all to argue against its anachronicity and limitations resulting from a lack of reference both to contemporary artistic practice and contemporary research methodology in the humanities and in musicology.
Źródło:
Interdisciplinary Studies in Musicology; 2013, 12; 165-196
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Musicology as a meta-theory of musical meaning
Autorzy:
Jabłoński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/780229.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
music
semiotics
meaning
musicology
interpretation
meta-theory
postmodernism
ethic
Opis:
The article is dedicated to the problem of musical meaning and its role in contemporary musicological and semiotic research and reflection on music and musical culture. Nowadays, semiotics of music became semiotics of becoming rather then semiotics of being, as it was earlier during the period of structuralism. What became the important is that the category of aisthesis is emphasized as well as the question of the experience, the aesthetic dimension of that experience and the subject itself. It is interesting to evaluate the postmodern thought as well, taking the question of its positive vs negative virtues, and - as a result - do not treat the postmodernism in negative way only (the aesthetic and the cognitive value of the sublime). To see the current changes of musicology one can speak not only about its relative autonomy and how to understand the limits of the discipline but also how to redefine the scope and core of musicology by treating to find more unconventional, closely ethic, perspectives and approaches (means: imagination, freedom of thought, openness to alternatives and to praise the uncertainty). If the musicology could be ready and able to join some efforts from other humanities: semiotics, history of arts, anthropology and cultural studies, the thesis of the musicology as a meta-theory of musical meaning could be valid.
Źródło:
Interdisciplinary Studies in Musicology; 2015, 14; 298-306
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-7 z 7

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