Temat: war art - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Dramat Andrzeja Wróblewskiego
Andrzej Wróblewski’s Drama
Autorzy:: HENDRYKOWSKI, MAREK
Powiązania:: https://bibliotekanauki.pl/articles/920935.pdf
Data publikacji:: 2016-11-03
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: artist
socialist realism
ideology
art
painting
abstraction
personal experience
revolution
society
war
new world
drama
Opis:: Andrzej Wróblewski (1927-1957) was one of the most important Polish modern painters of his time, closely connected both with key issues of the 20th-century European avant-garde in art, as well as socialist realism in post- war Poland. The article is a sui generis glossa to Wróblewskis retrospective exhibition “Recto/Verso” presented in Winter-Spring 2015 by the Museum of Contemporary Art in Warsaw.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 292-299
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Artysta w lunivers concentractionaire. "Kornblumenblau" Leszka Wosiewicza jako traktat o sztuce
The Artist In L’univers Concentrationnaire. Leszek Wosiewicz’s “Kornblumenblau” As a Treaty About Art
Autorzy:: Mąka-Malatyńska, Katarzyna
Powiązania:: https://bibliotekanauki.pl/articles/920318.pdf
Data publikacji:: 2009-06-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: concentration camp
dehumanization
art
self reflexive
film conventions
holocaust
second world war
totalitarian system
Kornblumenblau
Leszek Wosiewicz
Opis:: The author of the essay considers Leszek Wosiewicz’s Kornblumenblau as a film about art and focuses on the self reflexive elements present in the film, particularly those referring to film conventions. This analysis examines the film in the context of the reflections about the meaning of art in totalitarian systems and situation of the artist in the reality of the concentration camp. Kornblumenblau depicts degenerated art as depriving of freedom and rescue, becoming another tool of oppression. Dehumanizing power of this art points at the final decay of man in the epoch of gas chambers.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2009, 7, 13-14; 151-167
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

Artykuł

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