Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "the language of film" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
Film i dramat. "Śmierć i dziewczyna" Romana Polańskiego
Film and Drama. Roman Polanski’s “Death and the Maiden”
Autorzy:
Choczaj, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/920330.pdf
Data publikacji:
2009-06-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
drama and film
the language of film
transposition
adaptation
dialogisation
adaptacja
Śmierć i dziewczyna
Roman Polański
Opis:
Death and the Maiden by Roman Polański is an example of an experimental transposition of Ariel Dorman’s drama into the visual language of film. The merging of words and pictures in the film is compared to Bachtin’s dialogisation which permeates the element of the European novel. The meaning and motivation of the words in the characters’ dialogues influences the development of the action, form and rhythm of the takes as well as their juxtaposition with the characters and props.Polański does not limit himself only to a single-track effect. As dialogisation influences the forms of visualization, so images broaden the meanings of the dialogues, creating new contexts. The film is not only an attempt to prove that the alleged or real rapist was guilty, but also a study of the dishonoured woman’s fight for a right to live without traumatic reminiscences. 
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2009, 7, 13-14; 111-121
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pianista – obraz getta w filmowym języku Romana Polańskiego
The Pianist – the image of a ghetto in the film language of Roman Polanski
Autorzy:
Śliwińska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/919855.pdf
Data publikacji:
2011-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
film language
Roman Polański’s style
the image of a ghetto
film genre
Opis:
The work of Roman Polański has always been a unique example of both craftsmanship and interesting subjects. Each of his films (even of those crushed by the superficial interpretations of the reviewers) functioned perfectly well in popular culture and as an artistic accomplishment. It reconciled the tastes of both sophisticated viewers and those who looked for simple entertainment. Roman Polański’s method of creation entails the use of a number of curtains (genres, popular culture subjects, popular patterns) which cover the deeply hidden truth about the world and relations among people. In The Pianist the subject of the Holocaust was used as the key to show the mechanisms that rule the world. Also in this case the most obvious diagnosis proves to be the least important. The Pianist is not an autobiography dealing with the memories from a getto. Definitely more significant is the attempt to juxtapose the image of a ghetto and its inhabitants with the film language of Roman Polański. It makes it possible to read the problem of the Holocaust against the motifs always present in his work, including the context of the cinema of the kind. In The Pianist Polański joins the precision of a craftsman with the memory of a witness. As a result, using the solutions known from Hollywood films, he tells the story of a ghetto, which is seen as the metapher of the whole world.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 9, 17-18; 53-68
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Lambeth Walk, czyli widz wyzwolony spod presji obrazu
The Lambeth Walk, or the spectator liberated from the pressure of the picture
Autorzy:
HENDRYKOWSKI, MAREK
Powiązania:
https://bibliotekanauki.pl/articles/921082.pdf
Data publikacji:
2016-10-09
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
lambeth walk
The Borough of Lambeth
popular culture
dance
parody
footage film
stunt scene
film poetics
editing
language of moving pictures
Opis:
A quintessential work of British and European cinema of World War II “The Lambeth Walk” is the epitome of world-class art of moving picture editing. Marek Hendrykowski's close-reading analysis places this short movie in its aesthetic, cultural and generic contexts and in the international landscape of the anti-propaganda film.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 97-110
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

    Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies