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    Wyświetlanie 1-12 z 12
    Tytuł:
    Myśleć fantastyką. Przez science fiction do posthumanizmu
    Thinking fantastic. From science fiction to posthumanism
    Autorzy:
    Gajewska, Grażyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1047424.pdf
    Data publikacji:
    2021-03-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    posthumanism
    science fiction
    posthuman
    artificial intelligence
    Anthropocene
    Opis:
    The author presents the thesis that fantastic literature and film, especially in the science fiction variant, is a privileged form of expression in posthumanist discourse. The themes, motifs and protagonists of science fiction are invoked in various contexts by Donna J. Haraway, Rosi Braidotti, Luciana Parisi, and Pramod K. Nayar. The author analyzes various areas of the involvement and usage of science fiction in posthumanist discourse: on the ontological, axiological and epistemological levels.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 5-19
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mózg jako nowy wszechświat – wokół Incepcji Christophera Nolana
    The brain as the new universe – reflections on Inception by Christopher Nolan
    Autorzy:
    Kowalczyk, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/1047449.pdf
    Data publikacji:
    2021-03-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    science fiction cinema
    brain
    Inception
    Christopher Nolan
    Opis:
    The article shows the growing interest of science fiction cinema in the human brain and related concepts, such as mind or consciousness. Nowadays, when distant space travel seems unreachable, artists find the exploration potential of the brain very promising. Thus, the main thesis of this analysis says that the brain has become for science fiction cinema the new universe. An excellent example of this paradigm shift is Inception (dir. Christopher Nolan, 2010). In the movie, the mind is depicted as a physical and accessible place, where we can find a lot of mysteries to solve. The characters travel to the deepest parts of subconsciousness because the processes inside the brain are the key to understanding and changing the real world. The article also shows how the director uses the achievements of science fiction cinema and, at the same time, that he postulates a new way of considering the issues relevant to modern neuroscience.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 207-220
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Przyszłość już była. Dystopie w najnowszym kinie science fiction Ameryki Łacińskiej
    The future has already happened. Dystopias in contemporary Latin American science fiction cinema
    Autorzy:
    Racięski, Bolesław
    Powiązania:
    https://bibliotekanauki.pl/articles/1047445.pdf
    Data publikacji:
    2021-03-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    dystopia
    Latin American Cinema
    neocolonialism
    neoliberalism
    science fiction
    Opis:
    This paper examines the various ways in which contemporary Latin American science fiction films contest the neocolonial and neoliberal narratives, dominant in the region since the 20th century. I identify and examine strategies that filmmakers employ to challenge the common understanding of such notions as time, modernity and technological progress. I outline the visions of dystopias presented in the examined films, while also analyzing the counter-narratives introduced by filmmakers, which are mostly focused on creating a new, hybrid identity for a future citizen.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 167-175
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Czechosłowackie podróże w czasie – od filmowej lekcji przyrody do normalizacyjnej zwariowanej komedii
    Czechoslovakian time travel – from a filmed nature lesson to the normalization of crazy comedy
    Autorzy:
    Guzek, Mariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/1047438.pdf
    Data publikacji:
    2021-03-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Czechoslovakian film
    science fiction
    time travel
    crazy comedies
    normalization
    Opis:
    Czechoslovakian film fantasy has its own canon comprised of various works, the successes of which were recorded by press industries around the world. They picked up various threads, but the most interesting one seems to be the theme of time travel, as represented by three films: A Journey to the Beginning of Time (1955), I Killed Einstein, Gentlemen (1969) and Tomorrow I’ll Wake Up and Scald Myself with Tea (1977). They were produced in different production conditions and placed in different genre assumptions, and they referred to the tradition of science fiction developed by popular literature in different ways. The text tries to define their status as part of the achievements of national cinematography, indicate structural components, and briefly discuss their reception, both critical and audience.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 61-76
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Fantastyka naukowa w polskim piśmiennictwie krytycznofilmowym przełomu lat pięćdziesiątych i sześćdziesiątych XX wieku
    Science fiction in Polish film journalism at the turn of the 1950s and 1960s
    Autorzy:
    Dudziński, Robert
    Powiązania:
    https://bibliotekanauki.pl/articles/1047440.pdf
    Data publikacji:
    2021-03-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    science fiction
    Polish People’s Republic
    film criticism
    reception
    Opis:
    The article is devoted to the Polish reception of science-fiction cinema; the statements of film critics from 1956–1965 were analysed. During this period, science fiction, previously absent from the screens of Polish cinemas for ideological and censorship reasons, returned to the repertoire and became the subject of press discussions and reviews. The analysis of articles devoted to this genre and published at the time allows reconstruction of the cultural context in which science-fiction productions operated. The article consists of three main parts. In the first of these, the author describes which science fiction films were present in Polish cinemas at the turn of the 1950s and 1960s. In the second part, he analyses press statements devoted to the history and aesthetics of the genre. The subject under consideration in the third part is the reception of two productions, which at the time enjoyed the greatest interest from contemporary critics: Godzilla (Gojira, 1954, dir. Ishirō Honda) and The Silent Star (Der schweigende Stern 1960, dir. Kurt Maetzig).
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 99-125
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Elektroniczny łowca: postać cyborga w kinie science fiction głównego nurtu
    Electronic hunter: the cyborg in mainstream science fiction films
    Autorzy:
    Kamrowska, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/1047426.pdf
    Data publikacji:
    2021-03-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    science fiction
    cyborg
    mainstream cinema,
    Terminator film series
    RoboCop film series
    technophobia
    Opis:
    The aim of this text is to analyze the cyborg motif in mainstream American science fiction films, as represented by the Terminator and RoboCop film series. The cyborg characters presented in these films are focused mainly on violence and destruction, which emphasizes the technophobic attitude of the culture within which these films were made. The only redemption of their otherness is showing their humanity. For a cyborg, its technological provenance is a burden and results in its sense of guilt. In this manner, American science fiction films support anthropocentrism and the conservative status quo.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 21-34
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    David Avidan’s Message from the Future. Nuclear fantasies of the galactic poet
    Autorzy:
    Pietrzak, Maciej
    Powiązania:
    https://bibliotekanauki.pl/articles/1047435.pdf
    Data publikacji:
    2021-03-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    David Avidan
    science fiction
    Israeli cinema
    Israeli poetry
    Cold War
    nuclear weapon
    Opis:
    David Avidan’s Message from the Future (1981) is one of few Israeli science fiction films ever made. This ambitious project of the well-known avant-garde poet has been forgotten for many years, as a result of a financial and artistic failure of the movie. The paper shows Avidan’s doomed film as an interesting cultural text that can be read as the director’s commentary on the Israeli reality of his time. Contrary to the artist’s claims about the global ambitions of the picture, Message from the Future is immersed in the local, exploring it under the guise of narrative structures borrowed from Hollywood. The text analyzes a precise deconstruction of the plot patterns characteristic for the classic American SF films from the 1950s, which Avidan adjusted to the Israeli sociopolitical landscape at the turn of the seventies and eighties.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 127-139
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    W świecie kolorowej (anty)utopii. O animowanych cyborgach w Kongresie Ariego Folmana
    In a world of a colorful (anti)utopia. About animated cyborgs in The Congress by Ari Folman
    Autorzy:
    Woroch, Adrianna
    Powiązania:
    https://bibliotekanauki.pl/articles/1047441.pdf
    Data publikacji:
    2021-03-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Ari Folman
    Stanislaw Lem
    The Congress
    animation
    technology
    anti-utopia
    science fiction
    Opis:
    The article focuses on pointing out the functions of using animation technique and elements of the science fiction genre in Ari Folman’s The Congress from 2013. The film, which is loosely based on the short story The Futurological Congress by Stanisław Lem, balances on the edge of various genres, using the techniques of both live action film and computer animation. Folman proposes a glamorous, colorful vision of an (anti)utopian future, in which pharmacologically-modified cyborg-people participate in a collective hallucination, which is an alternative reality to the post-apocalyptic real world. The director makes several significant changes to the original, thanks to which he introduces a universal message and asks questions which seem far more relevant in the context of both contemporary culture and the environmental crisis that can no longer be ignored (although the issue of an impending natural disaster was also important in Lem’s works).
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 141-150
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Posthumanistyczne echa, apokaliptyczne tony i zwierzęce odgłosy w filmach Bonga Joon-ho
    Posthuman echoes, apocalyptic tones and animal noises in Bong Joon-ho’s films
    Autorzy:
    Loska, Krzysztof
    Powiązania:
    https://bibliotekanauki.pl/articles/1047443.pdf
    Data publikacji:
    2021-03-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    posthumanism
    science fiction film
    Bong Joon-ho
    animal studies
    biopolitics
    apocalyptic narratives
    ecological catastrophes
    Opis:
    The subject of the analysis in this article are three films by Bong Joon-ho: The Host (2006), Snowpiercer (2013) and Okja (2017), considered from the posthumanist perspective. A starting point is Donna Haraway’s suggestion that science-fiction stories should be treated as a tool for speculative thinking. Then, I point to the way the Korean film director demonstrates his critical reflection on the effects of climate change, deepening economic inequalities, the impact of global capitalism and the biopolitical model of the governance. The main aim is to seek out the possible strategies of resistance which enable humans to change their attitude to other species (Okja) and to ask a question about the scope of human freedom, the effects of our interference in the functioning of the biosphere (Snowpiercer) and the results of genetic modifications of animals.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 151-166
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Analiza gatunkowo-estetyczna „Pomostu” Chrisa Markera. Interpretacja filmu jako przykładu „kina możliwego”
    Genre and aesthetic analysis of The Jetty by Chris Marker. Interpretation of the film as a case of “possible cinema”
    Autorzy:
    Domalewski, Adam
    Powiązania:
    https://bibliotekanauki.pl/articles/920163.pdf
    Data publikacji:
    2013-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    science fiction
    The Jetty (La Jetée)
    Chris Marker
    photography
    genre syncretism
    “possible cinema”
    Waldemar Frąc
    existentialism
    film and philosophy
    Opis:
    The paper discusses the French science fiction short film The Jetty (La Jetée) by Chris Marker. Made in 1962, the black and white film is constructed almost entirely from still photos. The author first gives a summary of the plot and then considers the genre and aesthetic syncretism of Marker’s work. Musical, rhythmical and visual aspects of the movie are also covered. Using Waldemar Frąc’s theory of “possible cinema”, whose main ideas are presented in the article, various possible ways of interpreting the film are shown.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2013, 12, 21; 207-217
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Gatunek na usługach doktryny. Ideologia w polsko-enerdowskiej koprodukcji Milcząca gwiazda
    Genre at service of the doctrine. Ideology in the East-German-Polish co-production The Silent Star
    Autorzy:
    Peplinski, Maciej
    Powiązania:
    https://bibliotekanauki.pl/articles/1047439.pdf
    Data publikacji:
    2021-03-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    The Silent Star
    The Astronauts
    Kurt Maetzig
    Stanisław Lem
    GDR
    Polish People’s Republic
    coproduction
    film genre
    science fiction
    socialism
    cosmos
    space program
    space race
    Opis:
    The East German-Polish co-production The Silent Star (1960, Kurt Maetzig) belongs to the group of early postwar Eastern European science fiction films which still remain barely examined by film and genre historians. The article summarizes the existing research on the film and investigates not only the specific formal character of Maetzig’s unprecedented project, but also the numerous ideological and political motivations which stood behind it.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 77-97
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Figura mitologicznej Kasandry w filmach science fiction
    The mythical figure of Cassandra in science fiction films
    Autorzy:
    Rojek, Patrycja
    Powiązania:
    https://bibliotekanauki.pl/articles/1047291.pdf
    Data publikacji:
    2021-03-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Greek mythology
    science fiction
    myth in film
    Cassandra
    prophetism
    Terminator 2: Judgment Day
    James Cameron
    12 Monkeys
    Terry Gilliam
    Minority Report
    Steven Spielberg
    Arrival
    Denis Villeneuve
    Opis:
    The article reflects on how characters with the features of the mythological Cassandra function in science fiction films. Such references are part of the rich tradition of building fictional depictions of the near or distant future on the foundation of mythical stories. The study aimed to examine the considerable and complex meaning which Cassandra conveys through the ages and to determine its usefulness in constructing pop culture ideas about the current condition of humanity. In contemporary fiction, Cassandra is brought to the fore more often than in ancient sources, and her fullest portrait is drawn in those films that both consider her a figure of the powerlessness of the prophets and take into account her personal drama. In Terminator 2: Judgment Day (1991) by James Cameron, 12 Monkeys (1995) by Terry Gilliam, Minority Report (2002) by Steven Spielberg, and Arrival (2016) by Denis Villeneuve, the figure of Cassandra is examined through her prophetic gift, the alleged madness of the seer and the fearfulness of the prophetism itself.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 234-246
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-12 z 12

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