Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "national cinema" wg kryterium: Temat

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-4 z 4
    Tytuł:
    The national and the popular in Israeli cinema
    Autorzy:
    Avisar, Ilan
    Powiązania:
    https://bibliotekanauki.pl/articles/923281.pdf
    Data publikacji:
    2019-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Nationalism
    Zionism
    Israeli cinema
    national cinema
    popular culture
    Opis:
    The article examines Israeli cinema as a critical participant in the local drama of national ideology and national identity. Israeli filmmakers have engaged in enunciating the national culture, in the context of the medium’s history, political ideologies, and the tension between high art and popular culture. The historical review of Israeli films shows dramatic changes over the years from nationalistic propaganda to radical critique and post-Zionism. Israeli cinema appears now to seek a constructive and fruitful dialogue with the viewers. In the recent wave of popular films, the national ideology is more conscious of its past mistakes and inherent deficiencies; its presentation of national identity is less narrow and more open to alternative types, thereby suggesting new vistas of national culture.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2019, 25, 34
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Odwrót bohaterów. Śmierć syjonistycznego mitu Masady w filmie Twierdza Beaufort Josepha Cedara
    Withdrawal of Heroes: Death of the Zionist Myth of Masada in Joseph Cedar’s Beaufort
    Autorzy:
    Pietrzak, Maciej
    Powiązania:
    https://bibliotekanauki.pl/articles/920895.pdf
    Data publikacji:
    2015-06-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Beaufort
    Zionism
    Israeli cinema
    national myths
    Opis:
    Masada is an ancient fortress, which during The First Jewish–Roman War (66–73 CE) served as a refuge for the last bastion of Jewish resistance. In the first half of the twentieth century, the history of the Masada’s defenders was absorbed by the Zionist movement and transformed into a vital national myth, which became an important element of the identity and culture of future Israelis. The main purpose of this article is to show the deconstruction of the Masada mythical narrative made by Israeli director Joseph Cedar in his movie Beaufort.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 17, 26; 151-159
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Bohater o wielu twarzach. Ewolucja syjonistycznego mitu Sabry we współczesnym izraelskim kinie wojennym
    The many-faced hero. The evolution of the Zionist myth of Sabra in the contemporary Israeli war films
    Autorzy:
    PIETRZAK, MACIEJ
    Powiązania:
    https://bibliotekanauki.pl/articles/921090.pdf
    Data publikacji:
    2016-10-09
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Zionism
    Israeli cinema
    national myths
    Sabra
    Opis:
    The concept of the New Jew was one of the most important founding myths of Zionism. During the construction of a Jewish state in Palestine, the New Jew was hailed Sabra (with reference to the kind of prickly pear popular in this region). In the twentieth century, the figure of Sabra became an important element of the identity and culture of Israelis. The main purpose of this article is to show the evolution of the mythical narrative typical for the cinematic incarnations of Sabra, which in recent decades has taken place in Israeli war films.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 346-353
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Polscy aktorzy a międzywojenne kino jidysz
    Polish actors and Yiddish cinema of the inter-war period
    Autorzy:
    MAZUR, DARIA
    Powiązania:
    https://bibliotekanauki.pl/articles/920957.pdf
    Data publikacji:
    2016-11-03
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Yiddish cinema
    assimilation
    national criteria of film characters
    tabooisation of roles
    Opis:
    The author presents the thesis that despite the cloistered character of the interwar era Yiddish cinema, Polish actors left their mark on Yiddish productions. Their participation in two silent films, which didn’t survive the war - Jeden z 36 and W lasach polskich were connected to the topic of assimilation, the community of faith and the historical experience of fighting with the invaders, as well as the main idea of rapprochement between the two nations. Polish actors’ roles were connected to non-Jewish characters, although one very important exception to this rule was the role of Berek Joselewicz. The Yiddish cinema of the late-1930’s, which was dominated by escapist stories detached from the contemporary social-political reality, does not contain any trace of cooperation with Polish actors. As the public press from the interwar era as well as from the years after the Second World War shows, its subject-matter was, however, rendered taboo by some Polish participants of interwar-period Jewish film productions, even though the initiative for creating the films ostensibily to break down prejudices and stereotypes was in, in fact, Polish.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 157-170
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies