Temat: marina - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Pętla obrazów. Wideo według Mariny Abramović
The Loop of Images. Video According to Marina Abramowić
Autorzy:: Krawczak, Michał
Powiązania:: https://bibliotekanauki.pl/articles/920272.pdf
Data publikacji:: 2009-06-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: performance art
video art
iconography
video loop
installation art
photography
Marina Abramović
Opis:: The connection between video art and performance art has been inseparable since 1967, when the first commercial camera Sony Portapak appeared on the American market. The development of video art and performance art has been parallel. On the one hand, autonomous languages which used different discourses were created, on the other hand, the interaction was inextricable, long-lasting and very stimulating. Marina Abramović, recording her activities as a performer on video and then placing them in the space of her installations, gained a high level of energy in the picture, which became transcendent, a sign of body and life, a meditation. Abramović consciously sacralizes her art and highlights its meditational character. In that way the art became a loop of a video sequence, a multifaceted icon.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2009, 7, 13-14; 235-241
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Films that Gave Us Boldness: East European Documentaries Screened in Poland (1987-1993) as Refl ected in the Film Press of the Time
Autorzy:: Hučková, Jadwiga
Powiązania:: https://bibliotekanauki.pl/articles/918035.pdf
Data publikacji:: 2014-06-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Murat Mamedov
Marina Goldovskaya
Eastern European documentaries
fi lm press
censorship
Juris Podnieks
Tatiana Skabard
Victor Kripchenko
Volodymyr Taranchenko
Volodymyr Shevchenko
Opis:: “Films from East” signalling the political breakdown in the middle of the 1980s (the Gorbachev era) were welcom ed in the offi cial circulation system. Th e fi lms were screened not only in festival cinemas, but on TV as well, and were discussed in newspapers and magazines. Soviet fi lms were especially important because they were able to carry new information about the changes taking place in Eastern Europe. If independent ideas appeared in a Polish fi lm, it could be banned from screening, as censorship was sensitive to works “threatening socialism” and “disturbing the alliance”. Th e only country in our part of Europe which did not need to be afraid of “disturbing the alliance” was the Soviet Union. We can distinguish three groups of such documentaries: analyses of social life (for example: Is It Easy to be Young? by Yuris Podnieks, Borderline by Tatiana Skabard), fi lms about contemporary threats, provoked by the Chernobyl disaster (An Unpublished Album by Victor Kripchenko and Volodymyr Taranchenko, Chernobyl the Chronicle of Diffi cult Weeks by Volodymyr Shevchenko) and documentaries “squaring accounts” with history, fi lling in so-called “blank spots” (Termination of an Agreement by Murat Mamedov, Solovki Power by Marina Goldovskaya).
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 15, 24; 270-276
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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