Temat: cómic - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Rozwój filmowych adaptacji komiksów – „kino superbohaterskie” jako gatunek
The evolution of comic book adaptations – ‘superhero movie’ as a genre
Autorzy:: Czyżak, Krzysztof
Powiązania:: https://bibliotekanauki.pl/articles/1047303.pdf
Data publikacji:: 2021-03-31
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: comic book movie
movie genre
Marvel Studios
superhero
superhero movie
Opis:: This article is an attempt to consider superhero movies as a developing genre of popular cinema. The theory is based on Rick Altman’s “Semantic/Syntactic/Pragmatic” approach to genre. It tries to capture features of superhero blockbusters and their main themes – the most distinctive trait of this genre, according to the author of the text, is supposed to be the relationship between an individual, their “power” and society. The text is both an extension of and a counter-proposal to conclusions made by Tomasz Żaglewski in Kinowe uniwersum superbohaterów.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 338-348
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Parodia flmowa
Film Parody
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/917704.pdf
Data publikacji:: 2014-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: parody
film parody
comic effect
catharsis
contemporary culture
dialogue
war games
rebellion
versus
subversivity
other speak
film poet
parodia
pariodia filmowa
Opis:: Film parodies are now attracting more popular interest than at almost any time in their history except the first two decades of the 20th century (golden era of film parody). The contemporary renewal of parody is an attractive phenomenon of popular culture. To analyse and recontextualize this renewal of parodistic paradigm in film supporting by new media (spontaneous net art) Hendrykowski has compiled a wide-ranging panorama and collection of classic examples made by many famous but also unknown film-makers. Underlying the entire collection is the author’s personal belief that parody can be divers and rich as particular form of cultural rebellion and social catharsis – by turns comic effect and confusing dialogue in polemical confrontation with common opinion and public point of view established by parodied original.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 5-14
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Wokół definicji parodii filmowej
Around the definition of a movie parody
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/917988.pdf
Data publikacji:: 2014-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: parody
film parody
genre
metagenre
comic effect
intertext
pars destruens
renewal
restoration
parody in contemporary cinema and new medias
parodia filmowa
parodia
Opis:: The revision of key topics that are related to film parody. The crucial question of Marek Hendrykowski’s research sounds as follows: what is the semiotic mechanism that gives parodistic effect expressed in the language of motion pictures? According to the author, conditio sine qua non of each parody are: incorrectness, caricatural exaggeration, comic effect, deconstruction, pars destruens and new meaning of old characteristic elements confronting the audience and its common memory. In the light of new reading and revised definition of this term, film parody is not a separate genre but rather meta-genre in its relations to many other film genres and individual screen performances being object of parody
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 29-38
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Autobus Linkego jako parodia PRL. Studium intertekstualne
Linke's "Autobus" as a parody of the Polish People's Republic. Intertextual study
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/917993.pdf
Data publikacji:: 2014-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: parody
caricature
comic effect
surrealism
texture
stereotype
symbole
style
poetics
aesthetics
turpism
art of the 1950s
image
reality
personal and social experience
Linke
panorama
intertext
allusion
distance
point of view
counterpoint
tragedy
catharsis
Opis:: Marek Hendrykowski’s study is concerned with the close-reading analysis and interpretation of the Autobus (1955–1961) oil on canvas painted by Bronisław Wojciech Linke. This masterpiece of Polish peinture of the 1950s is deeply related to history and conditions of human life in Poland and other East European countries after World War II where everyday life is based on ideology imposed on society. Linke’s peinture gives emblematic ironic image of it created as an anti-social realist protest based on paradigm of Polish culture and art of the period.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 65-79
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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