Temat: Yiddish Cinema - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Kino jidysz na ziemiach polskich do wybuchu drugiej wojny światowej - konteksty społeczno-polityczne i kulturowe
Yiddish Cinema in the Prewar Polish Lands: The Socio-political and Cultural Contexts
Autorzy:: Mazur, Daria
Powiązania:: https://bibliotekanauki.pl/articles/920901.pdf
Data publikacji:: 2015-06-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Yiddish cinema
Zionism
assimilation
Bund
Yiddish literature
Opis:: The article is an attempt to consider the impact of social-political contexts on Yiddish cinema in Poland before the outbreak of the Second World War. It also analyses the influence of cultural and ideological tendencies represented by the diaspora in Poland: traditional – related to Judaism and Yiddish language; Zionist – trying to resurrect Israel and appealing to Hebrew as the language of the Jews; Bund – a left wing party that supported a secular Yiddish culture and opposed Zionism, as well as the assimilation of Polish culture and language.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 17, 26; 129-138
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

Artykuł

Zmień widok

na półce

Skocz do pozycji: 2.

Tytuł:: Polscy aktorzy a międzywojenne kino jidysz
Polish actors and Yiddish cinema of the inter-war period
Autorzy:: MAZUR, DARIA
Powiązania:: https://bibliotekanauki.pl/articles/920957.pdf
Data publikacji:: 2016-11-03
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Yiddish cinema
assimilation
national criteria of film characters
tabooisation of roles
Opis:: The author presents the thesis that despite the cloistered character of the interwar era Yiddish cinema, Polish actors left their mark on Yiddish productions. Their participation in two silent films, which didn’t survive the war - Jeden z 36 and W lasach polskich were connected to the topic of assimilation, the community of faith and the historical experience of fighting with the invaders, as well as the main idea of rapprochement between the two nations. Polish actors’ roles were connected to non-Jewish characters, although one very important exception to this rule was the role of Berek Joselewicz. The Yiddish cinema of the late-1930’s, which was dominated by escapist stories detached from the contemporary social-political reality, does not contain any trace of cooperation with Polish actors. As the public press from the interwar era as well as from the years after the Second World War shows, its subject-matter was, however, rendered taboo by some Polish participants of interwar-period Jewish film productions, even though the initiative for creating the films ostensibily to break down prejudices and stereotypes was in, in fact, Polish.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 157-170
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

Artykuł

Zmień widok

na półce

Informacja

Wyszukujesz frazę "Yiddish Cinema" wg kryterium: Temat

Źródło danych

Dostawca treści

Kolekcja

Rok wydania

Wydawca

Temat

Autor

Typ dokumentu

Język