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    Wyświetlanie 1-9 z 9
    Tytuł:
    Etiudy animowane Grzegorza Wacławka
    Animated etudes by Grzegorz Wacławek
    Autorzy:
    Domalewski, Adam
    Powiązania:
    https://bibliotekanauki.pl/articles/921225.pdf
    Data publikacji:
    2017-08-17
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    animation
    animated film
    Grzegorz Wacławek
    Polish Animation School
    film – philosophy
    Opis:
    The author considers in the paper three animated etudes made by Grzegorz Wacławek in Film School in Łódź. Films entitled Gleam, Scrap and Lost share many common features: creation of the hero’s outer world, extensive use of symbolism and condensation of events centered around one or two heroes. Particularly interesting mean used by Wacławek in endings of the films is the transformation of the presented world that can be named a scale change. Also on this basis director’s animations are metaphorically interpreted, showing their existential meaning, close to the tradition of Polish Animation School.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 20, 29; 323-328
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Jak w Czechosłowacji pojmowano filmy Munka i Wajdy, czyli film w kontekście zawikłanej historii
    How in Czechoslovakia films by Munk and Wajda were conceived – or films in the context of tangled history
    Autorzy:
    Hučková, Jadwiga
    Hučko, Tomáš
    Powiązania:
    https://bibliotekanauki.pl/articles/921217.pdf
    Data publikacji:
    2017-08-17
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Polish Film School
    Andrzej Munk
    Andrzej Wajda
    film reception
    Czechoslovakia
    Polish myths
    heroism
    Opis:
    Films of Polish Film School, the most significant formation in post-war history of Polish cinema, appeared in Czechoslovakia with several years of delay. Power feared that their message will be dangerous for spectators. Meanwhile – for viewers they remain unknown or difficult to understand and only a few critics and fi lm historians could read them in accordance with the intentions of the directors Andrzej Munk and Andrzej Wajda, being the main representatives of the stream.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 20, 29; 215-230
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Marsjanie. Borowczyk i Lenica na Międzynarodowym Konkursie Filmu Eksperymentalnego w Brukseli
    Martians. Borowczyk and Lenica on International Experimental Film Competition in Brussels
    Autorzy:
    Sitkiewicz, Paweł
    Powiązania:
    https://bibliotekanauki.pl/articles/1047270.pdf
    Data publikacji:
    2020-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    animated film
    experimental film
    Jan Lenica
    Walerian Borowczyk
    The House
    Polish School of Animation
    Expo-58 in Brussels
    Opis:
    The text describes the backstage of the legendary International Experimental Film Competition in Brussels, which accompanied the Expo-58 Exhibition at a turning point of the political thaw in Eastern and Central Europe. The most important representatives of avant-garde cinema and auteur animation of three generations took part in this event. The Grand Prix was awarded to The House of Walerian Borowczyk and Jan Lenica. The prize became the ticket to a European career for these two young filmmakers. The competition was also remembered as a symbolic beginning of the “Polish school of animation” (or the so-called “Polish school of experimental film”) on the global film market. The author of the article also writes about a difficult return to Poland, about a cash prize that caused many problems, about the successes of Polish films in Brussels, and about the reception of The House in Poland and abroad. Finally, he tries to demonstrate why this bleak and difficult to understand film, which builds opposition to the optimism of Expo Exhibitions, won the main prize, beating over 300 competitors from around the world.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 27, 36; 289-301
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Jupiter and Beyond the Infinite. 2001: Odyseja kosmiczna Stanleya Kubricka
    “Jupiter and Beyond the Infinite”. 2001: A Space Odyssey by Stanley Kubrick
    Autorzy:
    Kozłowski, Krzysztof
    Powiązania:
    https://bibliotekanauki.pl/articles/1047197.pdf
    Data publikacji:
    2020-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Mieczysław Jahoda
    art of cinematography
    film space
    Stanisław Lenartowicz
    Wojciech J. Has
    Polish Film School
    Opis:
    The article deals with the relationship between film and painting, as well as the sciences (physics, cosmology) of the 20th century. It introduces the historical context important for the time when Kubrick’s film was made, and addresses the issue of abstraction in cinema, contemporary painting and cosmology, confronting artistic and scientific ideas (the models of the Universe). The starting point for the detailed analysis was “autonomous abstract film” (Alicja Helman), which as a film inside a film combines various cinematic types and genres. The analysis of takes and sequences of this film inside a film made it possible to decipher the director’s idea, which is expressed in intra-film references. The particular results of the research were compared with the possible iconographic context (Gerhard Richter). The inclusion of a diagnosis obtained on the basis of materials examined in the Kubrick Archives in London (Kamil Kościelski), and references to cultural tradition (Plato), supplement the aforementioned considerations in an important way.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 27, 36; 117-128
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Functions of screen space in shots by Mieczysław Jahoda in the example of his first feature films: Zimowy zmierzch and Pętla
    Autorzy:
    Maron, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/1047223.pdf
    Data publikacji:
    2020-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Mieczysław Jahoda
    art of cinematography
    film space
    Stanisław Lenartowicz
    Wojciech J. Has
    Polish Film School
    Opis:
    The text is devoted to discussing the formation methods and the functions of screen space in shots by Mieczysław Jahoda in the films Zimowy zmierzch (directed by S. Lenartowicz) and Pętla (directed by W.J. Has). Mieczysław Jahoda is presented as one of the main initiators of stylistic changes in the films of Polish School in the mid 1950s. The analysis concerns the camera means applied by Jahoda in order to obtain screen effects: light, frame composition, photographic optics and perspective transformation. The film shots by Mieczysław Jahoda are characterized by an exceptional ability to evoke mental space, emotions, memory and imagination via the shapes of screen space. Their feature is a special esthetization aimed at creating the atmosphere of films, as well as symbolic and cultural references.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 27, 36; 129-142
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Między poetyką kulturową a kulturą produkcji. Społeczny kontekst realizacji pierwszych filmów Andrzeja Wajdy
    Between poetics of culture and production culture. Social context of realization of first Andrzej Wajda’s movies
    Autorzy:
    Adamczak, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/920192.pdf
    Data publikacji:
    2013-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Film production
    socialist state mode of production
    Polish School
    New Historicism
    archival research
    socjalistyczny model produkcji
    szkoła polska
    poetyka kulturowa
    produkcja fimowa
    badania archiwalne
    Opis:
    Artykuł stanowi próbę ponownego przyjrzenia się trzem pierwszym filmom Andrzeja Wajdy: Pokoleniu, Kanałowi oraz Popiołowi i diamentowi uwzględniając dokumenty archiwalne i materię produkcyjną w większym stopniu niż czynniki ściśle artystyczne i autorskie. Inspiracją są badania kultury produkcji oraz poetyka kulturowa Stephena Greenblatta. W efekcie tekst pokazuje jak wiele czynników pobocznych odgrywało decydującą rolę dla powstania danych tytułów oraz w jak wielkim stopniu filmy te były powiązane z ówczesnymi walkami o dominację kulturową. Tekst pokazuje w ten sposób wizję swoistego rozproszonego autorstwa, o mniejszym stopniu reżyserskiej kontroli względem powstającego dzieła, w również jego recepcji.
    The article is an attempt to examining again the three first movies of Andrzej Wajda: Generation, Canal and Diamonds and Ashes, regarding archival protocols and production issues more then strict artistic or auteur factors. The inspiration was both production culture perspective and New Historicism of Stephen Greenblatt. The text shows how many additional factors played decisive role in realising those classical movies and how much the movies were connected with plays for cultural power and dominance in those historical reality. In effect we can observe specific kind of dispersive authorship in which film authors hasn’t full control on the final effects of the movie, for example its social impact and audience reception.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2013, 13, 22; 73-90
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dokumentarzyści i krytyk. Zygmunt Kałużyński a dokumentaliści „nowej zmiany”
    The Documentarians and The Critic, Zygmunt Kałużyński and Documentary Filmmakers of „The New Change”
    Autorzy:
    Jazdon, Mikołaj
    Powiązania:
    https://bibliotekanauki.pl/articles/921330.pdf
    Data publikacji:
    2017-08-17
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Zygmunt Kałużyński
    Krzysztof Kieślowski
    Tadeusz Różewicz
    Tomasz Zygadło
    Polityka weekly magazine
    censorship
    film criticism
    documentary film
    Polish School of Documentary Film
    film festival
    ‘Cracow Circle’ of documentary filmmaking
    Opis:
    The article offers the analysis of how Zygmunt Kałużyński, the film critic of Polityka weekly magazine, described and stigmatized documentary films by Krzysztof Kieślowski, Tomasz Zygadło, Grzegorz Królikiewicz and Krzysztof Gradowski presented at the Cracow short film festival in 1971. Kałużyński criticized and mocked the aesthetics of the Polish “new wave” documentary cinema in a series of articles published in Spring and Summer of 1971. He presented films by brave and talented directors, contradicting the current social and political situation, as the unreflective imitation of the banal television documentary style based on in-front-of-the-camera interviews. The author compares Kałużyński’s proceedings to actions of a British journalist Robert Pitmann described by Tadeusz Różewicz in his essay A Journalist and the Poet. Pitmann conducted a sneering interview with T.S. Eliot for Sunday Express in 1958 and Różewicz comments on the possible effects of his text for its readers.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 20, 29; 15-46
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O Jerzym Mierzejewskim
    About Jerzy Mierzejewski
    Autorzy:
    HENDRYKOWSKI, MAREK
    Powiązania:
    https://bibliotekanauki.pl/articles/921121.pdf
    Data publikacji:
    2016-10-09
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Jerzy Mierzejewski (1917-2012)
    Film School in Łódź
    Polish art of cinematography
    Opis:
    For many years the excellent painter-formist Jerzy Mierzejewski (1917-2012) was the eminent figure of artistic life in postwar Poland. He was also an academic, a professor at the famous Film School in Łódź. The article presents the significance of Mierzejewski in paving the path for Polish cinematographic art and for the international successes of many Polish filmmakers (i.e. Andrzej Wajda, Roman Polański, Adam Holender, Krzysztof Zanussi, Krzysztof Kieślowski, Zbigniew Rybczyński and many others).
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 247-258
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Etiudy Romana Polańskiego
    Roman Polanski’s Short Films
    Autorzy:
    Hendrykowski, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/919840.pdf
    Data publikacji:
    2011-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    short film
    student film
    student étude
    production
    experiment
    stylistic choices
    film direction
    story
    narrative
    poetics
    black humour
    film art
    Polish National Film
    Theater and Television School
    Opis:
     Director/writer/actor Roman Polanski is one of the central figures in the history of Film School in Łódź. This study provides a detailed and comprehensive introduction to examine cinematic and artistic values of his early short films made between 1955 and 1961 in Poland and in France before his professional feature length debut “Knife in the Water” (1962). In his essential work Marek Hendrykowski looks at these nine shorts with in-depth analysis and adopts both historical and theoretical approach, making use of poetics terms, close reading method and socio-cultural interpretation. In its treatment of Polanski’s études this unique study discusses why these films are important in so many aspects and attracitve from many points of view and they have come to symbolise and represent modern cinema in Poland of the 1950s and early 1960s.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 9, 17-18; 159-198
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-9 z 9

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