Temat: Munk, Andrzej - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Jak w Czechosłowacji pojmowano filmy Munka i Wajdy, czyli film w kontekście zawikłanej historii
How in Czechoslovakia films by Munk and Wajda were conceived – or films in the context of tangled history
Autorzy:: Hučková, Jadwiga
Hučko, Tomáš
Powiązania:: https://bibliotekanauki.pl/articles/921217.pdf
Data publikacji:: 2017-08-17
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Polish Film School
Andrzej Munk
Andrzej Wajda
film reception
Czechoslovakia
Polish myths
heroism
Opis:: Films of Polish Film School, the most significant formation in post-war history of Polish cinema, appeared in Czechoslovakia with several years of delay. Power feared that their message will be dangerous for spectators. Meanwhile – for viewers they remain unknown or difficult to understand and only a few critics and fi lm historians could read them in accordance with the intentions of the directors Andrzej Munk and Andrzej Wajda, being the main representatives of the stream.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 20, 29; 215-230
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Jerzy Wójcik – estetyka światła
Jerzy Wójcik - light aesthetics
Autorzy:: Kozłowski, Krzysztof
Powiązania:: https://bibliotekanauki.pl/articles/917715.pdf
Data publikacji:: 2014-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: film
aesthetics of light
blue hour
Andrzej Munk
Stanisław Różewicz
the law of subtraction
Opis:: The article shows the creative way of Jerzy Wójcik, from his first artistic trials to the beginning of his career as a cameraman with Andrzej Munk, Andrzej Wajda and Jerzy Kawalerowicz, to his late films made together with Stanisław Różewicz. Particularly significant are the “changes of light”, the key to understanding the art of Wójcik’s films. They are examined one by one in reference to such issues as the depth system, the aesthetics of black-and-white and grey, the art of the icon and the blue hour.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 249-258
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: View from the inside. The images of the city in the “black series” documentary films in Poland in the 1950s
Autorzy:: Szpulak, Andrzej
Powiązania:: https://bibliotekanauki.pl/articles/923178.pdf
Data publikacji:: 2019-01-08
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: film and architecture
“black series” of Polish documentary
Polish documentary
Jerzy Bossak
Irena Sobierajska
Bohdan Kosiński
Jerzy Dmowski
Kazimierz Karabasz
Władysław Ślesicki
Krystyna Gryczełowska
Maksymilian Wrocławski
Andrzej Munk
Opis:: The article analyses the particular interest that the documentary filmmakers of the late 1950s had in the architectural and urban issues. The reasons for this phenomenon are situated in several plans: they refer to the image of reconstruction from the war devastation and the reaction to its falsification in the period of socialist realism. They refer to the social interests of the filmmakers and to the strategy of metaphorising and allegorising the images of the city, which was handy in the times of censorship as it extended meanings and applied non-literality. The article analyses various film incarnations of this phenomenon.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 22, 31; 113-122
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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