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    Tytuł:
    O Jerzym Mierzejewskim
    About Jerzy Mierzejewski
    Autorzy:
    HENDRYKOWSKI, MAREK
    Powiązania:
    https://bibliotekanauki.pl/articles/921121.pdf
    Data publikacji:
    2016-10-09
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Jerzy Mierzejewski (1917-2012)
    Film School in Łódź
    Polish art of cinematography
    Opis:
    For many years the excellent painter-formist Jerzy Mierzejewski (1917-2012) was the eminent figure of artistic life in postwar Poland. He was also an academic, a professor at the famous Film School in Łódź. The article presents the significance of Mierzejewski in paving the path for Polish cinematographic art and for the international successes of many Polish filmmakers (i.e. Andrzej Wajda, Roman Polański, Adam Holender, Krzysztof Zanussi, Krzysztof Kieślowski, Zbigniew Rybczyński and many others).
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 247-258
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Jerzy Bossak. Szkic do portretu (1910–1989)
    Jerzy Bossak. Sketch for a portrait
    Autorzy:
    Hendrykowski, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/921276.pdf
    Data publikacji:
    2017-08-17
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Jerzy Bossak
    documentary filmmaker
    factual film
    Film School in Łódź
    theory and practice of filmmaking
    Opis:
    The article presents a profile of Jerzy Bossak (1910–1989), an outstanding Polish filmmaker, head of the Polish Film Chronicle and the Kamera film team, and a long-time distinguished pedagogue at the Łódź Film School.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 20, 29; 103-118
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    W cieniu mistrza. O etiudzie Stanisława Latałły Święta rodzina
    In the shadow of a master. Stanisław Latałło’s short film The Holy Family
    Autorzy:
    Hendrykowski, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/921242.pdf
    Data publikacji:
    2017-08-17
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Stanisław Latałło
    Tadeusz Konwicki
    Mieczysław Jahoda
    Film School in Łódź
    March 68
    anti-semitism
    art film
    étude
    biblic theme
    censorship
    Opis:
    The text contains an analysis of Stanisław Latałło’s short film The Holy Family, shot at the ŁódźFilm School in the autumn of 1969. The author reconstructs the parabolic structure of this work and reveals the historical context of its realization, tied to the events of March 1968.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 20, 29; 264-278
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ćwierć wieku przed czasem. O etiudzie Henryka Kluby "Ocalenie"
    A Quarter of a Century Before Time. About Henryk Kluba’s Student Film Salvation
    Autorzy:
    Szpulak, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/920443.pdf
    Data publikacji:
    2015-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Henryk Kluba
    Salvation
    short film
    school film
    Stalinism in the film
    Opis:
    The text is devoted to an unknown short film made in 1957 in the Łódź Film School, Images XVI - rewizja.indd 276 2015-09-07 11:54:38 abstracts 277 Henryk Kluba’s Salvation. The film, showing the scary face of Stalinist terror in Poland, clearly transcends political taboo. Another work whose exploration of this theme goes as far will not be made until some twenty-fi ve years later, Ryszard Bugajski’s well-known Interrogation (1982). It turns out that it was not the first.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 16, 25; 181-187
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Między nieklasyczną narracją i klasyczną dramaturgią. "Taki pejzaż" Jagody Szelc
    Between Classical Narration and Non-classical Dramaturgy. Jagoda Szelc’s Such a Landscape
    Autorzy:
    Rojek, Patrycja
    Powiązania:
    https://bibliotekanauki.pl/articles/920430.pdf
    Data publikacji:
    2015-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Such a Landscape
    Jagoda Szelc
    school film
    episodic film
    non-classical narration
    symbol in film
    Opis:
    Between Classical Narration and Non-classical Dramaturgy. Jagoda Szelc’s Such a Landscape An abandonment of classical narration and a search for unconventional dramaturgical techniques are increasingly observed in the works of students from the Łódź Film School. One such short fi lm illustrating this tendency is Such a Landscape, directed by Jagoda Szelc. To create her individual and original piece, the director employs three traditional dramatic structures – that of an episodic fi lm, a Greek tragedy, and one connected with using the symbol as a tension-building tool. Jagoda Szelc proves that being sceptical about classical narration does not have to indicate a rejection of the whole tradition of storytelling. Instead, she chooses to use it as a fabric.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 16, 25; 203-215
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Marsjanie. Borowczyk i Lenica na Międzynarodowym Konkursie Filmu Eksperymentalnego w Brukseli
    Martians. Borowczyk and Lenica on International Experimental Film Competition in Brussels
    Autorzy:
    Sitkiewicz, Paweł
    Powiązania:
    https://bibliotekanauki.pl/articles/1047270.pdf
    Data publikacji:
    2020-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    animated film
    experimental film
    Jan Lenica
    Walerian Borowczyk
    The House
    Polish School of Animation
    Expo-58 in Brussels
    Opis:
    The text describes the backstage of the legendary International Experimental Film Competition in Brussels, which accompanied the Expo-58 Exhibition at a turning point of the political thaw in Eastern and Central Europe. The most important representatives of avant-garde cinema and auteur animation of three generations took part in this event. The Grand Prix was awarded to The House of Walerian Borowczyk and Jan Lenica. The prize became the ticket to a European career for these two young filmmakers. The competition was also remembered as a symbolic beginning of the “Polish school of animation” (or the so-called “Polish school of experimental film”) on the global film market. The author of the article also writes about a difficult return to Poland, about a cash prize that caused many problems, about the successes of Polish films in Brussels, and about the reception of The House in Poland and abroad. Finally, he tries to demonstrate why this bleak and difficult to understand film, which builds opposition to the optimism of Expo Exhibitions, won the main prize, beating over 300 competitors from around the world.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 27, 36; 289-301
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “The Intensity of Looking” at Karabasz, 2018
    Autorzy:
    Sapija, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/923205.pdf
    Data publikacji:
    2019-03-25
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    documentary film
    Kazimierz Karabasz
    Lodz Film School
    WFD – Warsaw Documentary Film Studio
    history
    character in documentary
    film observation
    documentary ethics
    Opis:
    The origins of particular documentary films are sometimes difficult to determine, precisely locate and capture in time and space. It is like searching for the source of a river. What marked the beginning of Intensity of Looking, a film about the great documentary film director Kazimierz Karabasz? The beginning of a documentary film’s creation determines the artistic process and elements that shape its strength, energy and main thought. These elements, which sometimes verge on intuition, guide this process, shaping the subject of the film, as well as its meaning, climate and aura. There is a thread connecting the author and the protagonist of the film, something that binds them together during work on the film, and sometimes lasts much longer. The three variants of what initiates the process of making a particular documentary film are as follows. The first is an encounter with a person who could be a character in a documentary film. The second is a thought, idea or problem that a filmmaker wants to address and discuss in a documentary by means of a certain character and story. The third is a return to a character who had been portrayed in a previous documentary film, to tell more about him or her. All three of these variants were the case in the making of Andrzej Sapija’s Intensity of Looking.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 24, 33; 166-178
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dokumentalne etiudy szkolne lat 50. i 60.
    Documentary school films of the 50s and 60s
    Autorzy:
    Mąka-Malatyńska, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/923081.pdf
    Data publikacji:
    2018-04-26
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    short film
    school film
    documentary film
    staging in documentary film
    observational documentaries
    Andrzej Wajda
    Krzysztof Kieślowski
    Marek Piwowski
    Ryszard Ber
    Witold Sobociński
    Opis:
    The subject of the article are the poetics of films made in the Lodz Film School in the first years of its existence. Analysis of selected films allows us to trace the metamorphoses of documentary forms which were sometimes parallel to changes being observed in mainstream documentaries, sometimes preceding them, sometimes imitating them. Documentary school films from this period illustrate one of the most important phenomena in the history of Polish documentary cinema: the transition from a persuasive document to an observation film whose poetics are the basis for defining the documentary in Poland.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 21, 30
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-8 z 8

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