Temat: IRENA - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Gdzie jest nasz dom? Historia pewnego filmu
Where is our home? The story of a film
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/921226.pdf
Data publikacji:: 2017-08-17
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: World War II
Polish cinema
documentary
children
Warsaw Uprising
Irena Byrska
Tadeusz Byrski
Antoni Bohdziewicz
Stanisław Rodowicz
Opis:: The article tells the story of the making of a little-known Polish documentary shot in 1944 and 1945. The film depicts the fate of a group of children from Warsaw who were at a summer camp in Stoczek Lukowski when the Warsaw Uprising began.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 20, 29; 314-322
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Etiudy „społecznego zwiadu”. O szkolnych krewniaczkach filmów czarnej serii
Etudes of "social reconnaissance." About school relatives of black series films
Autorzy:: Szpulak, Andrzej
Powiązania:: https://bibliotekanauki.pl/articles/917930.pdf
Data publikacji:: 2014-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: black series of Polish documents
film etudes
October 1956
social topics in film
Henryk Kluba
Irena Sobierajska
Robert Stando
Anna Sokołowska
Jan Rutkiewicz
Roman Załuski
Opis:: The text refers to the films of black series of Polish document and arising at the same time (1956–1957) etudes of students of the Lodz Film School, dedicated to social issues. Analysis of individual works led to several observation. First, the etudes, like movies of black series, reflecting the social movement of 1956, but their subject matter turned out to be partly different. Appeared in them, for example, political threads. Secondly, the etudes showed many similarities to the professional implementation of the WFD, but only films of Hoffman and Skórzewski can pass as a source of inspiration for students. More frequently students ideas appeared in the improved form in the films of young professionals. Thirdly, the weaker school productions were bolder.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 153-154
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: View from the inside. The images of the city in the “black series” documentary films in Poland in the 1950s
Autorzy:: Szpulak, Andrzej
Powiązania:: https://bibliotekanauki.pl/articles/923178.pdf
Data publikacji:: 2019-01-08
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: film and architecture
“black series” of Polish documentary
Polish documentary
Jerzy Bossak
Irena Sobierajska
Bohdan Kosiński
Jerzy Dmowski
Kazimierz Karabasz
Władysław Ślesicki
Krystyna Gryczełowska
Maksymilian Wrocławski
Andrzej Munk
Opis:: The article analyses the particular interest that the documentary filmmakers of the late 1950s had in the architectural and urban issues. The reasons for this phenomenon are situated in several plans: they refer to the image of reconstruction from the war devastation and the reaction to its falsification in the period of socialist realism. They refer to the social interests of the filmmakers and to the strategy of metaphorising and allegorising the images of the city, which was handy in the times of censorship as it extended meanings and applied non-literality. The article analyses various film incarnations of this phenomenon.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 22, 31; 113-122
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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