Temat: European History - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: History and Symbols: Lithuanian and Central European Cinema of the 1960s
Autorzy:: Mikonis-Railienė, Anna
Powiązania:: https://bibliotekanauki.pl/articles/920414.pdf
Data publikacji:: 2015-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Lithuanian cinema
history
Aesopian language
Central European cinema
Opis:: The text discusses the most creative period in Lithuanian cinema, the 1960s. This analysis is an attempt to frame the artistic and thematic changes in Lithuanian cinema within the context of the changes that occurred in Central Europe cinema during the 1960s. Showing that the cinematic influence of the neighbouring countries of Central Europe was sufficiently strong allows us to show the exceptional nature of Lithuanian cinema in the context of the policies towards the arts in the Soviet Union.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 16, 25; 234-248
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: "Czeski błąd" i polski "Kret". O różnych filmowych obliczach lustracji
Kawasaki’s Rose and The Mole. Two Film Faces of Lustration
Autorzy:: Pomostowski, Piotr
Powiązania:: https://bibliotekanauki.pl/articles/919907.pdf
Data publikacji:: 2012-06-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: lustration
modern history
The Mole
Kawasaki's Rose
Polish and Czech societies
Central European cinematographies
Jan Hřebejk
Rafael Lewandowski
Kret
kino czeskie
historia najnowsza
lustracja
kino środkowoeuropejskie
Opis:: The issue of settling accounts with modern history is a topic often taken up in contemporary Polish cinematography. The delicate and intriguing problems of lustration, memory, guilt, and forgiveness are, however, not only a Polish concern. In 2009, Kawasaki’s Rose, directed by Jan Hřebejku, was presented during the Berlinale. Almost a year later, Rafael Lewandowski’s debut film The Mole was released in Polish cinemas. Both the Czech and the Polish productions constitute attempts at facing the embarrassing problem faced by Poles and Czechs in terms of the problems mentioned above. A closer look at the phenomenon, viewed from two different perspectives (Polish in The Mole and Czech in Kawasaki’s Rose), provides a particularly interesting angle for analyzing this subject. In the article, the works of Rafael Lewandowski and Jan Hřebejk are compared in an effort to answer the question of what image of society emerges from these films. How do different historical and cultural conditions influence the process of shaping people’s attitudes in the face of similar problems. The author performs a film study analysis on these works, based on interviews with their authors and important reviews of them. Literary works that are topically connected with them, including Revised Edition by Péter Esterházy and The Curtain by Milan Kundera, constitute an essential context.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2012, 11, 20; 83-92
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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