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Wyświetlanie 1-5 z 5
Tytuł:
Surreal Dreams of a “Creative City” (or: How Camerimage Festival Tried to Convince Łódź to Stop Worrying and Love Modern Architecture)
Autorzy:
Klejsa, Konrad
Powiązania:
https://bibliotekanauki.pl/articles/920847.pdf
Data publikacji:
2015-06-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
film culture
the city of Łódź
Camerimage
architecture
creative class
David Lynch
Opis:
The study focuses on the architectural projects proposed by the creators of Camerimage festival for Łódź – which is struggling to maintain its position as a “film-friendly” city. A so-called “David Lynch studio” and “Frank Gehry congress center” were preliminarily commissioned by the city, but soon both projects were subjected to heavy criticism from the city council. The author presents the dynamics of the debate and stresses the need for taking into account discussions of the concepts of the “creative class” and the “creative city”.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 17, 26; 269-275
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
David Avidan’s Message from the Future. Nuclear fantasies of the galactic poet
Autorzy:
Pietrzak, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/1047435.pdf
Data publikacji:
2021-03-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
David Avidan
science fiction
Israeli cinema
Israeli poetry
Cold War
nuclear weapon
Opis:
David Avidan’s Message from the Future (1981) is one of few Israeli science fiction films ever made. This ambitious project of the well-known avant-garde poet has been forgotten for many years, as a result of a financial and artistic failure of the movie. The paper shows Avidan’s doomed film as an interesting cultural text that can be read as the director’s commentary on the Israeli reality of his time. Contrary to the artist’s claims about the global ambitions of the picture, Message from the Future is immersed in the local, exploring it under the guise of narrative structures borrowed from Hollywood. The text analyzes a precise deconstruction of the plot patterns characteristic for the classic American SF films from the 1950s, which Avidan adjusted to the Israeli sociopolitical landscape at the turn of the seventies and eighties.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 127-139
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kolor w przestrzeni miejskiej „Siedem” Davida Finchera
The Colour of Urban Areas in David Fincher’s Seven
Autorzy:
Choczaj, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/920105.pdf
Data publikacji:
2013-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Seven
David Fincher
Darius Khondji
Lighting
Sound
Thriller
Serial killer
Seven deadly sins
Colors
Opis:
The city in Seven is full of dark and claustrophobic spaces, dominated by three colors: black, green and red. The significance of these colors is associated with sin: laziness (green), impurity (red) and pride (red, white). Desaturation of color and deep blacks throughout the film are the result of artistic treatments such as flyflashing and bleach-bypass. Color is complemented by light – sometimes minimal, other times quite blinding. The sound of thunder and rain complete the picture of the city as a place of moral decay, where two forces are fighting: light and darkness, purity and sin.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2013, 12, 21; 307-316
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Par-eikon: przypadek Ostatniej Wieczerzy
Par-eikon: the case of the Last Supper
Autorzy:
Zarychta, Anna
Powiązania:
https://bibliotekanauki.pl/articles/917968.pdf
Data publikacji:
2014-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Eikon
parody
irony
picture analysis
transtextuality
the evolution of aesthetic forms
visual metaphors
stimulus equivalence
difference and repetition
pop-culture
The Last Supper
David La Chapelle
Leonardo da Vinci
Jacopo Bassano
Opis:
The text is an attempt to analyze the evolution of aesthetic forms and motifs discussed on the example of the so-called “great figure” The Last Supper – the starting point for the analysis of the motif is the photography of David La Chapelle of the series: Jesus is my homeboy. Significant here is the context theory of parody by Linda Hutcheon – understood as a central point overview of contemporary art – a phenomenon combining fidelity to tradition and contemporary ideas of creative freedom, to express, among others, in need of confrontation with the ‘classic’ conventions – encroaching and deconstructive also in our contemporary pop-cultural processes of “image-consumption”. 
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 93-110
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miasto na ludzką miarę
The Human Scale
Autorzy:
Huckova, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/920135.pdf
Data publikacji:
2013-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
documentary film
human rights festival
architecture
Jan Gehl
public space
Andreas M. Dalsgaard
The Human Scale
Sarah Gavron
David Katznelson
Village at the End of the Word
Marc Issacs
Men of the City
Tom Cordell
Utopia London
Mike Freedman
Critical Mass
César Pérez
The Only Flower
Mike Lerner
Maxim Pozdorowkin
Capital
Humphrey Jennings
Spare Time
Dziga Vertov
Man with a Movie Camera
Opis:
The Danish director Andreas M. Dalsgaard’s film The Human Scale (2012) is discussed in the context of recent documentaries on similar subjects that have been shown at human rights festivals. The Human Scale is primarily an excellent lecture on the ideas of Danish architect and urban planner Jan Gehl. The cognitive tools of persuasion and artistic means were equilibrated and combined in the film in order to convince the viewer of the value of Gehl’s concepts.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2013, 12, 21; 5-16
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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