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Wyświetlanie 1-15 z 46
Tytuł:
Pętla obrazów. Wideo według Mariny Abramović
The Loop of Images. Video According to Marina Abramowić
Autorzy:
Krawczak, Michał
Powiązania:
https://bibliotekanauki.pl/articles/920272.pdf
Data publikacji:
2009-06-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
performance art
video art
iconography
video loop
installation art
photography
Marina Abramović
Opis:
The connection between video art and performance art has been inseparable since 1967, when the first commercial camera Sony Portapak appeared on the American market. The development of video art and performance art has been parallel. On the one hand, autonomous languages which used different discourses were created, on the other hand, the interaction was inextricable, long-lasting and very stimulating. Marina Abramović, recording her activities as a performer on video and then placing them in the space of her installations, gained a high level of energy in the picture, which became transcendent, a sign of body and life, a meditation. Abramović consciously sacralizes her art and highlights its meditational character. In that way the art became a loop of a video sequence, a multifaceted icon.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2009, 7, 13-14; 235-241
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Art as a laboratory – Guy Ben-Ary’s work
Autorzy:
Szykowna, Sylwia
Powiązania:
https://bibliotekanauki.pl/articles/923265.pdf
Data publikacji:
2019-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
bio art
posthumanism
new media art
laboratory
tissue culture
collectivity
Ars Electronica
art world
Guy Ben-Ary
SymbioticA
Opis:
The present paper deals with the work of an Israeli artist, Guy Ben-Ary. His work is a prime example of artistic practice in the field of bio art. Bio art provokes critical thinking about the place and role of people in today’s world. The main purpose of the article is to describe changes in contemporary artistic practices within the framework of art as a laboratory, the aim of which is to study reality.  
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2019, 25, 34
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ogrody Keplera – Ars Electronica 2020
Kepler’s Gardens – Ars Electronica 2020
Autorzy:
Myoo, Sidey
Powiązania:
https://bibliotekanauki.pl/articles/1955289.pdf
Data publikacji:
2021-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Festival Ars Electronica
new media art
contemporary art
interactive media
electronic image
virtuality
Opis:
The article presents the content shown at the “Festival of Art, Science and Society - Ars Electronica 2020”, which is organized annually in Linz. The focus was on the awarded and distinguished artistic works, taking into account their interpretation and the workshop in which they were created. In the article are presented i.a. such works of art as computer animation, network art, artificial intelligence art, hybrid art or bioart, which was briefly interpreted in relation to the currently being developed technologies and social contexts that accompanies it. The text was written as a result of the author’s personal participation in the festival, which also allowed to take into account the differences between the festival held mostly by web, as it was in 2020, compared to the stationary participation in it, as it was in previous years.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2021, 29, 38; 283-287
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miasto i jego ukryty wymiar w sztuce
The City and its hidden dimension in art
Autorzy:
Koniecko, Remigiusz
Powiązania:
https://bibliotekanauki.pl/articles/920074.pdf
Data publikacji:
2013-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
space
architecture
art
photography
transparency
Opis:
The purpose of this article is to show the relationship between art, photography and architectural spaces that create new creative visions in these areas. The explored topic reveals a situation that affects the understanding of the current role of architecture, where previously there was no place for abstract concepts. Today this gap is complemented by artists as well as by architects, who often straddle architectural practice and a desire to be an artist. The penetration of these attitudes creates a situation in which the previously outlined boundaries of both disciplines are being crossed, in what might be called the transgression of art and architecture. As a result, a relationship between an artist and a given space is created. But what effect has this on the understanding of the relationship? What can we learn from these relationships?
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2013, 12, 21; 151-172
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Model jako punkt wyjścia dla małej formy w wideo-art
The model as a starting point for a small form in video-art
Autorzy:
Szydłowski, Konstanty
Powiązania:
https://bibliotekanauki.pl/articles/919997.pdf
Data publikacji:
2012-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
model
wideo-art
małe formy
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2012, 10, 19; 67-80
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Artists play games
Autorzy:
Pitrus, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/1955339.pdf
Data publikacji:
2021-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
media art
video games
interactivity
interface
Opis:
Andrzej Pitrus discusses complex relationships between the two worlds – art and computer/ games. Numerous artists are looking for inspirations in the world of an interactive entertainment, yet some of them are creating new paths of its development. Some of the artists focus on new and unique interfaces. Others refer to the mechanics of games to create their own interactive works. Bill Viola’s The Night Journey is an excellent example of such project. The author also reviews critical games, which are based on the mechanisms easily found in commercial games. Yet, their goal is to deconstruct them, rather than followig well known tracks. Pitrus examines this strategy in the works of a famous studio “Tale of Tales”.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2021, 29, 38; 113-122
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sztuka permutacyjna jako forma oporu w kinie eksperymentalnym
Permutation Art as a Form of Resistance in Experimental Cinema
Autorzy:
PUDŁO, FILIP GABRIEL
Powiązania:
https://bibliotekanauki.pl/articles/921165.pdf
Data publikacji:
2016-10-09
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
permutation art
Paweł Kwiek
Apnoea
Wojciech Bruszewski Bezdech
Opis:
This study aims to present two examples of permutation films as forms through which experimental cinema resisted the reality of the 1970s. The analysis is based on two works by members of the Workshop of the Film Form: “1, 2, 3... Cinematographers Exercise” by Paweł Kwiek and “Apnoea” by Wojciech Bruszewski. Analysis and comparison of the two oeuvres is performed with the use of methods characteristic for these types of cinematic forms. This work also discusses the idea and historical context of permutation art and presents its relationship with particular current activities in the field of art.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 143-150
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Synagogue paintings as indicating a developing conception of national redemption
Autorzy:
Orgad, Zvi
Powiązania:
https://bibliotekanauki.pl/articles/923286.pdf
Data publikacji:
2019-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Synagogue art
wall paintings
interior decoration
national redemption
Opis:
This article compares the interior paintings in the ‘Ades and Ohel Moshe synagogues, both of which are non-Ashkenazi, in the Naḥlaot neighborhood in Jerusalem. Although the synagogues were decorated 50 years apart, there are similarities in the painted motifs and drawing schemes, but also some differences. I suggest that these differences reflect the development of a Jewish concept of national redemption during the 50 years that elapsed between the adornment of the two synagogues.
Abstract. Orgad Zvi, Synagogue paintings as indicating a developing conception of national redemption. “Images” vol. XXV, no. 34. Poznań 2019. Adam Mickiewicz University Press. Pp. 15–27. ISSN 1731-450X. DOI 10.14746/i.2019.34.01. This article compares the interior paintings in the ‘Ades and Ohel Moshe synagogues, both of which are non-Ashkenazi, in the Naḥlaot neighborhood in Jerusalem. Although the synagogues were decorated 50 years apart, there are similarities in the painted motifs and drawing schemes, but also some differences. I suggest that these differences reflect the development of a Jewish concept of national redemption during the 50 years that elapsed between the adornment of the two synagogues.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2019, 25, 34; 15-27
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Collective Memory and Colloquial Aesthetic Experience. Remarks on the Functions of Digitalized Paintings in Second Life
Autorzy:
Kaźmierczak, Marek
Powiązania:
https://bibliotekanauki.pl/articles/920921.pdf
Data publikacji:
2015-06-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
art
colloquial thinking
Second Life
aesthetics
new media
decontextualisation
Opis:
The article addresses the representation of art in Second Life. There is an interesting dichotomy between collective memory and colloquial aesthetic experience in virtual reality. The article consists of two main parts: the first pertains to decontextualisation as a paradigm in art; the second refers to the features of daily aesthetic experience. The main hypothesis of this paper is: digitalized images of paintings reveal changes in thinking about art in a world dominated by new media (and thus also by Second Life). This hypothesis confirms the presumption that collective memory nowadays is dominated by colloquial thinking about art, aesthetic and beauty.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 17, 26; 27-37
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kino pod presją
Cinema under pressure
Autorzy:
HENDRYKOWSKI, MAREK
Powiązania:
https://bibliotekanauki.pl/articles/921196.pdf
Data publikacji:
2016-10-09
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
cinema
film art
politics
ideology
political correctness
moral correctness
censorship
Opis:
The article contains a synthetic look at the issue of film censorship, taking into account its various forms. The author combines the perspective of a contemporary synchronous with the diachronic perspective, dating back to the distant origins of cinema and filmmaking, in conjunction with politics and ideology.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 19-32
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wodą w mur lub wyjście przez okno z betonu. O kilku graffiti Banksyego
Water on the wall or exit through the concrete window. On some graffiti of Banksy
Autorzy:
Mrozewicz, Anna
Powiązania:
https://bibliotekanauki.pl/articles/919838.pdf
Data publikacji:
2011-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
graffiti
site-specific art
production of space
landscape
conflict
heterotopia
Opis:
 The paper discusses a series of five graffiti pieces made in 2005 on the Israeli-Palestinian separation barrier by the English street artist Banksy. Location is here key to the understanding of the messages. The departure point for my analyses is, on the one hand, the meaning connoted with the ‘wall,’ the aim of which is to separate two peoples in a conflict, and, on the other, the representations of landscapes, often with water, painted by Banksy in most of the works. To answer what symbolic role landscape plays in the conflict-ridden area, I look at some other art works, made by contemporary Israeli artists for whom place, landscape and the related question of identity and belonging seem to play a central role. Painted by Banksy on the Palestinian side, the utopian, Eden-like sights, which ‘make holes’ in the concrete barrier, undermine, in an ironic fashion, the hierarchical discourse of power relations constructed by the ‘opposite’ side, and give ‘water’ to the evicted.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 9, 17-18; 208-220
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sfera wolności. Zygmunta Mycielskiego uwagi o muzyce 1955
The sphere of freedom. Zygmunt Mycielski observations on music in 1955
Autorzy:
HENDRYKOWSKI, MAREK
Powiązania:
https://bibliotekanauki.pl/articles/921087.pdf
Data publikacji:
2016-10-09
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
art
music
politics
ideology
social realism
freedom
ethos
Zygmunt Mycielski
Opis:
The article profiles one of the most interesting music critics of the communist period. Zygmunt Mycielski's journalism is one of the most valuable phenomena of Polish postwar musical culture. What was important for him were fixed points, imponderables keeping human thinking in check and truly creative activity in the sphere of sound. He did not share Carl Dahlhaus’ idea of the death of aesthetics, which was fashionable in the early twentieth century He was convinced that the aesthetic value of a musical work shape musical and non-musical reality, and that the microenvironment which these values form and unify remains particularly important for a man enslaved by the totalitarian system.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 259-279
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
On Parody
Autorzy:
Fredericksen, Don
Powiązania:
https://bibliotekanauki.pl/articles/917990.pdf
Data publikacji:
2014-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
parody
irony
discourse
art
behavior
Marek Piwowski
Ingmar Bergman
joke
psychology
Opis:
The essay consists of a series of examples of parody, and of statements regarding the nature and functions of parody. One is allowed to wonder if the form of the essay parodies obsessive-compulsive thought. Parody is taken to be a form of irony within the verbal, visual, and acoustical arts. As well, the claim is made that it is often unwittingly manifested in personal behavior, and in theories of human nature upon which forms of utopian thought and social engineering are based. Examples are drawn from film, painting, literature and literary criticism, psychotherapy, teaching, the writing of history, social engineering, and jokes. Parody is taken to be a major means for combating the corruption of consciousness in both its personal and communal forms.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 25-28
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Neurobiologia na tropach uniwersalizmu percepcji sztuki. Prawa estetyki V.S. Ramachandrana i W. Hirsteina w kontekście dzieła sztuki filmowej. Studium przypadku: Nadja Michaela Almereydy
Neurobiology in search of the universality in the perception of art. V. S. Ramachandran and W. Hirstein’s laws of aesthetic experience in relation to a work of film art. Case study: Michael Almereyda’s Nadja]
Autorzy:
Przybysz, Hanna
Powiązania:
https://bibliotekanauki.pl/articles/1047257.pdf
Data publikacji:
2020-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
aesthetics
neuroaesthetics
visual perception
brain
Film Art
Ramachandran
Hirstein
Almereyda
Nadja
Opis:
Vilayanur S. Ramachandran and William Hirstein are the authors of the concept of a work of art understood as an exaggerated stimulus in the creative process. The aim of art, according to them, is (a) to show the essence of something in a perceptually accessible way, and (b) to evoke a strong reaction from the recipient. Scientists say that the aim of art is not to perfectly reproduce reality, but to present the very essence of an object, scene or event by exaggerating its most characteristic features, while ignoring non-essential features. The effect of this treatment is a super stimulus, which is a supernatural stimulus that does not exist in the real world. Researchers have proposed seven universal – evolutionarily and culturally – neurological laws of aesthetic experience in relation to the visual arts (painting and sculpture). I propose to extend the tool apparatus of neuroaesthetics from the area of unimodal arts to a work of film art. It is an interesting tool for research into film aesthetics and masterpieces. In this paper, I will discuss these laws and make a representative analysis of them in a visual case study of Michael Almereyda’s film Nadja (1994). The main goal of my work is to show the stricto naturalistic position. Man is not aware that the first stages of cognitive perception have a significant impact on his interest in art, what he pays attention to, and on aesthetic experiences on a sensual, unconscious level. It is an interdisciplinary attempt to provide consistency of research approaches in the humanities with the naturalistic one in the area of natural sciences, which shows that on some levels we are very similar to each other and only in the process of ontogenesis do we acquire individuality – that we are governed by universal laws, not only those related to ourindividual interests and tastes.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 27, 36; 225-245
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Shimmer and whisper
Autorzy:
Stok, Witold
Powiązania:
https://bibliotekanauki.pl/articles/2135409.pdf
Data publikacji:
2021-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Holocaust
documentary film
author cinema
Japanese art
making-off
short film
Opis:
The author of the article, one of the acclaimed Polish cinematographers, describes his practical eforts involved in making two short documentary films on Holocaust directed by him. The first one,Sonderzug (1978), was based on Stok’s idea to recreate his first emotional reaction to the landscape around Treblinka in the film that lasts 9 minutes, as long as the way of the Jews from the ramp to their end in the death camp. The other film, Prayer (1981), is the portrayal of a Japanese Buddhist monk praying at the site of the former Auschwitz-Birkenau concentration camp. The formal inspiration of the film came from Japanese visual art.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2021, 30, 39; 313-322
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 46

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