Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "movie" wg kryterium: Wszystkie pola

  Lista filtrów
Wyrównaj
Wyświetlanie 1-15 z 17
Tytuł:
Rozwój filmowych adaptacji komiksów – „kino superbohaterskie” jako gatunek
The evolution of comic book adaptations – ‘superhero movie’ as a genre
Autorzy:
Czyżak, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/1047303.pdf
Data publikacji:
2021-03-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
comic book movie
movie genre
Marvel Studios
superhero
superhero movie
Opis:
This article is an attempt to consider superhero movies as a developing genre of popular cinema. The theory is based on Rick Altman’s “Semantic/Syntactic/Pragmatic” approach to genre. It tries to capture features of superhero blockbusters and their main themes – the most distinctive trait of this genre, according to the author of the text, is supposed to be the relationship between an individual, their “power” and society. The text is both an extension of and a counter-proposal to conclusions made by Tomasz Żaglewski in Kinowe uniwersum superbohaterów.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 338-348
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Reżyserskie szlify. Władysław Ślesicki w Szkole Filmowej (1950-1955)
Movie Director Exercise. Władysław Ślesicki and a Film School (1950–1955)
Autorzy:
Pławuszewski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/920845.pdf
Data publikacji:
2015-06-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Władysław Ślesicki
school film
documentary
Kazimierz Karabasz
Gypsies
mise-en-scene
movie style
film school
Opis:
The article discusses Władysław Ślesicki’s studies at the Lodz Film School (1950–1955). The years he spent at Film Directing Department were fruitful not only because of a few worth-while writings, but also due to some of his first directing experiences. Ślesicki was an assistant on the set of Kazimierz Karabasz’s school films, but he also directed his own (debut) short movies (the short feature Kawaler Kubiak; the short documentary Jedzie tabor). The claim is also made that these early works foreshadow his unique cinematic style, which Władysław Ślesicki developed especially within the documentary genre and which gave him a lasting place in the history of Polish cinema.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 17, 26; 282-290
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Węgierska parodia filmowa. Skutki uboczne parodii filmowych z czasów Kádára
Hungarian movie parody. Side effects of movie parodies from the time of Kádár
Autorzy:
Hučko, Tomáš
Powiązania:
https://bibliotekanauki.pl/articles/917975.pdf
Data publikacji:
2014-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Hungary
film parody
Kojak
hero
James Bond
kino węgierskie
parodia filmowa
Opis:
In the rich and colorful Hungarian film history from post-war years to the present day we find an abundance of comedies combining satire, epigram, burlesque, but true parody film among them is not too much, is a rare phenomenon. What is the reason? We are looking for the answers in examples of two trials of parody film: the first and the only parody of James Bond: Az Oroszlan ugrani készül (dir. György Révész, 1969) and Kojak Budapesten (dir. Sándor Szalkai,1980), inspired by the main character of the American television series Kojak. Both attempts are accompanied with specific “side effects”. It tells a lot about the possibilities and limits of the Hungarian film parody.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 49-56
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zachód słońca. Scenariusz filmu kinowego
Sunset. Movie script
Autorzy:
Filipowicz, Kornel
Różewicz, Stanisław
Powiązania:
https://bibliotekanauki.pl/articles/920260.pdf
Data publikacji:
2009-06-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
scenariusz
zachód słońca
film
kino
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2009, 7, 13-14; 280-308
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cinema Metropol – kino, którego nie ma
Cinema Metropol – a place which is not there
Autorzy:
Śliwińska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/921220.pdf
Data publikacji:
2017-08-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
movie theater
Metropol
Chodzież
history
Opis:
This article is devoted to the history of the Metropol movie theater, which started its activity in the interwar period. The story of Metropol intertwines with the history of the town and the fate of its inhabitants.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 20, 29; 329-335
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Akord à rebours. O muzyce i „duchowej inteligencji” w filmie Interstellar Christophera Nolana
À rebours chord. On music and “spiritual intelligence” in Christopher Nolan’s movie Interstellar
Autorzy:
Lisiecka, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1047447.pdf
Data publikacji:
2021-03-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
spiritual intelligence
Tristan chord
Wagner
symbolic form
significant form
concepts of love in the Western culture
Caritas
soundtrack of the movie
Opis:
The essay aims to reveal the role of music in the movie Interstellar by Christopher Nolan and its significance in creating an artistic message that relates to the love myths characteristic of European culture and art. The orientation point is the Tristanic myth and the project of musical dramaturgy by Richard Wagner, the founder of the concept of music being the significant layer in a Gesamtkunstwerk, a synthesis of the arts, which strongly inspires i.a. cinema. The article ponders possible messages to be decoded from the music in Nolan’s movie: as a “form of a lover’s discourse” (R. Barthes), “significant form” (Suzanne K. Langer), “symbolic form” (E. Cassirer), responsible for shaping the ambience that constitutes an inherent structural part of the movie in the metaphysical cinema genre. The musical solutions applied by Hans Zimmer in the soundtrack to Nolan’s movie do more than merely imply inspiration from Wagner. They also allow for recognition of the polyphonic way of constructing formal and thematic relations between musical themes and the verbal-visual layer of the movie. This refined artistic project aims at a subtly directed confrontation with the nihilistic picture of love that is representative of melancholic-pessimistic images of the condition of human relationships in the modern culture. The analysed main musical theme, called the “à rebours chord” (i.e. anti-Tristan chord), turns out to be an overt musical manifestation of such a counterpunch and becomes a starting point to telling a story that refers to the concept of love which assumes taking action and fighting for the good of your loved ones, as well as the concept of Caritas and unconditional love. The way that the music and sound of the movie are orchestrated is therefore tightly coupled with its semantic and symbolic message, which allows for perceiving the music as a specific “libration point” of the movie structure. Its function might also be interpreted as a semantic attribute of “a spiritual intelligence”, referring to that which is binding and crucial for the axiological and metaphysical message of the movie.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 177-205
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kino przestronnego kadru
Cinema of a large frame
Autorzy:
Pławuszewski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/919831.pdf
Data publikacji:
2011-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
American Film Festival
documentary
movie
Escobar
Spalding Gray
Wroclaw
cinema
competition
a large frame
Opis:
The first edition of American Film Festival took place in Wrocław (20-24/11/2010) and became a great opportunity to watch both the classic and the latest movies made by the American filmmakers. The article Kino przestronnego kadru (Cinema of a large frame) focuses on the festival documentary section. From among the titles that are mentioned, a special author’s attention is dedicated to two movies: And Everything Is Going Fine (directed by Steven Soderbergh, 2010; a haunting picture of life and death of Spalding Gray, American writer and performer of self-written monologues) and Two Escobars (directed by Jeff and Michael Zimbalist, 2010; a story about the Colombian mafia, soccer, drugs, heroes, bandits and much more). Despite many differences beetwen them, each represents a fine art of making remarkable and moving documentaries and for sure it’s worth interest.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 9, 17-18; 231-235
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Opowieść reżysera, który chce być reżyserowany
A Tale of a Director Who Wants to Be Directed
Autorzy:
Pławuszewski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/920009.pdf
Data publikacji:
2012-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Jacek Bławut
documentary
movie character
director
dogmas
Opis:
The review A Tale of a Director Who Wants to Be Directed concerns a book written by Jacek Bławut (A Character in a Documentary). Notable Polish filmmaker sums up some of his artistic achievements (not without mentioning the future plans), trying to explain his view on a co-operation with a movie character (especially due to a documentary genre), but also on a directing itself. The review follows the vital points of the book, placing them under two general categories: “author” and “character”. It also recalls (with no abbreviation) something that’s been called as “Dogmas or what’s important for me” – these are ten “rules” that Jacek Bławut (as a director) tries to adapt to all of his film doings.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2012, 10, 19; 174-177
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Koncepcja ideowo-artystyczna zdjęć do filmu Tam i z powrotem. Opis autorski
The ideological and artistic concept of cinematography for the movie "There and Back". Author description
Autorzy:
Wojtowicz, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/918048.pdf
Data publikacji:
2014-06-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 15, 24; 195-206
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Satyra na dogmat? „Strategia przewrotności” w Dogmie Kevina Smitha
Satire on dogma? The strategy of subversion in Kevin Smith’s Dogma
Autorzy:
LEWANDOWSKA, ZUZANNA
Powiązania:
https://bibliotekanauki.pl/articles/921174.pdf
Data publikacji:
2016-10-09
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Kevin Smith
satire
Generation X
Dogma
bible movie
religion
religious film
Opis:
Religious themes which appear in the cinema in a fashion that differs from the classical view of Bible stories often become problematic for the audience, especially its more religious members, who find such movies blasphemous and sacrilegious. At the same time, it seems that the aim of many such works is not to act against religion, but rather to show the truths of faith in a new perspective. This kind of approach, described as a “strategy of subversion“ based on the affirmation by illusory negation, can be found in the way Kevin Smith created his Dogma (1999). The aim of this article is to examine those aspects of Dogma, which on the one hand undermine the dogmatic character of religion and the commercialization of the Catholic Church, and on the other, expose and emphasize the senses of faith and cultivating religion lying underneath the pop culture in a ostensibly profane form.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 151-162
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wokół definicji parodii filmowej
Around the definition of a movie parody
Autorzy:
Hendrykowski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/917988.pdf
Data publikacji:
2014-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
parody
film parody
genre
metagenre
comic effect
intertext
pars destruens
renewal
restoration
parody in contemporary cinema and new medias
parodia filmowa
parodia
Opis:
The revision of key topics that are related to film parody. The crucial question of Marek Hendrykowski’s research sounds as follows: what is the semiotic mechanism that gives parodistic effect expressed in the language of motion pictures? According to the author, conditio sine qua non of each parody are: incorrectness, caricatural exaggeration, comic effect, deconstruction, pars destruens and new meaning of old characteristic elements confronting the audience and its common memory. In the light of new reading and revised definition of this term, film parody is not a separate genre but rather meta-genre in its relations to many other film genres and individual screen performances being object of parody
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 29-38
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Na białym szlaku. Zapomniany film o wojnie
“On the White Trails”: a forgotten film about the war
Autorzy:
Hendrykowski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/923318.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Jarosław Brzozowski
Andrzej Wróbel
film poetics
World War II drama
tough guys movie
genre
narration
Polish cinema
practice of film production
Opis:
The article is an analytical and interpretative study of behind-the-scenes aspects and the poetics of a little-known feature film titled On the White Trails, directed by Jarosław Brzozowski and Andrzej Wróbel.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2019, 26, 35; 103-115
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fakes of reality. Do we really need the paradigm of the documentary? From the ontology to the epistemology of movie images, i.e. there and back again
Autorzy:
Jakubowska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/923109.pdf
Data publikacji:
2018-04-26
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
mock-dokumentary
docufiction
contemporary cinema
ontology of cinema
epistemology of cinema
Opis:
The starting point for this paper is the statement that we are witnessing a “mock-documentary boom” in contemporary cinema. Viewers today can be surprised and confused by the variety of “intercrossings” that are used in documentary and fictional strategies. The fact that there has been a growing number of films that do not respect the traditional division between fictional and non-functional cinema deserves deeper consideration. The introduction of the paper is focused on historical sources and classifications of this complex phenomenon (for example: the brothers Lumière tradition contrasts with that of Méliès). The main body of the paper is concentrated on the question of what cinema can offer in lieu of a documentary paradigm. It also tries to explore ontological and epistemological perspectives which can clarify some of the reasons for the popularity of mock-documentary and docufiction productions. It ends with a suggestion that the cinema is a domain of fakes of reality regardless of whether fictional or non-fictional narration is used to tell their stories. 
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 21, 30
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nuda podróżowania, nuda czekania. "Gerry" Gusa Van Santa a teatr Samuela Becketta
Boredom of travelling, boredom of waiting. Gus Van Sant’s “Gerry” and the theatre of Samuel Beckett
Autorzy:
Popielecki, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/920278.pdf
Data publikacji:
2009-06-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Gus Van Sant
Samuel Beckett
boredom
nomad
road movie
aesthetic experience
minimalism
doświadczenie estetyczne
film drogi
nuda
Opis:
Jakub Popielecki draws on Roger Ebert’s anecdote and discusses similarities between Gus Van Sant’s Gerry and the theatre of Samuel Beckett. The movie and Beckett’s plays (such as Waiting for Godot) share many components: a sexually ambiguous pair of main characters, Buster Keaton’s physical comedy as a source of inspiration and use of wordplay in the title. Is Van Sant’s film a rethinking of “Beat Generation”-inspired road movie mythology? Are the characters played by Matt Damon and Casey Affleck nomads (as described by Gilles Deleuze)? What connects Van Sant’s and Beckett’s works with the phenomenon of boredom? Popielecki sees the minimalist style of these artists as a sign of a new attitude towards the problem of aesthetic experience.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2009, 7, 13-14; 225-234
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Część zamiast całości czyli sposób na cenzorów. "Szkoła podstawowa" Tomasza Zygadły – wzorcowy film kina „nowej zmiany”
A part instead of a whole or a way for censors. "Primary School" by Tomasz Zygadlo - a model movie of the "new change" cinema
Autorzy:
Jazdon, Mikołaj
Powiązania:
https://bibliotekanauki.pl/articles/918033.pdf
Data publikacji:
2014-06-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Tomasz Zygadło
Primary School
Cinema of Moral Anxiety
synecdoche
Opis:
Mikołaj Jazdon in his article presents an analysis and interpretation of a documentary that became a “trademark” of the young generation’s cinema from the decade of the Cinema of Moral Anxiety in Poland. Zygadło filmed the social behaviour of students in a Warsaw primary school to depict the fatal influence of the communist system on Polish youth, who were encouraged to tattle on each other. The method of portraying a social group from one place, as in Zygadłos Primary School, became popular among other documentary filmmakers from his generation. They began to shoot films about institutions like factories, schools or hospitals, focusing on the social relations between the people working there. These films were intentionally made as metaphors of Poland in the 1970s and of the rules operating in a country ruled by the Communist Party. The auteur strategy of depicting reality in a “pars pro toto” manner allowed documentary filmmakers to outwit the Party censors. 
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 15, 24; 281-286
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 17

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies