Temat: Sasanian rock reliefs - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Roman ‘Soldatenkaiser’ on the Triumphal Rock Reliefs of Shāpūr I - A Reassessment
Autorzy:: SHAVAREBI, Ehsan
Powiązania:: https://bibliotekanauki.pl/articles/517710.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:: Bishāpūr
Dārābgerd
Gordian III
Philip the Arab
Sasanian rock reliefs
Shāpūr I
Uranius Antoninus
Valerian
Opis:: Five rock reliefs surviving in Persis/Fārs province in southern Iran represent the victories of Shāpūr I (241–272 AD), the second Sasanian King of Kings (Šāhānšāh), over the Roman Empire. The three Roman Emperors depicted on these reliefs have traditionally been identified as Gordian III (238–244), Philip I – known as ‘the Arab’ – (244–249) and Valerian I (253–260). From the 1960s onward, new interpretations are presented. In the most recent of these, Uranius Antoninus (253/254) is recognised on three of Shāpūr’s triumphal reliefs. The present paper aims to re-examine these new hypotheses by considering numismatic materials, including a unique gold coin of Shāpūr which bears an image of the same topic accompanying a legend on its reverse.
Źródło:: Historia i Świat; 2015, 4; 47-63
2299-2464
Pojawia się w:: Historia i Świat
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: The Himyarite “knight” and Partho-Sasanian art
Autorzy:: SKUPNIEWICZ, Patryk
Powiązania:: https://bibliotekanauki.pl/articles/517560.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:: Parthian
Sasanian
Yemen
Arabia
weaponry
arms
armor
stone slab
rock reliefs
Opis:: The Himyarite slab from Zafar contains several distinctive features shared with some Parthian and Sasanian art pieces, but its relation with Naqš-e Rostam friezes proposed by Yule and Robin does not seem convincing. 1. It shows a rider clad in long scale armor analogically to a terracotta tile from the British Museum (fig. 9); 2. There is an infantry attendant with an axe depicted over the mount’s rump similarly to the Tang-e Sarvak frieze, where there are two foot warriors and a battle axe too (fig. 7); The horse position on Tang-e Sarvak is either standing or rearing as on discussed relief. 3. Round shield and raised right hand with a lance as on Ṭāq-e Bostān relief (fig. 12). 4. The layout of the original piece must have therefore been squarish rather than horizontally extended, with the opponent of the main figure marginalized. Therefore Himyarite artisans either followed unknown or not preserved Iranian iconographic pattern or combined the features of different canons. Yule and Robin have pointed out that simple snaffle was depicted in place of elaborate and decorative Sasanian bridle, an element usually pronounced in Sasanian art but not always clearly marked in Parthian iconography, especially in smaller objects. It cannot be however excluded that the slab rather follows a Roman tradition captured in local taste.
Źródło:: Historia i Świat; 2016, 5; 57-75
2299-2464
Pojawia się w:: Historia i Świat
Dostawca treści:: Biblioteka Nauki

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