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Wyszukujesz frazę "Sasanian art" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
The bullae of the spahbedan. Some iconographic remarks
Autorzy:
SKUPNIEWICZ, Patryk
Powiązania:
https://bibliotekanauki.pl/articles/517462.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
bullae
Sasanian art
spahbed
sigillography
Opis:
The seals of Sasanian highest military officials, the spahbedan which contain depiction of armoured rider create consistent iconographic group. It is possible however to distinguish five sub-groups within it, which in turn might serve as supplementary argument for their chronology or might suggest differentiation of the role of the office in time. The iconography of the spahbedan is related to 3-5th century, Roman models of imperial adventus which seems adequate for high ranking officers who needed iconographic layout emphasizing power however not entering royal prerogative. Iconography of the sovereigns of the neighboring power suited that goal well. Stylization of the arms and armour depicted on the spahbedan seals and small size of the objects do not allow firm identification of the types however it is clear that the more realistic tendency in depicting armament, typical for Late Sasanian period and contrasting with stylized and symbolic functions of earlier official art, prevailed.
Źródło:
Historia i Świat; 2017, 6; 107-120
2299-2464
Pojawia się w:
Historia i Świat
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
‘Sasanian’ silver plate from al-Ṣabāḥ Collection in light of aesthetic features of Sasanian toreutics
Autorzy:
SKUPNIEWICZ, Patryk
Powiązania:
https://bibliotekanauki.pl/articles/517756.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
Sasanian silver
al-Sabah Collection
toreutics
Iran
Art
Opis:
Recently published silver plate from al-Sabah Collection, of unknown provenance, has been firmly attributed as Sasanian. In fact, technically, it is related to the Sasanian silverwork however aesthetic examination allows to raise the doubts whether it is genuine. The plate must be compared not only with central-Sasanian artworks but all ancient ‘Oriental silver’, including pieces attributed as Hephtalite or Sogdian. The design of the plate does not have any relation with any of the known examples of late antique oriental toreutics. Central scene of heroic combat with powerful beast or beasts has never been surrounded with the ring containing other hunting scenes is unknown as well. The disbalanced decorum is even more clear when we remind that the central scene shows hunting on foot and the marginal ones – mounted. The details of fixed aesthetic elements – position of personages, beasts, weapons do not belong to Sasanian canon. The unique nature of the plate might result from many factors but the combination of unknown provenance and lack of relation to legitimate Sasanian canon require utmost cautiousness towards the object.
Źródło:
Historia i Świat; 2019, 8; 59-78
2299-2464
Pojawia się w:
Historia i Świat
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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