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    Wyświetlanie 1-5 z 5
    Tytuł:
    ,,BIERZESZ CZTERY LUB PIĘĆ NUT, JEDNĄ WYRZUCASZ, JEDNĄ PRZESUWASZ…”, czyli temat główny z Gwiezdnych wojen i Marsz imperialny jako standardy muzyki filmowej oraz ich wpływ na kulturę popularną
    YOU GET FOUR OR FIVE NOTES, YOU TAKE ONE NOTE OUT AND ONE MOVE AROUND…*, “STAR WARS MAIN THEME” AND “IMPERIAL MARCH” AS STANDARDS OF FILM MUSIC AND THEIR INFLUENCE ON POPULAR CULTURE
    Autorzy:
    SKORUPSKI, Patryk
    Powiązania:
    https://bibliotekanauki.pl/articles/909317.pdf
    Data publikacji:
    2019-06-27
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Star Wars
    music
    soundtrack
    popular culture
    orchestra
    movie
    commercial
    Opis:
    Everybody has his own smells, tastes, pictures which are associated to us with particular situations. It is the same with music and melodies. Most of us can hum “Ode to Joy”, “Für Elise” or… “Imperial March” from Star Wars. What is the strongest quality of music from this saga? Dynamism? Simplicity? Or maybe tone of instruments? I will try to find reason.
    Źródło:
    Historia@Teoria; 2018, 1, 7; 119-125
    2450-8047
    Pojawia się w:
    Historia@Teoria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    RECEPCJA ŚREDNIOWIECZNYCH MOTYWÓW W ŚWIECIE GWIEZDNYCH WOJEN
    RECEPTION OF THE MEDIEVAL MOTIFS IN THE WORLD OF STAR WARS
    Autorzy:
    DELIMATA-PROCH, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/909302.pdf
    Data publikacji:
    2019-06-27
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Star Wars
    Middle Ages
    Arthurian legends
    image of hell
    warriors
    Opis:
    The paper makes up an attempt to systematize and occasionally verify the views on the medieval motifs which were to be used while creating the world of Star Wars. The synchronic method applied in various publications lies behind opinions according to which the inspiration here included: Arthurian legends, the medieval concept of minne, visions of hell, the history and tradition of the Knights Templar, as well as the samurai in feudal Japan. These opinions cannot be regarded as entirely grounded. The remarks on the reception of some motifs related to the samurai or the Knights Templar seem justified as well as the plot of courtly love and the medieval image of hell. However, insistent juxtaposing, among others, of the individual stages of the lives of the saga’s main characters with the fortunes of king Arthur is controversial.
    Źródło:
    Historia@Teoria; 2018, 1, 7; 53-75
    2450-8047
    Pojawia się w:
    Historia@Teoria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    TRAVIS DURDEN, MYTHS AND IDOLS. GWIEZDNE WOJNY W ARTYSTYCZNYM ENTOURAGE’U
    TRAVIS DURDEN, MYTHS AND IDOLS. STAR WARS IN THE ARTISTIC ENCOURAGE
    Autorzy:
    BALBUZA, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/909286.pdf
    Data publikacji:
    2019-06-27
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Travis Durden
    Star Wars
    ancient sculpture
    modern sculpture
    3D technology
    reception
    Opis:
    The project Myths and Idols, by the French photographer Travis Durden, came into being in 2015 by means of digital technology. The artist processed photos of nine selected modern sculptures, mostly related to ancient matters, in order to provide them with the attributes or heads belonging to the heroes of the famous Star Wars saga. The sculptures chosen by Durden for his project had been created by European artists (French sculptors and one Italian master) and they are exclusively of an early modern provenance (arising from the Renaissance, Classicism, and Neoclassicism). Not a single work of ancient art is included. However, the classical (ancient) art itself became an object of the Parisian sculptor’s interest in terms of taking early modern art into account as the artists of the latter patterned themselves on ancient samples and picked up ancient subject matters. Likewise, Star Wars in turn constitutes a product of the American pop- culture frequently referring to motifs which had originated in ancient culture. The article discusses all nine photo collages and the whole project is being interpreted. Myths and Idols offers an example of the double reception of ancient culture – the early modern and contemporary ones.
    Źródło:
    Historia@Teoria; 2018, 1, 7; 19-35
    2450-8047
    Pojawia się w:
    Historia@Teoria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    SPONTANICZNOŚĆ CZY ODGÓRNE STEROWANIE? FUNKCJONOWANIE ZJAWISK SPOŁECZNYCH POWIĄZANYCH Z KULTURĄ MASOWĄ NA PRZYKŁADZIE FANDOMU GWIEZDNYCH WOJEN
    SPONTANEOUS OR TOP-DOWN CONTROL? FUNCTIONING OF SOCIAL PHENOMENA RELATED TO MASS CULTURE ON THE EXAMPLE OF STAR WARS FANDOM
    Autorzy:
    WERNER, Wiktor
    TRZOSS, Adrian
    Powiązania:
    https://bibliotekanauki.pl/articles/909287.pdf
    Data publikacji:
    2019-06-27
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    new media
    social media
    Facebook
    Wookieepedia
    Star Wars
    Lucas
    Disney
    mass culture
    Opis:
    The article is devoted to the issue of the impact of the new media on the mass culture. Authors have explored community portals using modern methods of quantitative and qualitative data analysis. The results show that belief in the more democratic, egalitarian character of the new media compared to the traditional corporate model of the mass-media industry may be a delusion as large mass media corporations have also had a great impact on the functioning of social networking sites.
    Źródło:
    Historia@Teoria; 2018, 1, 7; 37-50
    2450-8047
    Pojawia się w:
    Historia@Teoria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    ,,DLA JEDI CZAS NASTAŁ TAKŻE, BY JEŚĆ”. SCENY UCZTY W SADZE GWIEZDNE WOJNY
    “FOR THE JEDI IT IS TIME TO EAT AS WELL”. EATING SCENES IN STAR WARS SAGA
    Autorzy:
    BARBARZAK, Dawid
    Powiązania:
    https://bibliotekanauki.pl/articles/909308.pdf
    Data publikacji:
    2019-06-27
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Star Wars
    eating scenes
    feast scenes
    food on film
    food symbolism
    anthropology of food
    Opis:
    Feast scenes from the main Star Wars episodes play an important role the creation of the plot and characters. In the paper I divide them into three types. In the first part I discuss the scenes in which a feast or a meal is a pretext for the dialogues revealing the characters’ past (the conversation between Luke and his uncle) or predict their future (little Anakin and Qui-Gon during the dinner; Anakin and Padmé’s conversation predicting their fall). In the second part I present eating scenes through the authors create or underline the characteristic features of the protagonists (comism of Jar Jar Binks and Chewbacca; Jabba’s gluttony; dehumanization of the black characters by the fact that they lack any contact with food) or build their social status (Rey’s scavenger meal; feasts at tha palaces of Jabba and Amidala; Jedi master’s ascetic meal on Dagobah; clones’ canteen). To analyse the scenes I use theories developed by food anthropologists (Mary Douglas, Claude Levi-Strauss, and Katarzyna Łeńska-Bąk) and make references to classical mythology and the Bible. In the last part I raise questions about consumer’s the identity of the character who eats juxtaposing devouring and eating scenes (why are Eworks considered humanoids whereas Wampa and Rancor are considered monsters since they all eat human flesh?).
    Źródło:
    Historia@Teoria; 2018, 1, 7; 95-116
    2450-8047
    Pojawia się w:
    Historia@Teoria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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