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Wyświetlanie 1-3 z 3
Tytuł:
The Design of Imaginary Worlds. Harnessing Narrative Potential of Transmedia Worlds: The Case of Watchmen of the Nine
Autorzy:
Ciancia, Mariana
Piredda, Francesca
Venditti, Simona
Powiązania:
https://bibliotekanauki.pl/articles/1964519.pdf
Data publikacji:
2018
Wydawca:
Ośrodek Badawczy Facta Ficta
Tematy:
Transmedia Design
World-building
Narratology
Narrative
Design Tool
Design Practice
Communication Design
Opis:
Today, more than ever, audiences are surrounded by imaginary worlds in which a wide variety of products and activities can be fully explored through multiple media windows. Imaginary worlds allow members of the audience to enter vicariously in the narrative space, spending a certain amount of time in speculative and explorative activities, experiencing the ‘possible world’ through the stories set within it. According to this, it is possible to differentiate between story and storyworld. While ‘stories’ are self-enclosed arrangements of causal events that come to an end in a certain period of time, ‘storyworlds’ are mental constructions shared between recipients and authors in which new storylines can be developed. This paper aims to discuss the implication of world-building activity for the design practice. Considering narratives and world-making practices as a matter of design, this essay will tackle the following question: how can a designer use the creation of storyworlds in his practice to activate new perspectives on specific contexts? In doing so, the first part of the essay is a brief summary of how imaginary worlds have evolved through the decades. Then, the second part is devoted to the presentation of the so-called Storyworld Canvas, one of the narrative design tools developed in our research group in order to support both storytelling practice and storyworld creation. Finally, the paper describes the project Watchmen of the Nine with the aim of analysing its storyworld from the perspective of the design domain, considering storytelling and world-building activities as ways to enrich the design practice.
Źródło:
Facta Ficta. Journal of Theory, Narrative & Media; 2018, 2, 2; 113-132
2719-8278
Pojawia się w:
Facta Ficta. Journal of Theory, Narrative & Media
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Transmedia Overturning: Direct Address from Theatre to Cinema
Autorzy:
Cavaletti, Federica
Powiązania:
https://bibliotekanauki.pl/articles/1964518.pdf
Data publikacji:
2018
Wydawca:
Ośrodek Badawczy Facta Ficta
Tematy:
direct address
Brecht
look at the camera
cinema
theatre
medium specificity
Opis:
A direct address – in visual and audiovisual forms of communication – occurs any time one or more characters inside the fictional world look straight at the spectators, blurring the threshold that separates the images from flesh-and-blood reality. However, different forms of direct address can take place in several media contexts, based on the specificity of each given medium. This is particularly urgent with respect to two types of direct address: the theatrical and cine-matic ones. While the former has studied thoroughly, mainly based on Bertolt Brecht’s dramaturgy, the latter – also known as “look at the camera” – is arguably less understood. In the absence of a dedicated conceptualization, the cinemat¬ic direct address has commonly been treated merely as a transmedia counterpart of the theatrical one, thus overlooking the peculiarities of the two. This article restores the autonomy of the cinematic direct address and elaborates on its specific non-the atrical effects. First, it outlines the nature and functioning of the theatrical direct address as theorized by Bertolt Brecht. Then, by adopting a semiotic approach, it demonstrates that this type of direct address must not be confused with the cinematic one. Lastly, it introduces three non-Brechtian types of cinematic direct address: namely, the diegetic, the meta-filmic, and the documentary look at the camera.
Źródło:
Facta Ficta. Journal of Theory, Narrative & Media; 2018, 2, 2; 135-153
2719-8278
Pojawia się w:
Facta Ficta. Journal of Theory, Narrative & Media
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Defining Participatory Worlds: Canonical Expansion of Fictional Worlds through Audience Participation
Autorzy:
Blázquez, José Sánchez
Powiązania:
https://bibliotekanauki.pl/articles/1961831.pdf
Data publikacji:
2018
Wydawca:
Ośrodek Badawczy Facta Ficta
Tematy:
participatory culture
participatory worlds
transmedia franchising
audience participation
fictional world
co-creation
Źródło:
Facta Ficta. Journal of Theory, Narrative & Media; 2018, 2, 2; 13-36
2719-8278
Pojawia się w:
Facta Ficta. Journal of Theory, Narrative & Media
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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