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Wyszukujesz frazę "symbol" wg kryterium: Temat


Wyświetlanie 1-5 z 5
Tytuł:
The Criteria Necessary to Achieve Formal Definitions of Sign and Symbol
Autorzy:
Herrman, Charles
Powiązania:
https://bibliotekanauki.pl/articles/2108163.pdf
Data publikacji:
2022-08-31
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
sign
symbol
form
content
class
concept
Opis:
This paper attempts to illustrate a process of analysis that will hopefully open a path to more complete and useful definitions of sign and symbol. It applies a form-content analysis to the metaphysical properties of these two concepts. The objective is to locate criteria necessary and sufficient to derive formal definitions for these terms. Wittgenstein’s concept of “forms of representation” is analyzed and applied to the topic. Criteria are outlined that determine the appropriateness of the sign and symbol to be applied as labels. Criteria of definition are then developed using gesture, metaphor, and several other example types to illustrate the use of the criteria in distinguishing between sign and symbol. The structural organization of these two concepts proved to be especially complex and led to what some readers may find somewhat obscure. It is not our intention to be purposefully obscure.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2022, 6, 1; 97-121
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Susanne K. Langer and the Definition of Art
Autorzy:
Correia, Carlos João
Powiązania:
https://bibliotekanauki.pl/articles/451489.pdf
Data publikacji:
2019-04-30
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
Susanne K. Langer
art
symbol
sign
expressiveness
Opis:
This essay aims to analyze the conception of a work of art in the thought of Susanne K. Langer. The author offers us a definition of art, grounded on the idea that art is the “creation of symbolic forms of human feeling”. This thesis is, in turn, constructed from a robust theory of the symbolic function of the human mind.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2019, 3, 1(7); 92-103
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Peirce on the Symbolical Foundation of Personhood
Autorzy:
De Tienne, André
Powiązania:
https://bibliotekanauki.pl/articles/2044644.pdf
Data publikacji:
2022-04-30
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
Peirce
Wittgenstein
personhood
determination
symbol
vagueness
generality
Opis:
This paper discusses the semiotic and metaphysical framework within which Peirce elaborated a symbolical and dynamical conception of personhood. It exhibits the centrality of Peirce’s early conception of the “unity of consistency” along with its decentering advantages. It describes how this gave rise to a metaphysics of personhood that questions the singularity of individuals. It then conducts a semiotic study of the evolutive process across which something indeterminate evolves into something determinate that increasingly personifies itself following the logic of symbolization, taking into account two major types of indetermination: generality and vagueness. It then considers the kind of teleology at work within personification. It concludes that personhood so conceived is not restricted to only individual human beings, for the process of symbolization at work is not confined to a particular species-specific application.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2021, 5, 4; 79-100
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Film as a Dream of the Modern Man: Interpretation of Susanne Langer’s “Note on the Film”
Autorzy:
Hadravová, Tereza
Powiązania:
https://bibliotekanauki.pl/articles/451355.pdf
Data publikacji:
2020-04-15
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
Susanne Langer
Sergei Eisenstein
film aesthetics
symbol
dream
modernity
Opis:
The paper concerns a “Note on the Film,” a short appendix to Feeling and Form by Susanne Langer. The interpretation interweaves the Note into a larger context of Langer’s philosophical work – primarily in terms of her understanding of the dream as a lower symbolic form, to which the film is compared – as well as in terms of her account of literary arts among which, she suggests, cinema belongs. Langer’s references to Sergei Eisenstein are discussed and their respective concepts of cinema are compared. An implicit political dimension of Langer’s writing on film is emphasized by relating her critique of modern civilization, as sketched in the last chapter of Philosophy in a New Key, to her film aesthetics. At the end of the paper I compare my interpretation of the Note with the one that was offered by Trisha Curran.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2020, 4, 1; 38-48
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Langer’s Logic of Signs and Symbols: Its Sources and Application
Autorzy:
Chaplin, Adrienne Dengerink
Powiązania:
https://bibliotekanauki.pl/articles/451431.pdf
Data publikacji:
2019-12-31
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
Susanne K. Langer
symbol
sign
art
Bogside Artists
murals
Opis:
Over the last few decades, philosopher of art Susanne K. Langer (1895-1985) has gained growing attention for her wide-ranging and innovative philosophy of mind and culture. A central element in this philosophy is her distinction between sign and symbol. In order to understand the way in which Langer draws this distinction it is essential to know her philosophically formative sources: Henry Sheffer, Alfred North Whitehead, Ernst Cassirer and Ludwig Wittgenstein. Having explained this background, I will argue that Langer’s distinction between signs and symbols not only has significant theoretical value but can be used to explain important differences between certain kinds of artistic images. I will illustrate this with a series of murals in Derry/Londonderry, Northern Ireland, painted by the Bogside Artists. Unlike Northern Ireland’s standard sectarian murals, the murals of the Bogside Artists do not function as territorial signs or as political message boards but as symbols that are vehicles for conception, reflection and commemoration. It is argued that Langer’s notion of art as a non-discursive, open-ended symbol can contribute to a better understanding of the murals of the Bogside Artists and to an argument for their preservation.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2019, 3, 4(10); 44-54
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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