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    Wyświetlanie 1-4 z 4
    Tytuł:
    Scheler and the Very Existence of the Impersonal
    Autorzy:
    Auxier, Randall E
    Powiązania:
    https://bibliotekanauki.pl/articles/451375.pdf
    Data publikacji:
    2018-04-27
    Wydawca:
    Uniwersytet Warszawski. Wydział Filozofii
    Tematy:
    Scheler
    person
    Whitehead
    Royce
    existence
    feeling
    Opis:
    Usually philosophers worry about the existence of mind, or consciousness, or persons, or other difficult-to-explain phenomena. Having posited matter or nature, or fields, they wonder where can person or consciousness originate? This kind of thinking is backward. Only persons ask such questions. Persons exist. I turn the tables on the traditional problem of person by asking whether anything impersonal really exists. I argue that the impersonal almost exists, using the theory of feeling of Max Scheler and supplementing it with insights from Alfred North Whitehead and Josiah Royce. Even though feeling almost succeeds in divesting itself of the pre-supposed act of the person, but its concrete actuality blocks such complete self-abstraction.
    Źródło:
    Eidos. A Journal for Philosophy of Culture; 2018, 2, 1(3); 74-86
    2544-302X
    Pojawia się w:
    Eidos. A Journal for Philosophy of Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Feeling and Time: The Experience of Passage and its Relation to Meaning
    Autorzy:
    August III, John W.
    Powiązania:
    https://bibliotekanauki.pl/articles/451527.pdf
    Data publikacji:
    2018-12-28
    Wydawca:
    Uniwersytet Warszawski. Wydział Filozofii
    Tematy:
    time
    temporality
    duration
    feeling
    passage
    meaning
    experience
    Opis:
    This essay notes the relationship between meaning and the felt passage of time. The concrete experience of fluctuations in the rapidity of passage seems to be universal to the human condition. We often associate the rapid passage of time with pleasure. This article shows that this commonly held view of passage is mistaken and that the more fundamental relationship between transformations of passage is found in fluctuations of meaning. Through explorations of boredom, ambition, and concern, this essay illustrates this connection between passage and meaning through an analysis of these feelings on what the author calls “the axis of fluidity,” a theoretical construction utilized to measure the experience of passage. The result of this essay is an assertion that fluctuations in the saturation of experience with meaning influences the feeling of passage. At the end of the work, an unresolved problem appears, and a potentially ameliorating hypothesis is offered.
    Źródło:
    Eidos. A Journal for Philosophy of Culture; 2018, 2, 4(6); 82-92
    2544-302X
    Pojawia się w:
    Eidos. A Journal for Philosophy of Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Racial Foster Care, Contraceptive Knowledge and Adoption in Alain Locke’s Philosophy of Culture
    Autorzy:
    Jackson, Myron Moses
    Powiązania:
    https://bibliotekanauki.pl/articles/2161819.pdf
    Data publikacji:
    2022-12-31
    Wydawca:
    Uniwersytet Warszawski. Wydział Filozofii
    Tematy:
    intimacy account
    intercultural reciprocity
    cultural adoption
    kinship of feeling
    cultural ethics
    Opis:
    This article confronts the problems of establishing normative restrictive claims for delegitimizing conduct and attitudes of cultural appropriation. Using C. Thi Nguyen’s and Matthew Strhol’s intimacy account (IA) as a background, I offer an alternative of cultural adoption relying upon Alain Locke’s value theory and philosophical pluralism. The phenomenon of cultural adoption I propose develops some insights from Nguyen’s and Strohl’s IA, while critiquing their framework’s perceived limitations. By adding loyalty and intensity to the prerogatives of intimacy, the hope is that a more nuanced approach to the ethical concerns of cultural adoption will be achieved. My contention is that Locke’s notions of a racial sense or kinship feeling provides stronger grounds for establishing an ethics of the passerby or what I will call non-intimate encounters. Next, I will argue that the interpersonal relations of groups cannot be interpreted as simple, but only as complex wholes. Instead of monoliths and exclusive binaries, we have to recognize variation within groups and learn to think in what Albert Murray calls “mulatto,” or a culture of novel hybrids. In the final section, I argue that Locke’s philosophy, broadly construed, operates as a contraceptive knowledge against the growing imperial apathy of populists and absolutists. We should work to abandon forms of political and epistemological violence by rejecting these forms of cultural abuse. It is my grand contention that human groups express in their differences a uniqueness that makes us distrust or admire and like each other.
    Źródło:
    Eidos. A Journal for Philosophy of Culture; 2022, 6, 3; 62-78
    2544-302X
    Pojawia się w:
    Eidos. A Journal for Philosophy of Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Role of Phantasy in Relation to the Socially Innovative Potential of Filmic Experience
    Autorzy:
    Giorgi, Federico
    Powiązania:
    https://bibliotekanauki.pl/articles/451481.pdf
    Data publikacji:
    2020-04-15
    Wydawca:
    Uniwersytet Warszawski. Wydział Filozofii
    Tematy:
    Raymond Williams
    film
    structure of feeling
    total performance
    flow
    fourth look
    phantasy
    Opis:
    The aim of my essay is to distinguish the aspects of the filmic experience that are decisive in relation to the film’s capability to sensitize the viewer to social issues in Williams’s sociology of culture. In order to do that, I will take into consideration Williams’s understanding of film as a particular medium that is connected with the general dramatic tradition and is able to realize a total expression of the structure of feeling rooted in every aspect of community life. On the basis of Williams’s understanding of film, I will analyze the film’s potential for social innovation from the standpoint of the viewing subject. In the later part of my essay, I will argue that the filmic experience’s capability to promote phantasies is a decisive element in relation to the expressive power of the film. I will analyze the role of phantasy in relation to the socially innovative potential of film in the accounts of the filmic experience provided both by Williams and by other authors that follow in Williams’s footstep by conceiving the filmic flow as a gaze located outside the viewer. Finally, I will draw my conclusions concerning the elements of the filmic experience that are decisive in relation to the film’s potential for social innovation.
    Źródło:
    Eidos. A Journal for Philosophy of Culture; 2020, 4, 1; 57-69
    2544-302X
    Pojawia się w:
    Eidos. A Journal for Philosophy of Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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