Temat: stage design - Katalog OPAC zbiorów

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Tytuł:: Postantropocentryczna niepewność „Życie seksualne dzikich” jako spektakl ekologiczny
Post-Anthropocentric Uncertainty: The Sexual Life of Savages as an Ecological Play
Autorzy:: Guzy, Maciej
Powiązania:: https://bibliotekanauki.pl/articles/889535.pdf
Data publikacji:: 2020-02
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:: Wasilkowska
Morton
hyperobjects
ecocriticism
stage design
Opis:: The article, which is a part of the author’s B.A. thesis, analyzes the Island by Aleksandra Wasilkowska, a scenic object used in Krzysztof Garbaczewski’s famous performance The Sexual Life of Savages. The author juxtaposes the design of the Island and its impact with Timothy Morton’s theory of hyperobjects, focusing his reflections on the possibility of an ecocritical reading of the play. In doing so, he tries to answer the question whether The Sexual Life of Savages, contrary to the reviewers’ interpretations and the creators’ declarations, can be seen in retrospect as a project anticipating the ecological tendencies evident in the latest Polish theatre.
Źródło:: Didaskalia. Gazeta Teatralna; 2020, 155; 1-23
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Władysław Hasior: od rzeźby do performansu
Władysław Hasior: from Sculpture to Performance
Autorzy:: Figzał-Janikowska, Magdalena
Powiązania:: https://bibliotekanauki.pl/articles/1830700.pdf
Data publikacji:: 2021-10
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:: Władysław Hasior
visual arts performance
ephemeral action
stage design
theatre of the elements
Opis:: The aim of this article is to draw attention to the theatrical and performative aspect of visual works by Władysław Hasior. The Zakopane artist is presented not only as an acknowledged sculptor, creator of assemblages and banners, but above all, as a performer, stage designer, director of a peculiar “theatre of the elements”, and the author of open-air shows with complex dramaturgy and precisely defined course. The author of the article attempts to indicate the sources of Hasior’s theatrical interests and their development. The issue of theatricality is examined in relation to the way in which the artist’s works are displayed, and to his scenographic projects or his own artistic performances. These activities reveal the Hasior’s fascination with theatrical means of expression and the idea of a collective gathering of ceremonial nature. The ephemerality of the Hasior’s open-air shows means that they have been the area least explored by researchers to date.
Źródło:: Didaskalia. Gazeta Teatralna; 2021, 165; 53-80
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Dostawca treści:: Biblioteka Nauki

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