Temat: research performance - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Polityczność choreografii dla rodzin z perspektywy performance as research
The politicalness of choreography for families from the perspective of performance as research
Autorzy:: Bylka-Kanecka, Hanna
Powiązania:: https://bibliotekanauki.pl/articles/2031428.pdf
Data publikacji:: 2022-02
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:: performance as research
choreography
the political
TYA
posthuman
Opis:: The aim of the paper is to provide a reflection on the choreographic practice in the field of dance performance for families in the context of related fields of politicalness, from the perspective of performance as research. The author describes some important moments in the global and Polish cultural policy concerning dance for children and presents an understanding of politicalness after Ana Vujanović and Mark Franko. The text undertakes reflection on the usefulness of the language of posthumanism (Chikako Takeshita, Karen Barad and Donna Haraway) in research into choreography intended for families. The author gives an insight into the creative practice by analysing the dimensions of politicalness in three performances by the Holobiont collective which she co-founded.
Źródło:: Didaskalia. Gazeta Teatralna; 2022, 167; 209-235
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: The Politicality of Choreography for Families from the Perspective of Performance as Research
Autorzy:: Bylka-Kanecka, Hanna
Jaskulski, Józef
Powiązania:: https://bibliotekanauki.pl/articles/2164335.pdf
Data publikacji:: 2022-12
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:: performance as research
choreography
the political
TYA
posthuman
Opis:: The aim of the paper is to provide a reflection on the choreographic practice in the field of dance performance for families in the context of related fields of politicalness, from the perspective of performance as research. The author describes some important moments in the global and Polish cultural policy concerning dance for children and presents an understanding of politicalness after Ana Vujanović and Mark Franko. The text undertakes reflection on the usefulness of the language of posthumanism (Chikako Takeshita, Karen Barad and Donna Haraway) in research into choreography intended for families. The author gives an insight into the creative practice by analysing the dimensions of politicalness in three performances by the Holobiont collective which she co-founded.
Źródło:: Didaskalia. Gazeta Teatralna; 2022, English Issue 2022; 4-30
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 3.

Tytuł:: Znaczenia nie da się oddzielić od ciała
The Meaning Cannot Be Separated From The Body
Autorzy:: Dworakowska, Zofia
Powiązania:: https://bibliotekanauki.pl/articles/1359084.pdf
Data publikacji:: 2021-06
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:: qualitative research
participatory art
performance studies
representation
Symphony of the Ursus Factory
Opis:: The text is a proposal to analyse the film Symphony of the Ursus Factory from three different perspectives: performance studies, qualitative research, and participatory art. Departing from a quote by the director, Jaśmina Wójcik, where she reminisces about her first encounters with the former employees of the factory, the author focuses on the issue of embodied knowledge. Through discussing different moments of the film and its visual and audial strategy, the author also shows how theatricality mixes with documentality in the production. The author also refers to different events and activities from the nine-year-long Factory Ursus Project to show it as a long-term process grounded on different modes of participation and collaboration, without which the movie could not have been possible and which legitimates its artistic form.
Źródło:: Didaskalia. Gazeta Teatralna; 2021, 163/164; 28-51
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 4.

Tytuł:: The Signifier Cannot Be Detached from the Body
Autorzy:: Dworakowska, Zofia
Rusek, Mirosław
Powiązania:: https://bibliotekanauki.pl/articles/1955934.pdf
Data publikacji:: 2021-12
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:: qualitative research
participatory art
performance studies
representation
Symphony of the Ursus Factory
Opis:: The text is a proposal to analyse the film Symphony of the Ursus Factory from three different perspectives: performance studies, qualitative research, and participatory art. Departing from a quote by the director, Jaśmina Wójcik, where she reminisces about her first encounters with the former employees of the factory, the author focuses on the issue of embodied knowledge. Through discussing different moments of the film and its visual and audial strategy, the author also shows how theatricality mixes with documentality in the production. The author also refers to different events and activities from the nine-year-long Factory Ursus Project to show it as a long-term process grounded on different modes of participation and collaboration, without which the movie could not have been possible and which legitimates its artistic form.
Źródło:: Didaskalia. Gazeta Teatralna; 2021, English Issue 2021; 90-112
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Dostawca treści:: Biblioteka Nauki

Artykuł

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