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    Wyświetlanie 1-6 z 6
    Tytuł:
    Monumenta polskiej scenografii. Ustawienia – odsłonięcia – obchody
    Monument of Polish Scenography. Settings-Unveilings-Celebrations
    Autorzy:
    Fazan, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/12648722.pdf
    Data publikacji:
    2023-06
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    theatre scenography
    history of Polish theatre
    aesthetics
    art history
    Opis:
    The article entitled Monumenta polskiej scenografii. Ustawienia-odsłonięcia-obchody is a discussion of the important publication Zmiana ustawienia. Historia polskiej scenografii teatralnej i społecznej XX i XXI wieku (A change of setting. History of the Polish theatre and social scenography in the 19th and 20th centuries) edited by D. Buchwald and D. Kosiński. In the three parts, entitled Settings, Unveilings and Celebrations, the author refers to the methodological assumptions of the project, analyses the contribution of each author to the ambitious research project and reflects on the inclusion of socio-political issues in the study of theatre aesthetics. The author acknowledges the groundbreaking nature of this achievement, crowned with an important scenography exhibition at the Zachęta Gallery in Warsaw authored by Robert Rumas, and enters into polemics with the individual concepts of set design analysis and reflects on the value of the work as a synthesis covering ‘the entirety of Polish scenography’ from the late 19th century to the present day.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2023, 175-176; 502-550
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Budowanie relacji. Teatr Ziemi Mazowieckiej i jego publiczności
    Creating relationships. Teatr Ziemi Mazowieckiej and its publics
    Autorzy:
    Morawski, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/1359077.pdf
    Data publikacji:
    2021-06
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    Teatr Ziemi Mazowieckiej
    Polish theatre history
    audience
    relationships
    theatre criticism
    Opis:
    The article is an attempt to examine the archive of letters written to the Teatr Ziemi Mazowieckiej and to reconstruct the theatre’s practices aimed at giving voice to its audience. The preserved letters allow us to ask questions about the ways of building relations with the audience by the theatre, which inspired their creation and also used them in its programmes. The content of the letters and the strategies used by their authors allow us to pose a hypothesis that the theatre’s management constructed a discourse different from that of the reviewers, who disdained the work of the theatre. The archive also allows us to postulate a counter-criticism which, unlike the hierarchically establishing criticism, uses the rhetoric of enthusiasm and care, locating a political potential in kindness and seeing in it an ability to make things happen.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2021, 163/164; 62-105
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Bioarchive
    Autorzy:
    Jarząbek-Wasyl, Dorota
    Gałązka, Robert
    Powiązania:
    https://bibliotekanauki.pl/articles/2035228.pdf
    Data publikacji:
    2020
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    archive
    Polish theatre
    Irena Solska
    Stanisław Eliasz Radzikowski
    Opis:
    This article presents the history of the acquaintance between Irena Solska and Stanisław Eliasz Radzikowski seen through the lens of their correspondence (held in the collections of the National Museum in Kraków, the Czartoryski Library). These documents not only record a relationship, but – through the personal items, intimate keepsakes, and single-sentence letters enclosed in the envelopes – they are an example of an archive that transcends traditional frameworks and classifications. The author suggests using the term “bioarchive” to describe the existential, material, and performative dimension of the biographical documentation.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2020, English Issue 3; 166-182
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Reżyserka w teatrze. Władza w teatrze i możliwości zmiany modelu pracy na przykładzie procesu twórczego podczas realizacji spektaklu „M.G.” w Teatrze Polskim w Warszawie
    Female Director in a Theatre. Power in theatre and possibilities to change the model of work based on the example of the creative process during the production of M.G. at Teatr Polski in Warsaw
    Autorzy:
    Strzępka, Monika
    Powiązania:
    https://bibliotekanauki.pl/articles/2079052.pdf
    Data publikacji:
    2022-06
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    feminism
    institutional criticism
    contemporary history of Polish theatre
    theatre ensembles
    public theatre
    Opis:
    This piece of work is an attempt, grounded in artistic practice, to describe several key aspects of the mechanisms of hierarchy, power and violence in Polish theatre taking into account the perspective of a woman director. These mechanisms are currently the subject of theoretical studies and discussions within the community. In this paper I would like to propose a look “from the inside.” There is a historical and theoretical part followed by an attempt to analyse the mechanisms of power-sharing in theatre based on a discussion on competitions for the position of theatre manager, taking into consideration the criteria that discriminated against women for years, and the unspoken assumptions. This is followed by a self-reflection on the evolution of the author’s own working methods as a director with almost twenty years of artistic experience, and finally a description of the hierarchical relationships between an actress, a director and a manager, and of the political mechanisms involved. The second part of the paper is empirical in nature and is based primarily on the author’s experience of working at the Teatr Polski in Warsaw as well as her active participation in professional and public debate. It also describes the tension between the possibility of individual professional success and the permanence of anachronistic and violent systemic mechanisms of functioning of the institution of theatre.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2022, 169-170; 33-74
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Rekonfiguracje męskości w najnowszym polskim teatrze
    Reconfigurations of masculinity in recent Polish theatre
    Autorzy:
    Tabak, Wiktoria
    Powiązania:
    https://bibliotekanauki.pl/articles/2186096.pdf
    Data publikacji:
    2023-02
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    masculinities in Polish theatre
    feminism
    representation
    toxic masculinity
    patriarchy
    care politics
    Opis:
    Based on selected performances (including Autobiografia na wszelki wypadek [Autobiography just in case] by Michał Buszewicz, Woyzeck by Grzegorz Jaremko, Chcieliśmy porozmawiać o męskości, ale zostaliśmy przyjaciółmi [We wanted to talk about masculinity, but we became friends] by the Grupa Performatywna Chłopaki, Bromance by Michał Przybyła and Dominik Więcek, Halka by Anna Smolar and Ojcowie [Fathers] by Błażej Biegasiewicz), the author analyses transformations in the ways of representing masculinities in recent Polish theatre. In her opinion, it has been possible for the past few years to notice both a marked increase in interest in thematising male emotionality, fragility, caring, tenderness or intimacy in Polish theatre and a radicalisation of angry patriarchal masculinity, especially among those who reject the perspectives of institutional criticism or the #metoo movement. In this article, however, the author focuses solely on outlining the historical conditions that constituted patriarchal masculinity with all its qualities and on analysing feminist-formed masculinities in Polish theatre using methodologies developed by feminist theorists (bell hooks and Karla Elliott) and by researchers associated with the field of critical studies of men and masculinities (Michael Kimmel, Raewyn Connell, Jason Wilson, Erik Anderson and Paco Abril).
    Źródło:
    Didaskalia. Gazeta Teatralna; 2023, 173; 46-66
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Solska i „pani Stacha”
    Solska and „Ms Stacha”
    Autorzy:
    Jakubowa, Natalia
    Marszałek, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/1830737.pdf
    Data publikacji:
    2021-10
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    Polish theatre betwen I and II WW
    women on stage
    Polish actresses of XX ct
    woman as a theatre director
    drama and acting in a female perspective
    Opis:
    The article is an excerpt from the book by Natalija Jakubova Irena Solska: Bremia neobichnosti (Irena Solska: The Burden of the Extraordinarity, Moscow, GITIS, 2019), a Polish translation of which is in preparation. The text is dedicated to the collaboration between Irena Solska and Stanisława Wysocka that questions the presumed incompatibility of Solska as a star of the “old theatre” with the director-centred vision of the 1920s and 1930s. To challenge this opinion one is to reconsider the role of Wysocka’s work as a director, not limiting her achievements to the staging of the poetical texts of the classics. The author draws attention to the versatility of genres and topics of this work for which Wysocka engaged Solska as a collaborator for discovering new avant-guard authors, introducing principles of choral theatre or questioning woman’s role in society through the means of psychological realism.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2021, 165; 302-343
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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