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Wyszukujesz frazę "Opera" wg kryterium: Temat


Wyświetlanie 1-4 z 4
Tytuł:
Opera – między opresją a emancypacją kobiet
Opera: Between the Oppression and Emancipation of Women
Autorzy:
Bogucki, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/889529.pdf
Data publikacji:
2020-06
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
opera
madness
gender
feminism
new musicology
Opis:
The article analyses opera as a place which generates unhealthy excitement in men while being dangerous for women. This is the central theme of Opera, a horror directed by the Italian master of the genre, Dario Argento. The film, which tells the story of a young singer stalked by a madman, may be interpreted as a metaphor for the conservative sexual politics of the opera house. Argento’s work is an excellent introduction to the discussion that swept across American musicology in the early 1990s, about the gender analysis of European musical culture; a discussion that can be summarised in the question: is the opera house a place where women are oppressed or, on the contrary, is it a space for their emancipation?
Źródło:
Didaskalia. Gazeta Teatralna; 2020, 157-158; 1-22
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Between Body and Sound: The Theatre of Wojtek Blecharz
Autorzy:
Figzał-Janikowska, Magdalena
Wawrzyńczak, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/1955913.pdf
Data publikacji:
2021-12
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
Wojtek Blecharz
opera
musical theatre
performativity
body
Opis:
The article attempts a synthetic overview of Wojtek Blecharz’s major theatrical projects, including specifically his opera productions, such as Transcryptum, Park-Opera, Body-Opera, Fiasko [Fiasco] and Rechnitz-Opera (Anioł Zagłady [The Exterminating Angel]). What these shows have in common is a clear tendency to transcend traditional operatic conventions, associated with both the form of the genre and its reception. The composer’s musical and theatrical experiments focus on sound – its performativity and inseparable link to corporality. The privileging of the body and musical gesture goes hand in hand with enhancing the visual aspect of music, which makes it possible to see even Blecharz’s autonomous compositions in terms of performance and often also instrumental theatre. This article presents the operatic work of Blecharz against the background of contemporary theories related to the performativity of music and its intermedia contexts.
Źródło:
Didaskalia. Gazeta Teatralna; 2021, English Issue 2021; 141-166
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między ciałem a dźwiękiem: teatr Wojtka Blecharza
Between Body and Sound: The Theatre of Wojtek Blecharz
Autorzy:
Figzał-Janikowska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1817015.pdf
Data publikacji:
2020-12
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
Wojtek Blecharz
opera
musical theatre
performativity
body
Opis:
The article attempts a synthetic overview of Wojtek Blecharz’s major theatrical projects, including specifically his opera productions, such as Transcryptum, Park-Opera, Body-Opera, Fiasko (Fiasco) and Rechnitz-Opera (Anioł Zagłady (The Exterminating Angel)). What these shows have in common is a clear tendency to transcend traditional operatic conventions, associated with both the form of the genre and its reception. The composer’s musical and theatrical experiments focus on sound – its performativity and inseparable link to corporality. The privileging of the body and musical gesture goes hand in hand with enhancing the visual aspect of music, which makes it possible to see even Blecharz’s autonomous compositions in terms of performance and often also instrumental theatre. This article presents the operatic work of Blecharz against the background of contemporary theories related to the performativity of music and its intermedia contexts.
Źródło:
Didaskalia. Gazeta Teatralna; 2020, 160; 155 - 181
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wioska Operowa Christopha Schlingensiefa i Diébéda Francisa Kéré
Christoph Schlingensief’s and Diébédo Francis Kéré’s Opera Village
Autorzy:
Bednarek, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/1359026.pdf
Data publikacji:
2021-06
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
Opera Village
Schlingensief
Burkina Faso
postcolonialism
Operndorf Afrika
Opis:
The article Christoph Schlingensief’s and Diébédo Francis Kéré’s Opera Village aims to familiarise Polish readers with the Opera Village in Laongo, Burkina Faso that has never been described in the Polish theatrical and academic environment before. This is why the origin of the idea, the modification of the plan, the stages of construction and the impact on the local community are discussed in detail. The idea and involvement of Christoph Schlingensief was crucial, but one cannot underestimate the contribution of Burkinabé architect Francis Kéré either, who brought his broad architectural knowledge and helped build the relationship with local people.
Źródło:
Didaskalia. Gazeta Teatralna; 2021, 163/164; 106-134
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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