Temat: Factory - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: „Live Factory 2: Warhol by Lupa” Wystawa – instalacja – spektakl?
Live Factory 2: Warhol by Lupa. Exhibition – Installation – Performance?
Autorzy:: Ruszkiewicz, Ada
Powiązania:: https://bibliotekanauki.pl/articles/889533.pdf
Data publikacji:: 2020-10
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:: archivisation
documentation
installation
Factory 2
Krystian Lupa
Opis:: The article, which is a part of the author’s master thesis, aims to analyze the installation in the Museum of Contemporary Art in Kraków – Live Factory 2: Warhol by Lupa. The installation is based on the stage design for Krystian Lupa's theatre production Factory 2 which was inspired by the concept of Andy Warhol's Silver Factory. The article attempts to define the relationship between Live Factory 2, Factory 2 and Warhol’s Factory as well as the status and the character of Live Factory 2 and its potential of being the information about Lupa's performance.
Źródło:: Didaskalia. Gazeta Teatralna; 2020, 159; 1-33
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Znaczenia nie da się oddzielić od ciała
The Meaning Cannot Be Separated From The Body
Autorzy:: Dworakowska, Zofia
Powiązania:: https://bibliotekanauki.pl/articles/1359084.pdf
Data publikacji:: 2021-06
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:: qualitative research
participatory art
performance studies
representation
Symphony of the Ursus Factory
Opis:: The text is a proposal to analyse the film Symphony of the Ursus Factory from three different perspectives: performance studies, qualitative research, and participatory art. Departing from a quote by the director, Jaśmina Wójcik, where she reminisces about her first encounters with the former employees of the factory, the author focuses on the issue of embodied knowledge. Through discussing different moments of the film and its visual and audial strategy, the author also shows how theatricality mixes with documentality in the production. The author also refers to different events and activities from the nine-year-long Factory Ursus Project to show it as a long-term process grounded on different modes of participation and collaboration, without which the movie could not have been possible and which legitimates its artistic form.
Źródło:: Didaskalia. Gazeta Teatralna; 2021, 163/164; 28-51
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 3.

Tytuł:: The Signifier Cannot Be Detached from the Body
Autorzy:: Dworakowska, Zofia
Rusek, Mirosław
Powiązania:: https://bibliotekanauki.pl/articles/1955934.pdf
Data publikacji:: 2021-12
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:: qualitative research
participatory art
performance studies
representation
Symphony of the Ursus Factory
Opis:: The text is a proposal to analyse the film Symphony of the Ursus Factory from three different perspectives: performance studies, qualitative research, and participatory art. Departing from a quote by the director, Jaśmina Wójcik, where she reminisces about her first encounters with the former employees of the factory, the author focuses on the issue of embodied knowledge. Through discussing different moments of the film and its visual and audial strategy, the author also shows how theatricality mixes with documentality in the production. The author also refers to different events and activities from the nine-year-long Factory Ursus Project to show it as a long-term process grounded on different modes of participation and collaboration, without which the movie could not have been possible and which legitimates its artistic form.
Źródło:: Didaskalia. Gazeta Teatralna; 2021, English Issue 2021; 90-112
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Dostawca treści:: Biblioteka Nauki

Artykuł

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