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Tytuł:
Scolacium w Kalabrii – wybrane źródła literackie do poznania historii miasta
Scolacium in Calabria – selected literary sources for the history of the town
Autorzy:
Grzelak-Krzymianowska, Adriana
Powiązania:
https://bibliotekanauki.pl/articles/967134.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Scolacium
Calabria
Antiquity
ancient archeology
ancient history
Opis:
Calabria is a region where we may find many traces of very old settlements and the development of human civilization, because it was already inhabited during the Paleolithic Era. Its later, over two thousand years history is characterized by the influence of such ethno-cultural groups as the Greeks, the Brutti, the Romans, the Byzantines, the Saracens and the Normans. Hence, Calabria has become an infinite source of fascination for all who seek the remains of ancient times in Italy. The purpose of my article is to present the history of Scolacium – one of the ancient towns in the Italian province of Calabria basing, above all, on selected literary evidence on the issue. My studies concentrate mainly on pointing out the numerous references and allusions to its name and on the analysis of longer or shorter depictions of the town found in various Greek and Roman literary works and their application in a chronological reconstruction of the town’s past events as an example of historical processes observed on the territory of Magna Graecia.
Źródło:
Collectanea Philologica; 2014, 17
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rzymskie bóstwo akwatyczne Tiberinus w epickiej nar racji Annales Enniusza
Tiberinus, the roman water deity in an epic narration of the Annales by Quintus Ennius
Autorzy:
Stankiewicz, Lucyna
Powiązania:
https://bibliotekanauki.pl/articles/967141.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Ennius
ancient prayer
Tiberinus
Opis:
An example of this formula usage is the prayer utterance of one of the national epic’s charac- ter, the Annals of Quintus Ennius (Ann. I 26 Skutsch). Since, for the purposes of literary research, significant is only the first triad of this historic poem, the research was limited to Book I of the work. The realism of portrayed events is a dominant feature of the world depicted in the analyzed work and, in an essential manner, it influenced Roman religious ideals. The prayer of Aeneas to Tiber- inus – the god of the Tiber River, is therefore reviewed in a context of mythological topics taken from Homeric tradition. This sacral utterance is spoken in accordance to certain stylistic and ritual patterns that were in use in Roman poetry.
Źródło:
Collectanea Philologica; 2014, 17
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Book Review: Thanos Zartaloudis, "The Birth of Nomos", Edinburgh: Edinburgh University Press, 2019
Autorzy:
Skarbek-Kazanecki, Jan
Powiązania:
https://bibliotekanauki.pl/articles/2028241.pdf
Data publikacji:
2021-12-28
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
nomos
prawo starożytnej Grecji
społeczeństwo starożytnych Greków
polityka starożytnej Grecji
ancient Greek law
ancient Greek society
ancient Greek politics
Opis:
This paper contains a critical assessment of the The Birth of Nomos (Edinburgh: Edinburgh University Press, 2019) of Thanos Zartaloudis. It describes the key assumptions made in this recent publication, as well as the content of each chapter, judging on its merits and defects.
Źródło:
Collectanea Philologica; 2021, 24; 229-234
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Parentalia, Lemuria, Larentalia, Compitalia, Mundus Patet – ceremonie ku czci zmarłych w rzymskim systemie wierzeń
Parentalia, Lemuria, Larentalia, Compitalia, Mundus Patet – Ceremonies in Honour of the Dead in the Roman System of Beliefs
Autorzy:
Kaczor, Idaliana
Powiązania:
https://bibliotekanauki.pl/articles/648650.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
ancient Roman religion
human sacrifice
Roman religious festivities
Roman religious rites
ancient magic
Opis:
The ceremonies in honour of the dead – Parentalia, Lemuria, Larentalia, Compitalia, mundus patet – corresponded with the spiritual needs of the Romans. The purpose of the religious event recorded in the fasti usually resulted from its placing at a specific moment of the religious year, which was of great significance to the sacral community. A religious intuition in the Romans gave ground to the combination of official ceremonies in the honour of ancestors with important agricultural dates i.e. defined periods for the evaluation of time and space, which, often, accepted the form of apotropaic festivities with magical rituals. Often, the ceremonies of the turn of the year guaranteed human and animal fecundity as well as vegetative fertility.
Źródło:
Collectanea Philologica; 2019, 22; 63-84
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Magic in Private and Public Lives of the Ancient Romans
Autorzy:
Kaczor, Idaliana
Powiązania:
https://bibliotekanauki.pl/articles/1041436.pdf
Data publikacji:
2020-12-18
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
ancient magic practice
homeopathic magic
black magic
ancient Roman religion
Roman religious festivals
Opis:
The Romans practiced magic in their private and public life. Besides magical practices against the property and lives of people, the Romans also used generally known and used protective and healing magic. Sometimes magical practices were used in official religious ceremonies for the safety of the civil and sacral community of the Romans.
Die Römer praktizierten Magie in ihrem privaten und öffentlichen Leben. Neben magische Praktiken gegen das Eigentum und das Leben von Menschen, verwendeten die Römer auch allgemein bekannte und verwendete Schutz- und Heilmagie. Manchmal wurden magische Praktiken in offiziellen religiösen Zeremonien zur Sicherheit der bürgerlichen und sakralen Gemeinschaft der Römer angewendet.
Źródło:
Collectanea Philologica; 2020, 23; 53-72
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Orszak Dionizosa: Waza Townleya i jej poznańskie kopie
Autorzy:
Rosół, Rafał
Powiązania:
https://bibliotekanauki.pl/articles/2028238.pdf
Data publikacji:
2021-12-28
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
sztuka starożytna
starożytne wazy marmurowe
mitologia grecka
religia grecka
recepcja tradycji starożytnej
Ancient art
Ancient marble vases
Greek mythology
Greek religion
Reception of the Ancient tradition
Opis:
At the main entrance to the Adam Mickiewicz Park in Poznań, there are two identical stone vases with ancient motives. The author indicates that they are not merely neoclassical works from the beginning of the 20th century, but copies of the famous Townley Vase dating back to the Roman times. Then, he focuses on the retinue of Dionysus on the main frieze of the vase and discusses all ten figures occurring in it.
Źródło:
Collectanea Philologica; 2021, 24; 173-183
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Problem antycznej ekfrazy teatralnej. Część II: Scenografia
The Issue of Ancient Theatrical Ekphrasis. Part II: Scenography
Autorzy:
Czerwińska, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/648688.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
ekfrasis
scenography
ancient Greek tragedy
Euripides
Opis:
One of the dramatic ekphrasis forms is the ekphrasis of stage design. It describes what is usually made visible, at least partially, to the public, drawing its attention to important elements of scenography that played a significant role in the performance. Therefore it was necessary to make the spectators aware of those elements. They were used by all three tragedians: Aeschylus, Sophocles and Euripides. The article focuses on selected ekphrases of scenography taken from three Euripidean tragedies: Iphigenia in Tauris, Ion, Alcestis, and on their role in the structure of drama.
Źródło:
Collectanea Philologica; 2018, 21; 59-74
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Teorie pochodzenia Pulcinelli i jego związki z antykiem
Theories of Origin of Pulcinella and His Connections with Antiquity
Autorzy:
Sterna, Marta
Powiązania:
https://bibliotekanauki.pl/articles/967175.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
mask
Pulcinella
Neapolitan theatre
ancient theatre
Maccus
Opis:
A discussion on the origin of Pulcinella, the most important mask of Neapolitan Theatre, is the subject matter of the following article. At the beginning, I will present the characteristics of this figure including his symbolism. Then, I will discuss possible connections of Pulcinella with some dramatic forms of ancient theatre. At the same time, I will describe a review of study of this figure specifying the most important phases of this research. The conclusion of this article will consist of the summary of the results of carried out analysis.
Źródło:
Collectanea Philologica; 2015, 18
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Problem antycznej ekfrazy teatralnej. Część I: Postać
The Issue of Ancient Theatrical Ekphrasis. Part I: The Character
Autorzy:
Czerwińska, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/648682.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
ekphrasis
dramatis persona
ancient Greek tragedy
Euripides
Opis:
Ekphrasis is one of the forms that the Greek tragic dramatists used in their plays. From a dramaturgical point of view it was a very important element of play strictly connected with the conventions of the ancient theater. The examples taken from the Euripidean tragedy will be used to demonstrate the ways the ancient Greek tragedians applied ekphrasis in their works. Their review will start with descriptions, which can be conventionally called the ekphrasis of the theatrical “mask”. The term mask is understood here not sensu stricto as a part of actor’s costume, but as having a reference to what it hides. This type of ekphrasis may be found in visually inaccessible to the public of the Greek theater face of dramatis personae that is hidden behind the mask. It concealed facial expressions, so important to understand the action of the drama itself, as well as the role played by the actor. It is impossible to overestimate the importance of this dramaturgical element as a non-verbal means of communication which harmonizes with the text of play and its action and is crucial to perceive the intended meaning of the actors’ words.
Źródło:
Collectanea Philologica; 2018, 21; 39-57
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Topos starca i młodzieńca w dramacie Pescatori Raffaela Vivianiego w kontekście świata wartości kultury antycznej
The Topos of the Old and the Youth in the Drama Pescatori by Raffaele Viviani in the Context of the World of Values of Ancient Culture
Autorzy:
Sterna, Marta
Powiązania:
https://bibliotekanauki.pl/articles/648678.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Neapolitan drama
Viviani
Pescatori
ancient culture
topos
Opis:
The subject of reflection in this article are antique topoi, whose transmission and reception can be observed in contemporary Italian drama. This topic is discussed on the example of RaffaeleViviani’s play entitled Pescatori (Fishermen), in which you can distinguish the presence of two topoi: a young man and an old man. Moreover, the aim of the article is to look at these topoi in the context of the world of the value of ancient culture, the echo of which also seems to resonate in the song. Taking into account, however, that the issue of connections between the dramaturgy of the Neapolitan writer and the specific elements of the Greek tragedy is an extremely broad problem, this study is merely a delineation of this subject and an indication for further directions of research.
Źródło:
Collectanea Philologica; 2018, 21; 127-141
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z badań nad pojęciem pamięci – mneme w dramacie greckim. Część II: Mneme w utworach Eurypidesa
From the Study on the Concept of Memory – Mneme in Greek Drama. Part II: Mneme in the Eurypides’ Plays
Autorzy:
Narecki, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/648684.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
mneme – memory
semantics
ancient Greek tragedy
Euripides
Opis:
Study on the concept of mneme – “memory” in the plays of Euripides is a continuation of our research (based on the works of Greek tragedians), whose aim is not only to establish meanings, especially new ones, but also to define the role that this concept plays in the works of Euripides. Linguistic and literary analysis of 8 instances of a noun mneme shows that this concept reveals hitherto unknown semantic values and it also performs functions that are important for the plot. Among the meanings of mneme there are five new ones: (1) “testimony, proof” (Suppliant Women), whose role is a ‘media’ message to guarantee the preservation of memory about Theseus’ feats among descendants, (2) “account, balance” (Heracles), rational argument, which the hero must use in a critical situation caused by divine power, (3) specific “history”, which creates the plot (Ion), (4) “reason, rightness” (Iphigenia at Aulis), i.e. evidence of predominance of the woman over the man (in terms of character), (5) “image”, twice in this sense (Iphigenia at Aulis): 1. as a panorama, vivid memory of panegyric and cognitive nature (Greek expedition), 2. as scenes from Iphigenia’s childhood cited in order to change the decision of Agamemnon. In addition to the new ones, Euripides also uses known meanings: mneme with negation, i.e. the lack of “mentions, memories” (= concealment) becomes an important element of the plot of Helen, guaranteeing its happy ending; in turn mneme as Kreon’s “thought” is a tool for mastering feelings and influencing the development of stage events. All meanings defined by Euripides can be divided into two groups. The first group includes meanings that have rational value: (1) “account, balance”, (2) “thought”, (3) “reason, rightness”. In the other group there are expressive meanings: (1) “testimony, proof”, (2) “mention, memory”, (3) “history”, (4) “image”. Undoubtedly, Euripides not only broadened the semantic scope of the concept of mneme, introducing its new values, but creatively used them in his plays, whether to describe the main characters, or as an element influencing the action, or finally as a testimony of the past that is important for the plot.
Źródło:
Collectanea Philologica; 2018, 21; 25-38
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z badań nad pojęciem pamięci – mneme w dramacie greckim. Część I: Mneme w utworach Ajschylosa i Sofoklesa
From the Study on the Concept of Mneme – “Memory” in Greek Drama. Part I: Mneme in Aeschylus’ and Sophocles’ Plays
Autorzy:
Narecki, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/648690.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
mneme – memory
semantics
ancient Greek tragedy
Aeschylus
Sophocles
Opis:
The aim of the study, which is a continuation of this type of research (based on Greek literary sources of the Presocratic era), is to determine the meanings of the concept of mneme – “memory” in the works of Aeschylus and Sophocles, as well as to determine the function it plays in a given place. Linguistic and literary analysis of 12 instances of a noun mneme in Aeschylus (3) and Sophocles (9) shows that this concept reveals hitherto unknown semantic shades. Aeschylus gives mneme a new meaning of “worship” (in Suppliants). He also uses the already known: intellectual “power of memory” and for the first time in the history of Greek literature identifies “memory” with the mother of all muses – Mnemosyne (in Prometheus Bound). More often mneme appears in the works of Sophocles, which results from the functions performed there. After all, the intellectual “power of memory” and “memories” as the effects of its actions allow the characters to: (1) do well (and thus keep the moral order), (2) get to know the truth about ourselves (to recognize our own identity) changing the course of dramatic action as part of the peripeteia (the case of Oedipus), (3) lead (as the driving force) to destruction of heroes (Jocasta, Oedipus), (4) drive the action (as “thought”), (5) serve as a moral compass (in a new semantic shade “attention”, in Oedipus at Colonuss), (6) store a resource (memories) as a deposit in collective memory as a warning for posterity. And finally, for the first time in history, the concept of mneme as a tool of mimesis is used in Oedipus Rex in the new sense: “the ability to (re)create” (inspired by Mnemosyne) or otherwise: “poetic art of reconstruction” of dramatic events. Defined meanings (semantic shades) of mneme can be divided into 2 groups. The first group includes those that take rational value: “power / ability to remember”, “thought”, “attention”), while the other holds the expressive meanings: “worship, honour, commemoration”, “(re)creative, poetic reconstruction”. It seems that the Greek tragedians were aware of the role that mneme can play in their works: whether in the depiction of the characters, or as an element that drives the action, or in recalling, in various ways, the past and its cultivation.
Źródło:
Collectanea Philologica; 2018, 21; 5-23
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ofiary z ludzi w obrzędowości rzymskiej – mamuralia, sacra argeorum, saturnalia, compitalia
Human Sacrifice in the Roman System of Beliefs – Mamuralia, Sacra Argeoum, Saturnalia, Compitalia
Autorzy:
Kaczor, Idaliana
Powiązania:
https://bibliotekanauki.pl/articles/967163.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Roman system of beliefs
sacral ceremonies of ancient Rome
human sacrifice
Opis:
Apotropaic behaviours in the Roman system of beliefs required the use of various forms of offerings in order to achieve the expected sacral goal. We may assume, that a full effectiveness of such actions was asserted only by human sacrifice. Along with the development of religious practices the Romans substituted human sacrifice however, in times of serious danger for the Roman community, they would reach for the early sacral experiences. In the system of Roman beliefs extremely important appeared to be the rituals at the turn of the year, which represented the periodic change of the tempus sacrum. Many of the rituals of the turn of the year played the role of lustrative rites, which were extended into practices of liberating the community from sacral miasma and received those rites which represented the destruction of cosmic order and its recovery to the state of primordial chaos. These types of ceremonies might have required a human sacrifice.
Źródło:
Collectanea Philologica; 2015, 18
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The myth of the cyclops in antiquity and in the Spanish golden age
Mit cyklopa w antyku i literaturze hiszpańskiej złotych wieków
Autorzy:
Zalewska-Jura, Hanna
Kłosińska-Nachin, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/967133.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
myth of Polyphemus
ancient literature
Spanish literature
Lope de Vega
Luis de Góngora
Opis:
W literaturze starożytnej obecne są dwa, biegunowo odmienne, motywy podania o Cyklopie: epicki, znany z IX ks. Odysei, przywołany później i poddany modyfikacji przez Eurypidesa w dramacie satyrowym Cyklop oraz liryczno-erotyczny spopularyzowany przez Teokryta w XI sielance, Skargi Cyklopa. Wersję Teokryta rozbudował Owidiusz w XIII ks. Metamorfoz. Pomostem między obydwoma wariantami mitycznymi jest tzw. dytyramb Filoksenosa z Kytery. Mit Polifema, głównie w postaci, jaką nadał mu Owidiusz, przewija się przez hiszpański wiek XVI aż do początku kolejnego stulecia, znajdując wielu naśladowców i tłumaczy. Pod koniec XVI wieku sięga do niego również Lope de Vega w powieści pasterskiej La Arcadia (1598), nadając mu formę tradycyjnej hiszpańskiej strofy romance. Mit stanowi odbicie historii będącej przedmiotem narracji, wzbogacając powieść o elementy perspektywy autobiograficznej. W Fábula de Polifemo (1612) Luisa de Góngory mit ulega całkowitej transformacji. W jego interpretacji przeważają barokowe kontrasty i hiperbola. Struktura dzieła oparta jest na zbieżności przeciwieństw: potworności Polifema i piękna Galatei. Mit staje się też okazją do transpozycji koncepcji piękna, wywodzącej się od petrarkizmu: obserwować można dominantę planu metaforycznego, zastępującego elementy rzeczywistości.
Źródło:
Collectanea Philologica; 2014, 17
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rzeczywiste czy wyobrażone? Uszkodzenia, ubytki, deformacje posągów antycznych inspiracją dla multimedialnych działań wybranych artystów współczesnych
Real or imagined? Damages, defects, deformities of the ancient statues as an inspiration for multimedia activities of the selected contemporary artists
Autorzy:
Pawełczyk, Dominika
Powiązania:
https://bibliotekanauki.pl/articles/967121.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
ancient sculptures
damages
defects
computer photomontage
fragmentation
aesthetic deformation
theatricality of body
idealization of destruction
Opis:
In this article I would like to show the potential of the destroyed ancient sculptures and therefore to explore a variety of new themes and issues that may be generated through re-using the motives by the artists. I was especially interested in creators, who undertook a multimedial game with traditional sculpture representations, using the potential of performance art, photography, digital image processing and computer photomontage. Mary Duffy by her performative actions showed that the deformed body of the ancient sculpture forms also her everyday reality. The damaged statue of “Venus de Milo” has become a useful inspiration for stories about disability and discrimination. Maciej Osika chose the path of fantasy and aesthetisation of the damages. Graphic processed assemblies allowed him to tell us about the perfection of the human body, while Davide Bedoni decided to show that the sculptures can describe the infinite myth of harmony, which defects will be complemented by the portraits of contemporary icons of beauty. The technique of exploring the audience has been chosen by French artist Diane Ducruet by showing “Passengers” to the viewers. The artist used the facial photographs of her loved ones through which fragments of well known, damaged Louvre sculptures are barely noticeable. Ducruet talks about the elusiveness of life by those damaged portraits. Likewise all the artists mentioned above she also blurs the boundaries between what is real and what is imaginary.
Źródło:
Collectanea Philologica; 2015, Numer specjalny
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
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