Autor: Jakubczuk, Renata - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Le dieu de la danse dans Till l’Espiègle de Téo Spychalski
The god of the dance in Till l’Espiègle by Téo Spychalski
Autorzy:: Jakubczuk, Renata
Powiązania:: https://bibliotekanauki.pl/articles/1627846.pdf
Data publikacji:: 2014-01-01
Wydawca:: Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:: Till l’Espiègle – a theatrical production based on the Journal of Vaslav Nijinski, a Russian dancer of Polish descent – is a play of the Francophone theater. This play was presented for the first time in 1982 by a Quebec actor, Gabriel Arcand, in the Groupe de la Veillée of the Prospero Theater of Montreal. The theme of God is the main subject of the production. In this article, we are trying to demonstrate the dichotomy of the Nijinski’s microcosm: divided between the sacrum and profanum.
Źródło:: Cahiers ERTA; 2014, 5; 81-92
2300-4681
Pojawia się w:: Cahiers ERTA
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Lui aux prises avec la douleur dans l’adaptation de La Faim selon Téo Spychalski
Lui grappling with pain in Téo Spychalski’s adaptation of Hunger
Autorzy:: Jakubczuk, Renata
Powiązania:: https://bibliotekanauki.pl/articles/1627955.pdf
Data publikacji:: 2017-06-01
Wydawca:: Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:: This article intends to confront the literary and stage functioning of Lui, the protagonist of the Knut Hamsun’s novel Hunger (1890) and of the play of the same name created by Téo Spychalski within the theatre company, Groupe de la Veillée, in Montreal, in 1996. Using the terminological concepts developed by David Le Breton, professor of sociology at the University of Strasbourg, I explore various aspects of the notion of pain present in the novel and its stage adaptation. What is particularly interesting for me in both texts is the influence of pain on the existence of a human being, on the life of an individual.
Źródło:: Cahiers ERTA; 2017, 11; 161-175
2300-4681
Pojawia się w:: Cahiers ERTA
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 3.

Tytuł:: Deux versions modernes de l’histoire d’Œdipe : "Au retour des oies blanches" de Marcel Dubé et "Incendies" de Wajdi Mouawad
Two modern versions of the story of Oedipus: "Au retour des oies blanches" by Marcel Dubé and "Incendies" by Wajdi Mouawad
Autorzy:: Jakubczuk, Renata
Powiązania:: https://bibliotekanauki.pl/articles/1628019.pdf
Data publikacji:: 2019-03-30
Wydawca:: Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:: More than thirty years apart, two major figures of the Quebec theater scene – Marcel Dubé and Wajdi Mouawad – take up the mythical story of The King of Thebes, who killed his father and slept with his mother, and propose its "Quebec versions". The two plays, Au retour des oies blanches (1969) and Incendies (2003), are well anchored in the contemporary reality of their respective authors: the Quiet Revolution for Dubé and the civil war in Lebanon for Mouawad. Both returns to the myth of Oedipus depict young people who, like the mythical character, pursue a quest for their roots and reach the end of their respective investigations. This article aims to take up the key elements of the myth and to study their dramaturgical functioning in modern texts.
Źródło:: Cahiers ERTA; 2019, 17; 9-23
2300-4681
Pojawia się w:: Cahiers ERTA
Dostawca treści:: Biblioteka Nauki

Artykuł

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