- Tytuł:
-
„Ucieczka do słońca”. Problem emigracji w biografii artystycznej Ludomira Michała Rogowskiego (1881–1954)
“Fleeing towards the sun”. The emigration problemin the artistic biography of Ludomir Michał Rogowski (1881–1954) - Autorzy:
- Wójtowicz, Ewa
- Powiązania:
- https://bibliotekanauki.pl/articles/521896.pdf
- Data publikacji:
- 2014
- Wydawca:
- Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
- Tematy:
-
Ludomir Michał Rogowski
emigration
Dubrovnik - Opis:
- Emigration is a significant context of Rogowski’s work; it also sheds light on the complex history of his music’s reception in the country of his origin. The composer spent over half of his life outside of Poland (38 out of 73 years). After studying under the supervision of Zygmunt Noskowski he developed his education in the years 1906–1908 in European centres: Leipzig, Munich, Rome. He did not feel an emigrant at that time, he was a Pole living temporarily abroad. Rogowski’s eight-year stay in France (1911–1912 and 1914–1921) may be considered in terms of emigration as well as the 28 years of living in Dubrovnik (1926–1954). Those two periods are different from each other in many ways. During the first of them, the composer was active in the Polish diaspora: he established a choir and wrote incidental music with patriotic message. In Dubrovnik, Rogowski was one of a handful of Poles but he did not feel alienated. Soon he blended into the local community co-creating the musical life of the city. In terms of artistic results, the Dubrovnik period cannot equal with the French time in his life, when the best compositions and a study Muzyka przyszłości [The Music of Future] were written. The ambitious author referred then to the common trends popular at that time in European music, such as the search for reviving musical language or fascination with the Orient. The musical circles of Dubrovnik, of which Rogowski was a central figure, could not play an inspiring nor a controlling function towards him. Choosing the fate of a voluntary anchorite on the shores of the Adriatic Sea, the composer condemned himself to gradual oblivion in his first homeland.
- Źródło:
-
Aspekty Muzyki; 2014, 4; 103-118
2082-6044 - Pojawia się w:
- Aspekty Muzyki
- Dostawca treści:
- Biblioteka Nauki
Artykuł