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    Wyświetlanie 1-4 z 4
    Tytuł:
    Ekspresja i empatia. Tauromachia okiem Reymonta ("Los toros")
    Expression and empathy. Tauromachia as seen by Reymont ('Los toros')
    Autorzy:
    Samborska-Kukuć, Dorota
    Powiązania:
    https://bibliotekanauki.pl/articles/2080547.pdf
    Data publikacji:
    2021-12-23
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    W.S. Reymont
    'Los toros'
    Hiszpania
    korrida
    Spain
    a corrida (a bullfight)
    Opis:
    Reymont wrote the short story, 'Los toros', in the year 1907 after coming back from Spain, where he witnessed a corrida in San Sebastián. The choice of the genre was intentional. The writer used it to reflect the realities of life and depict a group portrait of Spaniards, in which he succeeded without a doubt, using all with his literary imagination and ability to make his works metaphoric. Baffled by the corrida as an element of Spanish culture, Reymont did not express his moral approval of torturing animals (bulls and horses) on stage. On the contrary, his narration is full of sympathy and expressions that indicate emotional engagement. The turning point, the act of pardon performed by the young shepherd and the narrator’s friend towards the bull, indicates that Reymont’s reception of the corrida was empathic. Now, we had two conclusions on the contesting of the phenomenon. Reymont’s work was used by the French Chamber of Deputies as a literary example of disapproval of bloody spectacles that are justified by tradition. 
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2021, 21; 221-234
    2081-1853
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    W kręgu późnobarokowej zootanatologii. Trzy próbki literackie Jana Ludwika Platera
    On late‑Baroque zoonatology: Three literary samples by Jan Ludwik Plater
    Autorzy:
    Samborska-Kukuć, Dorota
    Powiązania:
    https://bibliotekanauki.pl/articles/1036405.pdf
    Data publikacji:
    2020-12-20
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    Jan Ludwik Plater
    animal elegy
    Baroque poetry
    elegia zwierzęca
    poezja barokowa
    Opis:
    A manuscript collection, literary Miscellanea, from the 18th century, which is in the possession of the Ossolineum Library, contains works written by Jan Ludwik Plater (ca. 1670–1736), a Livonian voivode. Three poems about little domestic animals, and more specifically – their dying, are worth the attention. The author, who was an educated man, wrote elegies for the death of the ‘turkey court’ favourites, following the model of ancient (Catullus, Ovid) and old‑Polish (Kochanowski, Szymonowic) writers. He wrote light and graceful poems, which contain the features of an elegy but are also decorative in the Rococo style; on the one hand they ‘commemorate’ ephemeral beings, on the other hand they provoke thought on the universality of death. 
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2020, 20; 135-141
    2081-1853
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dwa „łzawe” apele Marii Ilnickiej ("Do sióstr moich")
    Two "tearful" appeals by Maria Ilnicka ("Do sióstr moich")
    Autorzy:
    Samborska-Kukuć, Dorota
    Powiązania:
    https://bibliotekanauki.pl/articles/938405.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    Polish poetry
    19th century
    Maria Ilnicka
    emancipationa
    Bluszcz
    woman
    Opis:
    Maria Ilnicka is directly associated with the Manifesto of 22nd January, 1863. As its (co-) author, she expressed her opionion on emancipation issues both in poetry and ”Bluszcz”, which she edited herself. However, contrary to the expectations resulting from the contents of the Manifesto, these are not revolutionay views. In fact, they are more conservative and in line with the convential status quo. Two poems of the same title: Do sióstr moich, clearly reflect her ideas. Ilnicka emphasises first of all: a passive attitude of women towards national matters, suggesting the model of ‘a mournful weeper’, and second of all: abandoning social activity and remaining in the shadow of patriarchy – in the role of ‘a guardian of the hearth’.
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2018, 18; 33-41
    2081-1853
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    "Zabawy mędrców" Antoniego Wysockiego – powieść z życia akademików krakowskich XVI wieku
    "Zabawy mędrców" by Antoni Wysocki – a novel about the life of academics from Krakow in the 16th century
    Autorzy:
    Samborska-Kukuć, Dorota
    Powiązania:
    https://bibliotekanauki.pl/articles/40615049.pdf
    Data publikacji:
    2023-12-30
    Wydawca:
    Uniwersytet Komisji Edukacji Narodowej w Krakowie
    Tematy:
    Antoni Godziemba Wysocki
    Zabawy mędrców
    the Krakow Academy
    Middle Ages
    education
    Akademia Krakowska
    średniowiecze
    oświata
    Opis:
    Zabawy mędrców – a novel by Antoni Godziemba Wysocki, a forgotten writer, an eccentric and intellectual from Lviv, was published in the interwar period and became a literary event. Reviewers unanimously emphasized his innovative approach to history. It was not the historical novel that readers were used to, both in terms of idea and form. Placing the action inside the Krakow Academy in the 16th century, at the turn of the Middle Ages and the Renaissance, was supposed to demonstrate the pathology of education that was dominated by dogma and scholasticism against the background of the daily life of those days. In order to achieve that, the author allegedly worked on his book for over twenty years, thoroughly studying the sources: rare papers, manuscripts and numerous dissertations about the history of the Jagiellonian University. Consequently, a vivid (but strongly biased and clearly depreciating the Middle Ages) study of a few teachers came into life. The professors and bachelors, who had authentic prototypes, were shown through psychoanalytical examination in search of their complexes and personality disorders that limited their mental and didactic work. Wysocki’s work: cool, intellectual, and allusive, it was a unique but one‑sided presentation of Polish culture during the times of the last Jagiellon, but above all, it was a type of warning that concerned the condition and future of Polish education after gaining independence.
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2023, 23; 109-123
    2081-1853
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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