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    Wyświetlanie 1-3 z 3
    Tytuł:
    From Masque to Masquerade: Monarchy and Art in Andrew Marvell’s Poems
    Autorzy:
    Łączyńska, Klaudia
    Powiązania:
    https://bibliotekanauki.pl/articles/888928.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    poetry
    Andrew Marvell
    Neo-Platonism
    carnivalesque
    satire
    monarchy
    art
    Opis:
    A considerable number of Andrew Marvell’s poems contain reference to various forms of visual arts. Marvell’s use of this type of imagery frequently leads to some type of transformation of a psychological, spiritual, political or social reality, with more or less overt allusions to the Neoplatonic notions of sublimation. However, this predominantly Neoplatonic notion of art, characteristic of Marvell’s earlier lyrics, disappears from his Restoration poems. In the satires, art, instead of idealising and elevating the corporeal, is rather dragged into the sphere of matter, where, together with the objects of the poet’s mockery, it undergoes a carnivalesque deformation. Such a degradation or carnivalisation of art imagery in Marvell’s Restoration satires is not only generically conditioned, but has its roots in the political, social and philosophical legacy of the Republic.
    Źródło:
    Anglica. An International Journal of English Studies; 2014, 23/1; 115-127
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ironic, Grotesque, Farcical and Tragic Depiction of Totalitarianism in Martin Amis’s Selected Works
    Autorzy:
    Stolarek, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/888976.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Martin Amis
    literature
    Nazism
    Communism
    Islamic fundamentalism
    grotesque
    irony
    satire
    Opis:
    The aim of this article is to present an ironic, grotesque, farcical and tragic dimension of totalitarianism in Martin Amis’s selected works. The author is going to analyse and juxtapose three dictatorial ideologies: Nazism, Communism and Islamic fundamentalism while showing Martin Amis’s distinctive literary techniques, styles and modes used with reference to the examination of each of these three issues. Firstly, the emphasis will be placed on the exploration of those novels of the British writer that present Nazism and Communism and their aftermath, namely Time’s Arrow, House of Meetings and Koba the Dread: Laughter and the Twenty Million. This section will present ironic, grotesque, satirical as well as tragic facets of these two totalitarian systems depicted by Martin Amis. The subsequent part will focus on the issues of Islamist fundamentalism, terrorism and the relations between Islamist and Western culture at the turn of the third millennium. Here, the author is going to scrutinize Martin Amis’s novel The Second Plane: September 11: Terror and Boredom as well as she will refer to the writer’s miscellaneous interviews, talks and discussions. Similarly to the previous part devoted to the analysis of Nazism and Communism, this one will draw the attention to Amis’s grotesque, farcical and ironic delineation of Islamic fundamentalism, yet here, a special emphasis will be placed on the writer’s description of a political and social aspect of this matter rather than on his concern for linguistic an stylistic innovation. Finally, by juxtaposing these three totalitarian ideologies in Martin Amis’s selected fiction the author is going to show numerous interpretations and sides of this subject matter, ranging from political and social debate to cultural and literary criticism.
    Źródło:
    Anglica. An International Journal of English Studies; 2013, 22/1; 71-81
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Two Exercises in Consilience: Annie Dillard and Kurt Vonnegut on the Galapagos Archipelago as the Archetypal Darwinian Setting
    Autorzy:
    Oramus, Dominika
    Powiązania:
    https://bibliotekanauki.pl/articles/888960.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    prose fiction
    Anne Dillard
    Kurt Vonnegut
    Charles Darwin
    the Galapagos Islands
    science-fiction
    social satire
    Opis:
    The aim of this essay is to compare how Darwinian references are used in the writings of two late 20th century American authors, Annie Dillard and Kurt Vonnegut who both choose the Galapagos archipelago as the focal setting of their symbolical narratives, as we see in Vonnegut’s novel Gala´pagos and in Dillard’s essay ‘‘Life on the Rock: the Gala´pagos.” As far as Dillard’s prose is concerned, she also depicts the archipelago in other short narratives from Teaching a Stone to Talk and Pilgrim at Tinker Creek. Although neither Dillard nor Vonnegut have a conspicuously political agenda, they both consider the theory of evolution a heavily ideological subject and both apply the Darwinian paradigm to describe nature and the human race within nature.
    Źródło:
    Anglica. An International Journal of English Studies; 2014, 23/1; 19-29
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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