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Wyświetlanie 1-3 z 3
Tytuł:
Shakespeare’s Exceptional Violence: Reading Titus Andronicus with Hannah Arendt and Giorgio Agamben
Autorzy:
Porcelli, Stefania
Powiązania:
https://bibliotekanauki.pl/articles/653537.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Titus Andronicus
violence and power
biopolitics
Giorgio Agamben
Hannah Arendt
Opis:
In this paper I explore the multifaceted relationship between violence, speech and power in the most graphic of Shakespeare’s plays, Titus Andronicus. I take my cue from Hannah Arendt’s reflections on violence as opposed to power, and as something “incapable of speech,” but I read the play through the lens of Giorgio Agamben’s notion of sovereignty as the suspension of the law. I consider the dichotomy speech/muteness as an example not only of the dichotomy power/violence (Arendt) but also of the opposition between bios and zoe, that is the difference between a life worth to be included in the political realm and a life understood as the mere condition of being alive, a condition common to human beings and beasts (according to classical philosophy). In Titus Andronicus, these distinctions are blurred, and zoe becomes fully exposed to the sovereign decision. While the image of a mutilated and mute body cannot match Arendt’s idea of politics as the combination of speech and action bereft of violence, Agamben has developed the notion of a politics that renders life disposable, mute, bare, and can still be called politics or power, and precisely biopower. From this perspective, I argue, Lavinia and the other characters of Titus Andronicus are the embodiment of the concept of “bare life” as developed by Agamben, and Shakespeare’s Rome is a State of exception and of exceptional violence.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2016, 4, 1
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Laying Bare: Agamben, Chandler, and The Responsibility to Protect
Autorzy:
Quigley, Gabriel
Powiązania:
https://bibliotekanauki.pl/articles/653579.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
The Big Sleep
R2P
Agamben
Bare Life
States of Exception
Opis:
This paper demonstrates the hidden similarities between Raymond Chandler’s prototypical noir The Big Sleep, and the United Nations Responsibility to Protect (R2P) document. By taking up the work of philosopher Giorgio Agamben, this paper shows that the bare life produces the form of protection embodied by Philip Marlowe in Chandler’s novel and by the United Nations Security Council in R2P. Agamben’s theorizing of the extra-legal status of the sovereign pertains to both texts, in which the protector exists outside of the law. Philip Marlowe, tasked with preventing the distribution of pornographic images, commits breaking-and-entering, withholding evidence, and murder. Analogously, R2P advocates for the Security Council’s ability to trespass laws that safeguard national sovereignty in order to prevent “bare” atrocities against human life. As Agamben demonstrates, the extra-legal position of the protector is made possible by “stripping bare” human life. This paper also gestures towards limitations of Agamben’s thought by indicating, through a comparison of these two texts, that bare life produces states of exception as the object of protection rather than punishment.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2015, 3, 2
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Secret Rooms, Locked Doors and Hidden Stories: Retelling “Bluebeard” as a Holocaust Narrative in Michèle Roberts’s "Ignorance"
Autorzy:
Goszczyńska, Marta
Powiązania:
https://bibliotekanauki.pl/articles/2116525.pdf
Data publikacji:
2022-07-14
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Michèle Roberts
“Bluebeard”
Maria Tatar
George Steiner
Michel Foucault
Mikhail Bakhtin
Giorgio Agamben
Holocaust
Opis:
One of the most grisly European fairy tales, “Bluebeard” is also a story that has proved immensely productive, spawning numerous variants, adaptations and rewritings. This essay offers a reading of Michèle Roberts’s Ignorance (2012) as one such retelling. Roberts employs “Bluebeard” to construct a story that utilises the format of a dual coming-of-age novel but is gradually revealed as a Holocaust narrative. Set in a provincial town in Vichy France, Ignorance makes repeated use of “Bluebeard” motifs to explore the complicity of individuals in Nazi crimes against their Jewish neighbours. Featuring secret rooms, forbidden chambers, locked doors and embedded narratives, the novel tells the story of Jeanne Nérin as she comes to terms with her Jewish identity and accepts her responsibilities as a Holocaust survivor. This account is complemented by several other stories, the most important of which is that of Jeanne’s childhood companion, Marie-Angèle, whose Bildung ends in emotional and ethical failure. Fascinated with the life of bourgeois comfort and respectability, Marie-Angèle embraces what Nancy Tuana describes as “wilful ignorance,” and becomes increasingly complicit in the acts of injustice, exploitation and crime she witnesses. 
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2020, 6, 2; 52-62
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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