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    Wyświetlanie 1-3 z 3
    Tytuł:
    In the Forest of Words I Got Lost – About the Silence in the Poetry of Antonio Colinas and Zbigniew Herbert
    Autorzy:
    Woźniak, Maria Judyta
    Powiązania:
    https://bibliotekanauki.pl/articles/648874.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Antonio Colinas
    Zbigniew Herbert
    contemporary poetry
    comparative literature
    silence
    Opis:
    The aim of this comparative article is to present the similarity of the poetic concepts of Antonio Colinas and Zbigniew Herbert. The poets did not know each other, there are no traces of mutual influences to be found in their poetic output either, however, they both seemed to be equally connected with the Mediterranean culture. This article concentrates on the meaning of silence in their poetry seen as a necessary supplement to the art of words, hope for saving the sense from ambiguity and hubbub of words. The insufficiency of both the accessible language and silence inspired the poets to seek a form of expression that could satisfy human needs, “the unattainable language.” The search, between the word and silence, is manifested in the poetic works of Colinas and Herbert.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 38, 8
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „W lesie słów się zgubiłam” – o ciszy w poezji Antonia Colinasa i Zbigniewa Herberta
    “I got lost in a forest of words” − on silence in poetry of Antonio Colinas and Zbigniew Herbert
    Autorzy:
    Woźniak, Maria Judyta
    Powiązania:
    https://bibliotekanauki.pl/articles/967978.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Antonio Colinas
    Zbigniew Herbert
    contemporary poetry
    comparative literature
    silence
    komparatystyka literacka
    cisza
    poezja współczesna
    Opis:
    The objective of this comparative article is to present the similarity of poetic concepts of Antonio Colinas and Zbigniew Herbert. The poets did not know each other, there are no traces of mutual influences to be found in their poetic output either, however, they both seemed to be equally connected with the Mediterranean culture. This article concentrates on the meaning of silence in their poetry seen as a necessary supplement to the art of words, hope for saving the sense from ambiguity and hubbub of words. Insufficiency of both the accessible language and silence inspires the poets to seek a form of expression that could satisfy human needs, “the unattainable language.” The search, between the word and silence, is manifested in the poetic works of Colinas and Herbert.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2015, 30, 4
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Muzyka jak Ocean. Novecento Alessandra Baricco w kontekście porównawczym
    Music like an ocean. Alessandro Baricco’s Novecento in a comparative context
    Autorzy:
    Zarych, Elżbieta
    Powiązania:
    https://bibliotekanauki.pl/articles/649553.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    contemporary literature
    italian literature
    music inspiration
    comparative analysis
    Opis:
    Elżbieta Zarych presented the Italian writer and musicologist’s famous monologue in the context of his other literary and theoretical books, literary and musical works that served as his inspiration, as well as, contemporary pieces which deal with the same topic. The author of the dissertation, while considering the music and melody of Baricco, focused on pieces that possess the two principal topics: ‘music’ and ‘sea.’ Baricco wrote ‘the sea is the music’ and in the monologue Novecento they both are connected in the highest form. The author presented the conception of Baricco who, in order to avoid classifying his work into literary genres, wrote just ‘stories’ while connecting the literature, the music and the painting into the ‘white music of a story’. She also presented Barrico’s concept of real and ideal music in the context of his multi-level plot and the Novecento composition. Furthermore, the author analyzed the jazz quintet accompaniment composition for the Novecento monologue written for the Italian actor Eugenio Allegri, as well as, explored the realized and unrealized ideas during the composition’s creation process. She at-tempted to characterize the imagination of Baricco who, using his musical knowledge, tries to concretize the plot of Novecento; the metaphors: ‘life is a navigation’, ‘a sea is a music’, and ‘a story is a music and a sea’, as well as, describe the life of an ideal and genial musician Danny Boodmann T. D. For Lemon Novecento, life is music and music interprets reality. The author showed that for Baricco too, music is something real and normal, and for this reason in Novecento he tells the story of real music – jazz, played in real time on a real traveling ship.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 16, 2; 43-53
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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